Several years ago, producer Scott Rudin contacted Aaron Sorkin with an idea that was either bold or insane: A new To Kill A Mockingbird. For the stage. Harper Lee’s beloved 1960 book became a just-as-beloved (maybe more so) 1962 movie that left what could easily be assumed to be an indelible, irreplaceable imprint on our cultural memory. As Sorkin tells Deadline in this interview, he feared a new take on Mockin…
SOURCE: Deadline at 12:00PM on December 13, 2018