In This “Covenant,” Thrills Will Have You Say “Jesus, Don’t Do That!”
Goodman Theatre’s gothic thriller delivers us from and unto evil.
Goodman Theatre’s gothic thriller delivers us from and unto evil.
TUTA Theatre's abbreviated twenty-first-century adaptation of Dostoevsky’s novel is a visually striking dive into the mind of a madman.
Liz Chidester gives a terrific star turn as the country music legend, but the American Blues Theater production of this warhorse jukebox musical keeps us at arm’s length from Patsy as a pe…
The musical version of the classic novel makes its world debut at City Lit Theater, a comedy-adventure-romance mixed with dueling and song.
Dave Malloy's wondrous musical at Raven Theatre follows eight people in group therapy for internet addiction who use a cappella singing for healing.
Elizabeth Auman discusses TimeLine Theatre Company's new home, built for performance, and the journey that led them there.
In conversation with Ellyzabeth Adler on the evening-length work, premiering at Chicago Danztheatre’s space in Andersonville's Ebenezer Lutheran Church this month.
A major new theater makes its debut, and music makes its way into spring productions.
Jason Alexander directs this world premiere at Chicago Shakespeare Theater, a “marital combat” play with tightly wound action that takes repeated shots at the intimate lives of its coupl…
Northlight Theatre closes their season and their time in Skokie with this hilarious and zany production.
May dance highlights
Tarell Alvin McCraney’s world premiere at Steppenwolf examines the aftermath of a police killing.
“The Great Gatsby: A New Musical” is here for a short run at Broadway in Chicago’s Cadillac Palace Theatre.
A.A. Milne’s 1921 comedy of romantic disillusionment has its moments but doesn’t quite jell.
Writers Theatre's production stars Rae Gray as a Big Tech employee undergoing an evaluation with a therapist played by Christopher Donahue.
Joel Paley's story of a sociopathic child star serves as a meta critique of the musical theater genre.
"Leslie uses her own body—quite bravely—to narrate the horror (and horrific normalization) of human commodification."
More mid-century than modern, this production takes its cues from Caroline Francke's original stage adaptation, set in a 1950s suburban milieu that predates the beloved Steve Martin film.
Mangum, the Lyric's general director, president and CEO, and Mazzola, the Lyric's music director, discuss what's in store for the opera company in the year ahead.
Like marriage itself, the play is not for the faint of heart, but is a journey well worth undertaking.
Long championing the creative power of Latina women, the company's evening-length work is inspired by Chilean poet, journalist and diplomat Gabriela Mistral.
Chicago Shakespeare Theater stages "The Merry Wives of Windsor," a comedy that is produced less often than others in the Bard's canon, but worth catching.
In Wilson's 1982 play, the playwright imagined a recording session for prolific early-blues recording artist Gertrude "Ma" Rainey and her band in Chicago in 1927.
The Artistic Home stages the U.S. premiere of Elizabeth Kuti's play set in 1850 Dublin.
Fernandes' practice encompasses just about any medium you can name"dance, sculpture and design, textiles and fashion, photography and film"and is often in conversation with the spaces that c…