70 stories from seattlepi.nwsource.com
Just now, David Esbjornson is migrating from life A to life B.
Since his first play, "I Know I've Been Changed," became a breakout hit in 1998, Tyler Perry has quietly been making a name for himself as one of the most successful playwrights in undergrou…
According to Martin Charnin, ideas for Broadway musicals come "out of the blue." Not long ago, the blue came up with the inspiration for "Robin Hood: the Legend Continues."
Musicals are close to the heart of 'Little Shop' puppeteer
There's so much chain-smoking going on in "The Distance From Here," Neil LaBute's new play, that simply sitting in the audience is like sucking down a pack of Marlboros.
Let's hear it for the cheeky, campy "Candide" that has buoyantly landed at Lincoln Center's Avery Fisher Hall for, lamentably, only a four-performance run.
Oh, my. What is one to make of Mark Medoff's "Prymate," the strangest play of this waning Broadway season?
Thanks to American Theater Web for the link!
Thanks to American Theater Web for the link!
Ellen McLaughlin's job in "Homebody/Kabul" is to talk steadily for about an hour. "My monologue is running 65 minutes now," she says. "I'm hoping to get that down to 62."
Intiman Theatre has turned itself into a jewel box. Its production of "The Light in the Piazza" is finely wrought, elegant, radiant and studded with gems.
Playwright Craig Lucas has a knack for writing works that include emotional extremes.
Thanks to American Theater Web for the two links above.
