Sam Wanamaker Playhouse, LondonNick Bagnall's production ably draws out the parallels with Shakespeare's Richard II and the cast speak the verse beautifullyThere seems to be blood on an archbishop's hands within the first moments of Nick Bagnall's production of Edward II. Except on closer inspection, it turns out to merely be a pair of crimson gloves, held in prayer over the coffin of the dead, great Edward I. It's s…
SOURCE: The Guardian at 01:42PM on February 14, 2019