1,720 stories from Culture Bot
Tess Walsh reflects on "Well, I’ll Let You Go," written by Bubba Weiler, directed by Jack Serio, Apr 30-Jun 20, 2026 at Studio Seaview.
Aaron Tomey reflects on "Dad Don’t Read This" by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange, at St. Luke’s Theat…
Miranda Stuck reflects on BODYSONNET's first New York City presentation with "New York Now" at The Gym at Judson Church, curated and partially choreographed by Artistic Director Moscelyne P…
Hallie Chametzky reflects on Pink Fang’s ambiguous, symbolic, psychological “The Table,” performed at The Gym at Judson — a study in hunger and its discontents.
Tess Walsh reflects on the world premiere of "Dad Don’t Read This" by playwright Eliya Smith, directed by Chloe Claudel, a co-production of Try For Baby Productions and The Goat Exchange.
Emillee Lord on "Wanderings" by The John Jasperse Projects at Marian Goodman Gallery amidst the paintings of Julie Mehretu and her exhibition "Our Days, Like a Shadow (a non-abiding hauntolo…
Emily Chackerian in conversation with Eisa Davis about her new play "||: Girls :|| ||: Chance :|| ||: Music :||," playing through June 21 at the Vineyard Theater in New York.
Robin Denzer in conversation with dancemaker Symara Sarai on Sarai's 2025-26 AIRspace Residency at Abrons Arts Center.
Annie Rasiel in conversation with Alex Wanebo, Cara Ronzetti, and Carson McCalley about RUCKUS, an ambitious new performing arts festival, presenting an eclectic lineup of thirty shows in fo…
Former editor Eve Bromberg in conversation with dance critic Marina Harss, a transcription of CULTUREBOT's January live event.
Brendan McCall reflects on "The Totality of All Things" by Erik Gernand, directed by Shannon Patterson.
Ethan Karas connected with "Can I Be Frank?" creator & performer Morgan Bassichis and director Sam Pinkleton to discuss the superpower of telling the truth, the dangers of nostalgia, and…
Maia Kern in conversation with Sam Kann’ about "Mouthpiece," performed with Chloë Engel at Life World.
These days I avoid the news. It’s devastating and terrifying and—from my New York bubble—remote. Everything bad is happening somewhere else, I tell myself. This is untrue, of course, b…
Contributor Kevin Ritter-Jung on Servane Dècle and Milo Rau's THE PELICOT TRIAL, which was performed at Judson Church this past March.
Emilee Lord on Edu Diaz’ solo show LIPSTICK, which made its New York debut for the Fringe Festival at the Chain Theater this April.
Contributor Brendan McCall on James Clements' play BEAUTY FREAK.
Brendan McCall on Sarah Groustra´s RADIO MAN, which played at The Paradise Factory earlier this month.
Joëlle Antonia Santiago on Dorchel Haqq’s swallow, which will be part of New York Live Arts Fresh Tracks.
Playwright Elise Wien in conversation with Di Lobontiu, writer and performer of "If You’re a Man at Night, You Gotta Be a Man in the Morning" which will play at The Tank Theater from May 1…
Joëlle Antonia Santiago in conversation with Choreographer John Jasperse in advance of the opening of WANDERING, a collaboration with painter Julie Mehretu at The Marian Goodman Gallery.
Yiseul LeMieux in conversation with Opal Elwell about LeMieux's "Die Cute," playing May 21-31 at The Brick Theater.
Jack Meriwether reflects on Ayano Elson’s "Control" at the Chocolate Factory, created in collaboration with performers Cayleen Del Rosario, Amelia Heintzelman, Owen Prum, and evan ray suzu…
Maya Bushell on VOLTA Collective’s DIS-ORDER: a reimagining of a Passover Seder presented at LA’s Skirball Center.
Contributor Brendan McCall on New York Theater Ballet's performance of program LEGENDS & VISIONARIES at Judson Church in early April.
