Slipping - Reviewed by ERIK HAAGENSEN
Daniel Talbott's fine new drama takes familiar material and makes it engagingly fresh.
Daniel Talbott's fine new drama takes familiar material and makes it engagingly fresh.
Michael Puzzo's new play is a pretentious misfire.
This dazzling Latin and ballroom dance revue is brilliantly performed by a cast of international dancesport champions.
This capable revival of Garson Kanin's unsuccessful Broadway swansong can't undo the original verdict.
Moooove over "Billy Elliot." There's a new strike-centered musical in town. Both sympathize with the workers and treat audiences like children, but at least "Click, Clack, Moo" has an excuse…
Now in its third year, this summer series of shorter works remains a pretty hit-or-miss affair, with a new offering from Neil LaBute the standout of Series A.
Lila Rose Kaplan's "Wildflower" is a wilted, stilted comedy.
There's nothing wrong with dramatizing untold or underexplored Holocaust stories, provided they deliver as much of a theatrical punch as the topic obviously deserves and requires. The proble…
Marc Palmieri's "Levittown" has some genuinely earned dramatic pyrotechnics, but when he wanders from kitchen-sink realism to soap operatics, not even the sterling work of director George De…
When the whole audience joins in to chant "I Will Survive," you realize that "Girls Night: The Musical" is not just a silly bachelorette-flavored night on the town. It's a rally.
The imaginative physical production for this deconstruction of Victor Herbert's classic operetta is a gift that keeps on giving. Ultimately, though, there just isn't enough edge to co-direct…
Toni Servillo's production lifts Goldoni irrevocably out of the 18th century, revealing him as a daringly modern witness to the compromises of lovers' hearts.
For all the philosophical implications, Declan Donnellan's marvelous production has none of the weary marks of the cynic or the academic. This "Boris Godunov" crackles with ambition.
While it could use an editor, Jeff Cohen's new play has a powerful impact.
Director Lev Dodin, who also adapted Vasily Grossman's novel, accomplishes something rare with his Maly Drama Theatre production of "Life and Fate": He simultaneously leaves the audience beh…
It is a privilege to see Béla Pintér and Company re-create its sophisticated, multilayered, and yet delightfully unpretentious little opera for a New York audience.
Playwright Steve Willis has gotten some of the harder things right in his promising new play about an imagined meeting in the afterlife between Harlem Renaissance artist Richard Bruce Nugent…
In a summertime starved for comedy, this show is a "brucha"-a blessing.
"Art of Memory" is one of a growing number of pseudointellectual collaborative collages being presented as theater.
This world premiere revue, saluting Tony-winning Broadway composer Cy Coleman (1929-2004), is a bona fide class act.
It's difficult to write a play about the spirit of a nation, particularly one whose recent history is as sensational as Mozambique's.
Unable to decide on one plot, playwright Daniel Roberts has blithely tossed every idea that crossed his mind into the script.
A Main Stem run for this just-okay, small-scale tuner would have most likely resulted in a short run. It's right where it belongs in a limited Off-Broadway noncommercial engagement.
They obviously don't have a George Lucas-type budget, but the creative team and cast of "Fight Girl Battle World," a frenetic takeoff on "Star Wars" and other epics of that ilk, make up for …
That David Allyn's new hourlong play "Writers Colony" is the first offering of the 2009 Fresh Fruit Festival may just be happenstance. Even so, it certainly isn't a case of putting your best…