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2,040 stories from The Theatre Times

The Precipitation Of Performance: Braddy And Burns On Beckett by Paul Shields

On a cold Saturday afternoon this past winter, retired director Laura Jones drove me around the small town of Fort Collins, Colorado. Jones, who was the subject of a piece I wrote for TheThe…

SOURCE: thetheatretimes.com at 12:54pm on June 6, 2026

“Today, Krleža Would Go Straight For The Throat Of Project-Based Logic” by Ivanka Apostolova Baskar

An Interview with Mr. Ivica Matičević, president of the Fellowship Miroslav Krleza Fund, literary historian, literary critic, comparatist, editor (Zagreb, Croatia)   Ivica Matičević (bo…

SOURCE: thetheatretimes.com at 12:54pm on June 5, 2026

Me+Lorca: Juan Diego Botto’s Mesmeric “Una noche sin luna” (A Moonless Night) by Maria Delgado

In his biography of Federico García Lorca, Ian Gibson observes that the writer’s assassination took place on the moonless night of the 18th August — a fact that acquires particular sign…

SOURCE: thetheatretimes.com at 7:04pm on June 3, 2026

Corinna Harfouch’s Showpiece Of The Art Of Acting In Haidle’s “Spirit And The Dust” by Daniel Meyer-dinkgräfe

Spirit and the Dust is a play by American dramatist Noah Haidle. The world premiere of the play, in its translation into German by Barbara Christ, took place on 27th February 2026 at Deutsch…

SOURCE: thetheatretimes.com at 12:57am on June 2, 2026

In Pleasant Company: “Girl Dolls” by Abigail Weil

American women of a certain vintage can be sorted into haves and have-nots based on possession of a single commodity: an American Girl doll. Just whisper the name Samantha Parkington to an e…

SOURCE: thetheatretimes.com at 5:48pm on May 30, 2026

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen by Duška Radosavljević

Rocks and rolling, in a most literal sense, is probably the closest it gets to describing the visual idiom of Peeping Tom’s 2025 offering Chroniques. The Belgian dance company, established…

SOURCE: thetheatretimes.com at 8:03am on May 28, 2026

“Circle Mirror Transformation” by Margaret Rose

Annie Baker’s Circle Mirror Transformation is currently enjoying a highly acclaimed tour to major Italian theatres. The play made its debut in an Off-Broadway production in 2009, after whi…

SOURCE: thetheatretimes.com at 2:21pm on May 27, 2026

A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania by Ivanka Apostolova Baskar

An Interview with Žaneta Vangeli, visual artist, professor, and set designer for the theatre performances of the late theatre director Oliver Micevski (Lolita, Hands Around, Norway.today, T…

SOURCE: thetheatretimes.com at 2:11pm on May 23, 2026

From A Basketball Athlete To A Political Dissident by Azadeh Kangarani

Belarus Free Theatre, which currently operates in exile in London, recently presented its production KS6: Small Forward for a three-night run at Théâtre Les Abbesses from May 11–13. Dire…

SOURCE: thetheatretimes.com at 6:33pm on May 22, 2026

Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker by Daniel Meyer-dinkgräfe

The latest production in Dirk Böhling’s inaugural season as artistic director of the Packhaustheater is a further new play he wrote and directed about a famous local person: Paula Moderso…

SOURCE: thetheatretimes.com at 6:31pm on May 21, 2026

Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice by Lisa Monde

Dedicated to the 40th anniversary of the world premiere The idea for the musical Chess belongs to the British author, lyricist, and dramatist Tim Rice. The events of the Cuban Missile Crisis…

SOURCE: thetheatretimes.com at 2:11pm on May 20, 2026

Richard III at MITEM: When the Monster Is Not Alone by Emiliia Dementsova

There was something almost suspiciously neat about the programming. MİTEM opened with Richard III and closed with Richard III. On paper, that sounds like a clever curatorial decision, maybe…

SOURCE: thetheatretimes.com at 6:30pm on May 19, 2026

Theatre – Creating Conditions For What Has Been Silenced To Emerge by Ivanka Apostolova Baskar

An Interview with Lenerson Polonini, theatre director (Companhia Nova de Teatro, Sau Paulo, Brazil). Lenerson Polonini is a dynamic theater director based in Sao Paulo, Brazil. With a rich a…

