Laurie Metcalf Joins Bruce Willis in Broadway 'Misery' This Fall
Laurie Metcalf will star with Bruce Willis in the Broadway play adaptation of “Misery,” which has just locked in a November opening at the Broadhurst Theater. Metcalf replaces th…
Laurie Metcalf will star with Bruce Willis in the Broadway play adaptation of “Misery,” which has just locked in a November opening at the Broadhurst Theater. Metcalf replaces th…
The actress replaces the previously announced Elizabeth Marvel, who has withdrawn from the production due to scheduling conflicts.read more
Three-time Emmy Award winner Laurie Metcalf has replaced Elizabeth Marvel as leading lady in the Broadway adaptation of Stephen King's Misery opposite Emmy and Golden Globe Award win…
Dickens penned far more compelling and believable sagas than "Coram Boy," which premiered yesterday at the Imperial Theatre. Adapted by Helen Edmundson from Jamila Gavin's juvenile novel, th…
Review by Lindsey Wilson
The McCarter Theater Center's "Twelfth Night" is a stylish if unusually somber staging of Shakespeare's romantic comedy.
The revival of Alan Ayckbourn's farce doesn't exactly make the heart beat faster. The characters often feel more like props than people.
Frank D. Gilroy's 1964 drama is nothing if not dreary. And yet, as this revival at the Kennedy Center illustrates, if it's not dreary, it's nothing.
Kia Corthron is an immensely promising younger playwright.
Pain, alienation and the thousand varieties of loneliness that flesh is heir to: these are the topics that Abi Morgan's "Tender," a British play being given its New York premiere by Thirteen…
There are bad days, and then there are bad days. As Job, a prosperous, gregarious man living in biblical times, is napping after a dinner party, messengers begin arriving.
Uncle Vanya's jumpy, star-studded Russian melancholy, and Lynn Nottage's grimly lyric Ruined.
What makes a rich life? Chihuahuas have one answer, while two somber plays suggest another.
Much of Abi Morgan's play "Tender" seems overfamiliar - it's "Sex and the City" on downers - and strains credulity. Do people really behave like this?
Patti LuPone looks back at her life, describing the hard times on the way to Momma Rose and Evita.
This uneven revival succeeds better at milking the play's broad laughs than acknowledging the rich seams of anguish that feed them.
Think twice before giving up a kid or a left arm. You might need them for that apocalyptic day when Britney Spears comes to Broadway in "The Sound of Music."
New York City Opera's "A Quiet Place," Leonard Bernstein's only full-length opera, makes a long-troubled composition finally work.
Seeking Justice With a Family of Moms By NEIL GENZLINGER
Shay Youngblood's play reminds us that a parent with a knack for storytelling can pass on more valuable truths and history than any sitcom can.
"Kalkwerk" is a grim tale of epic futility from the Polish theater director Krystian Lupa and the Narodowy Stary Teatr.
Yikes -- it's been one misery after another on New York stages this week.
Until the last stretch of Nicholas Martin's heavy-footed 2 1/2-hour production, the actor falls back on his stock delivery: jokey set-ups, snide asides and the trumpet voice that appears to …
“The Subject Was Roses,” about a man who sees his troubled parents through fresh eyes, runs through March 6 at the George Street Playhouse in New Brunswick.