After filing his final dance review last month, Luke Jennings reflects on the transcendent highs and excruciating lows, and his hopes for the future of the art formThings have changed since 2005, when I became the Observer's dance critic. I'd been a dancer myself, back in the day, and this was an irresistible invitation to re-enter a world that part of me still missed.Thirteen years ago it was still possible to say t…
SOURCE: The Guardian at 08:36AM on January 19, 2019