2018 Capital Fringe Review: 'The Truth*'
An ancient professor (Mickey Hays) ambles into the lecture hall, his collapsed posture and bowlegged, turned-out stance recalling Pantalone of the commedia dell’arte (he even wears the mask). He is a cantankerous scholar, chiding the audience for arriving late and having not done the reading. He unveils a map of a far-away continent. The interior […] The post 2018 Capital Fringe Review: ‘The Truth*&…
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