Review: Isadora Duncan: Landscapes of the Soul at Capital Fringe by Arielle Ostry

You know when you are watching Isadora Duncan’s work. Her technique, created over a century ago, is easily recognizable. With parading skips, subtle gestures and a wide emotional vocabulary, her works were revolutionary at the turn of the 20th Century when the traditional ballet hierarchy ruled the dance world. Nevertheless, Duncan’s once radical ideas emphasizing […] The post Review: Isadora Duncan…

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