Donmar Warehouse, London This fascinating adaptation of a film about a Foley artist creating sound effects for a horror movie attacks its targets " artistic responsibility and male power structures " with relishSound design is increasingly dominant in theatre, leading to what you might call a sonic boom. This is clearly influenced by the cinema, so it seems apt that Peter Strickland's acclaimed 2012 movie about a sou…
SOURCE: The Guardian at 11:42AM on February 15, 2019