SOURCE: thetheatretimes.com at 5:39am on May 16, 2026

“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre by Duška Radosavljević

Tove Ditlevsen was a Danish working-class poet, novelist and feminist icon. Her memoir The Copenhagen Trilogy was initially published in separate parts. Childhood and Youth came out in 1967 …

SOURCE: thetheatretimes.com at 4:36am on May 16, 2026

“The Cherry Orchard”: The Comedy Of Ruins by Emiliia Dementsova

Nikolai Kolyada’s The Cherry Orchard begins after loss has already become the furniture of the world. In the Witkacy Theatre’s Polish-language production, presented at MİTEM, the Madác…

SOURCE: thetheatretimes.com at 5:36am on May 15, 2026

“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova

There are productions that do not so much tell a biography as listen to it and Sardar Tagirovsky’s Broken Melody, produced by the Almetyevsk Tatar State Drama Theater, belongs to that rare…

SOURCE: thetheatretimes.com at 3:44pm on May 13, 2026

“Mothers: A Song for Wartime” by Marta Górnicka at Gothenburg City Theatre by Duška Radosavljević

Marta Górnicka’s choral theatre has been wowing Europe for the last 15 years. At the age of 51, she is already a holder of major honorary professorships and lifetime achievement awards �…

SOURCE: thetheatretimes.com at 4:36am on May 13, 2026

In “The Aquarium” Nina Plavanjac Turns Family Memory Into a Transparent Cage by Emiliia Dementsova

Nina Plavanjac’s The Aquarium, produced by the Subotica National Theatre in Serbia and presented within the Hungary-Serbian Cultural Season at MİTEM, is a chamber work about inheritance �…

SOURCE: thetheatretimes.com at 5:15am on May 12, 2026

Pinocchio. What Is a Person? at MITEM: Who Gets to Be Seen as Fully Human? by Emiliia Dementsova

Davide Iodice’s Pinocchio. What Is a Person?, created with Scuola Elementare del Teatro / Conservatorio Popolare per le Arti della Scena and presented by Teatro di Napoli and Interno 5, is…

SOURCE: thetheatretimes.com at 7:22am on May 8, 2026

At The Düsseldorfer Schauspielhaus, “Gott ‘By Ferdinand Von Schirach Presents Its Tough Ethical Dilemma For The Audience To Vote On by Daniel Meyer-dinkgräfe

Ferdinand von Schirach was born in 1964, studied law and became a noted criminal defense lawyer. He turned his extensive experience into fiction with a collection of novels, screenplays and …

SOURCE: thetheatretimes.com at 3:07pm on May 5, 2026

Guilt And Resilience, And “The Fear Of 13” by Teodora Medeleanu

What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of 13, written by Lindsey Ferrentino, and directed by David Cromer, opened on Broadway this Apr…

SOURCE: thetheatretimes.com at 4:51am on May 3, 2026

Birmingham Royal Ballet’s “Don Quixote” Slowly Finds Its Sunshine by Zoë Hewitt

There are ballets about death, betrayal and ghosts. Then there is Don Quixote, where people clap, flirt, lie, fake death, shake tambourines and somehow expect all of this to end in a wedding…

SOURCE: thetheatretimes.com at 4:51am on May 2, 2026

“Managed Approach” – Two Contrasting Stories – Open Aire Theatre, Riverside Studios, London by Verity Healey

It’s been six years since the end of Managed Approach, a project in Holbeck, Leeds, which managed a red light zone in 2014, before it was paused during COVID in 2020 and not reinstated in …

SOURCE: thetheatretimes.com at 5:09am on May 1, 2026

Maxim Sukhanov – About The “Brew” Of A Performance, Krymov Rehearsals, “Dramatic Provocations” And The “Hope For The Good”. by Sergey Elkin

The interview took place on January 17, 2026.   Maxim, do you remember your first conversation with Krymov? What did he tell you about the idea of the performance, and what was your first r…

SOURCE: thetheatretimes.com at 4:51am on May 1, 2026

Bound To Start Again, Again, Again… by Teodora Medeleanu

Perhaps one of the strangest experiences one can have when moving to a new place is watching a performance tackling the exact same situation. Luckily, no two re-rooting stories are the same,…

SOURCE: thetheatretimes.com at 11:53am on April 27, 2026
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