"Mouth to Mouth" by English playwright Kevin Elyot is a melancholy little memory play, sad yet compulsively watchable in its disturbing tale of friendship and family pulled apart by desire a…
Steven Levenson's play, now on view at the Roundabout Theatre Company's Black Box Theatre, is ambitious in scope and crams a lot into an overstuffed 90 minutes. But Levenson juggles the vari…
The bilious business of moviemaking remains as hilariously nasty as ever in David Mamet's "Speed-The-Plow," now two decades old but still packing heat in a sizzling revival which opened Thur…
Written by Chris D'Arienzo, this fast-paced, kinetic spectacle, on view at off-Broadway's New World Stages, is crazy fun.
The characters, not to mention the actors, are smothered by all those special effects.
Hip-hop fits surprisingly well into the confines of musical theater, and its rapid-fire patter is conducive to storytelling and character development.
The fall theater season is still young, but Nick Whitby's "To Be or Not to Be" may turn out to be the most unnecessary Broadway production of the year.
By all rights, he should be the kind of guy you would hate to spend time with, but in "The Atheist," Ronan Noone's engrossing solo play, he exerts a kind of scorpion-like charm.
All the fuss over Daniel Radcliffe's nude scene in "Equus" makes no sense to the celebrity crowd who came to watch the "Harry Potter" star in the play's Broadway opening.
By now, Daniel Radcliffe has his role in "Equus" down cold. But he still had a case of the jitters before taking the stage for the play's Broadway opening.
From the first thunderclap to the final soliloquy, this "Tempest" is a triumph that will please all lovers of Shakespeare and good theater.
"Three Changes" at off-Broadway's Playwrights Horizons is a dull, dispiriting black comedy, short on laughs, insight or credible characters.
The results are campy in a clever way, often poignant, and highly entertaining.