A lot of coincidences have brough Natalie Venetia Belcon back to Broadway this season. The stage veteran returns to play the iconic Omara Portuondo in Buena Vista Social Club, singing music …
Produced by Dean Sharenow and David Yazbek, the album will be co-produced by Marco Paguia and Orin Wolf, and executive-produced by Allan Williams. The ...
Buena Vista Social Club, currently nominated for 10 Tony Awards, will release its original Broadway cast recording digitally on June 6. A physical CD will be available on July 25, with…
BUENA VISTA SOCIAL CLUB will released an Original Broadway Cast Recording digitally on June 6th. The CD will be available on July 25th, with vinyl release later in 2025. Produced by Dean Sha…
Review of the Friday, May 30, 2025 performance at the Gerald Schoenfeld Theatre in New York City. Starring Natalie Venetia Belcon, Julio Monge, Mel Seme, Jainardo Batista Sterling, Isa Anton…
Stage veteran and first-time Tony Award nominee Natalie Venetia Belcon opens up to PEOPLE about her role in 'Buena Vista Social Club' on Broadway, ...
Broadway.com Editor-in-Chief Paul Wontorek interviews Natalie Venetia Belcon about her Tony-nominated turn as Omara in BUENA VISTA SOCIAL CLUB.
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A very special visitor headed to the Schoenfeld Theatre earlier this week! Tony, Grammy, Oscar, and Emmy Award winner Rita Moreno stopped by for a performance of Buena Vista Social Club and …
Watch a video of the cast of Buena Vista Social Club performing a Tiny Desk Concert for NPR. Introduced by Marco Ramirez, cast members Wesley Wray, Da'Von Moody, Isa Antonetti, and Mel Semé…
NOMINATED FOR 10 TONY AWARDSÂ®ï¸ INCLUDING BEST MUSICAL and A NEW YORK TIMES CRITIC'S PICK!
"Entering Buena Vista Social Club is like stepping into a world of senses, of heightened em…
"Dance and music are everywhere in Cuba." Co-choreographers Patricia Delgado and Justin Peck share how they used dance to help tell the story of Buena Vista Social Club on stage.
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When director Saheem Ali first heard the songs of Buena Vista Social Club as a teen in his native Kenya, he couldn't understand the Spanish lyrics"but he didn't need to.
"I was so obsessed …
A Broadway show about the making of a historic record in Cuba doesn't sacrifice the authenticity of its deep cultural context"or its original language.