Medieval Times By John Simon
And now for something completely exhausted: Spamalot's gags and songs are weary from their quest.
And now for something completely exhausted: Spamalot's gags and songs are weary from their quest.
In „Spamalot,‰ Mike Nichols and Eric Idle bring Monty Python to the stage. How do you set decapitated knights and flying cows to music?
Jessica Lange threatened never to return to Broadway. Why’s she taking another spin in The Glass Menagerie?
The forces that shaped a dirty rotten scoundrel.
Sara Gettelfinger, Actress
When I'm spending twelve hours a day at the theater, I aim for comfort. By Amy Larocca
Photographs by Oliviero Toscani, Styled by John Vertin
Eighties exuberance returns, flaunted by Broadway's high-kicking hoofers.
Onscreen, he’s the perfect actor’s actor. But behind the scenes, Philip Seymour Hoffman keeps busy saving Off–Off Broadway.
How ‘Little Women’ Made Its Way to Broadway—Misfires, Firings, and All By Boris Kachka
Interview By Boris Kachka
No, tell us how you REALLY feel, Harvey...
Interview By Boris Kachka
What the audience really thought about Brooke Shields in ‘Wonderful Town’
In her new cabaret act, singer Rena Strober talks about life after the Rao’s shooting.
This year, the campaign for Tony awards is being waged using the kind of Miramax-style, no-holds-barred tactics heretofore seen only in that other industry. Welcome to the “desperate month…
Post columnist Michael Riedel's gleeful skewering of Broadway's shows and personages has made him a must read—and a must-hate—on the Great White Way.
Stereo Types by John Simon
A pair of Broadway revivals stirs up an old debate about British versus American drama—brain candy or matters of the heart.
Putting a Nicole or Melanie on Broadway was once a sure bet. This season, it’s curtains.
Farrah spouts off about her Broadway un-debut.
Jefferson Mays couldn’t imagine a role more foreign to him than a 65-year-old East German transvestite—which is why he jumped at it.
With Ethan Hawke by her side, Broadway’s Audra McDonald tackles her first nonsinging part in Henry IV.
In 1932, Caricaturist Al Hirschfeld And Writer Gordon Kahn turned their extensive nocturnal research into the ultimate boozy baedeker.