Dorfman; Gate; New Diorama, LondonCate Blanchett and Stephen Dillane can't save a clunky S&M study of sexual politics, but thrills are to be had in a vivid account of poetic friendship and a new take on Orson WellesWhen will we have sufficiently tortured each other with Martin Crimp's new play? The answer is: we already have. In Katie Mitchell's production it is both bludgeoning and baffling. Heavy with intent bu…
SOURCE: The Guardian at 03:54AM on January 27, 2019