Royal Court; Dorfman; Hampstead, London Corporal punishment still hurts in Mark Ravenhill's haunting new play, Poe is channelled for festive creepiness, and fine performances spruce up ChekhovThere was a lot of guilt on stage last week. It's a good subject for the theatre. Audiences can see its effect before the cause is disclosed, feel the emotion before hearing the argument. As they do in Mark Ravenhill's new play…
SOURCE: The Guardian at 03:54AM on December 16, 2018