He has put an Isis fighter's mother in the Ghent Altarpiece and restaged a murder. Now the Swiss director plans to get radicalWhen Milo Rau first saw the Ghent Altarpiece, one detail leapt out at him. While Hubert and Jan van Eyck's 15th-century masterpiece is often admired for the ambitious scale of its Lamb of God scene, the Swiss theatre director zoomed in on Adam's sunburnt hands. "They are red because the model …
SOURCE: The Guardian at 02:06AM on October 8, 2018