Royal Exchange, ManchesterAnna Jordan's new adaptation sets Brecht's anti-war play in a dystopian 2080From the lighting rig are suspended wire grids on to which are fastened ragged cardboard placards. In sketchy letters, as if scrawled in haste, are written scene numbers and titles. Exits and entrances between the ranked seats are lined with metal crash barriers; a used tyre, shopping trolley and oil drum are stacked…
SOURCE: The Guardian at 04:18AM on February 17, 2019