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10,593 stories from A Younger Theatre

Review: My Name is Rachel Corrie, Young Vic by A Younger Theatre

Edited by the late Alan Rickman and Journalist Katherine Viner, My Name is Rachel Corrie is composed of emails and diary entries written by deceased activist Rachel Corrie. Corrie was tragic…

SOURCE: A Younger Theatre at 5:06am on November 6, 2017

Review: Pinocchio, Sadler's Wells by Alice Devoy

People's images of the character of Pinocchio are likely to conjure up largely those of long noses and animation, but Jasmin Vardimon's play takes the story back to its Italian roots, away f…

SOURCE: A Younger Theatre at 5:06am on November 6, 2017

Blog: Still Me: creating creative space for dementia, spanning generations by Jon Randall

Here we are again Happy as can be All good pals and jolly good company.   So sings everybody as we gather around our flower-laden table in The Dukes Centre for Creative Learning each Thur…

SOURCE: A Younger Theatre at 8:06am on November 5, 2017

Review: Dracula, Sutton House by A Younger Theatre

When you take the walk from Hackney Central through a moderately creepy garden to get to the oddly placed Sutton House, it’s difficult to know what to expect from Dracula. How can Bram…

SOURCE: A Younger Theatre at 8:33am on November 3, 2017

Review: Absolute Certainty, The White Bear by Frey Kwa Hawking

This debut play by Laila Bouromane is an accomplished and slick production, and a better tribute than the company Hambre’s other recent show Another Northern Man – also directed …

SOURCE: A Younger Theatre at 8:33am on November 3, 2017

Review: The Barber of Seville, ENO by Charlotte Irwin

The ENO's The Barber of Seville is steeped in history, in more ways than one. Firstly, we have the inimitable Sir Jonathan Miller at the helm. Secondly, this production neatly marks 30 years…

SOURCE: A Younger Theatre at 7:06pm on November 2, 2017

Review: Happy Yet? Courtyard Theatre by Josephine Balfour-oatts

First performed at the 2016 Edinburgh Fringe Festival, Happy Yet? is the first play from 22-year-old Swedish playwright Katie Berglöf.  Written as a response to her own experience of men…

SOURCE: A Younger Theatre at 4:42pm on November 2, 2017

Review: Joy, Gerry's Studio by Lara Domke

Warm lights present Joy's world to the audience in Gerry's Studio at Theatre Royal Stratford East. The sisters, Joy (Imogen Roberts) and Mary (Rachel Bright), enter the stage together, facin…

SOURCE: A Younger Theatre at 3:48pm on November 2, 2017

Review: Alice's Adventures in Wonderland, Royal Opera House by Jessica Handscomb

Published in 1865, Lewis Carroll's Alice in Wonderland is a story that has been loved and revered by adults and children alike for over 150 years. Now, since its creation in 2011, Christophe…

SOURCE: A Younger Theatre at 1:12pm on October 31, 2017

Review: As We Like It, Camden People's Theatre by Rachael Head

As We Like It is the third production I've seen as part of the Come As You Are Festival at the Camden People's Theatre. So far, it has been a mixed bag and I'm not sure what to expect from t…

SOURCE: A Younger Theatre at 10:18am on October 31, 2017

Review: (Re)play, Theatre N16 by Rachael Head

'This will be funny one day' Mountview student, Rachel Causer, champions this attitude in her one woman show; (Re)play. For Causer, I'm pleased to say that day is today. (Re)play is a perfor…

SOURCE: A Younger Theatre at 1:42pm on October 29, 2017

Review: Saint George and the Dragon, National Theatre by Felix Clutson

Saint George and the Dragon is a remimagining of Evgeny Schwartz’ ‘The Dragon’, an allegory of Stalinism, by playwright Rory Mullarkey, centred on England. The tale is of G…

SOURCE: A Younger Theatre at 1:42pm on October 29, 2017

Review: The End of Hope, Soho Theatre by Josephine Balfour-oatts

Following his critically acclaimed Cyprus Avenue at the Royal Court in 2016, award-winning playwright David Ireland's The End of Hope drops its anchor at the Soho Theatre for a month-long ru…

SOURCE: A Younger Theatre at 1:42pm on October 29, 2017

Review: Young Frankenstein, The Garrick Theatre by A Younger Theatre

The brainchild of EGOT (Emmy, Grammy, Oscar, Tony) holder Mel Brooks, the creative force behind classics like The Producers, and visionary director and choreographer Susan Stroman who's work…

SOURCE: A Younger Theatre at 1:42pm on October 29, 2017

Review: The White Feminist Guide to Sex and Hip Hop and Pulp Fiction, Theatre N16 by Charlotte Irwin

Getting to Maiden Speech, the feminist voices festival taking over the confusingly named Theatre N16 (it's actually south of the river in Balham), is a theatrical experience in itself. Tu…

SOURCE: A Younger Theatre at 1:42pm on October 29, 2017

Review: A Day by the Sea, Southwark Playhouse by Natalie Russett

When I enter the cosy space of the Southwark Playhouse, an immediate feeling of nostalgia sweeps over me. Background music plays, the kind that conjures images of lovers running through fiel…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Ninagawa Company: Macbeth, Barbican Theatre by Jessica Handscomb

After its debut at the 1985 Brighton Fringe, Yukio Ninagawa's revered production of Macbeth is back. A unique and beautiful fusion of East and West, Shakespeare's timeless tale gets a Japane…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Victory Condition, The Royal Court Theatre by Rachael Head

'This is a story about the difference between us.' In a way, the above statement is true; Victory Condition is a story about the thousands of differences between every human and the one they…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Notorious, Birmingham Repertory Theatre by Steph J. Watkins

Notorious, performed as part of the Fierce Festival, is a piece described as 'live art, theatre, dance and fine art'. The Festival, hosted at various venues around Birmingham, is here to cel…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Jekyll and Hyde, Ambassador's Theatre by Samuel Sims

"Our bodies, our minds, our power" the ultimate message in this production of Jekyll and Hyde. Influenced by such women as Emmeline Pankhurst, Florence Nightingale and Josephine Butler; a…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Les Vêpres Siciliennes, The Royal Opera House by Emily May

Les Vêpres Siciliennes is an epic undertaking by the Royal Opera. Spanning five acts and four hours, it is somewhat of a marathon, where against all the odds the performers continue to ba…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Inside Out, Theatre N16 by Rachael Head

The Maiden Speech festival is a series of short works designed to showcase young student's explorations of gender and sexuality. It was intended to give an outlet for female performers to st…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Another Northern Man, The Hope Theatre by Frey Kwa Hawking

The Hope Theatre is an example of one of the great smaller venues in London dedicated to opportunities for new writing and allowing creatives to get off the ground " its 50-seat black box sp…

SOURCE: A Younger Theatre at 9:54am on October 29, 2017

Review: Masculine Expressions of my Creative Prowess, Camden People's Theatre by Rachael Head

Masculinity, manliness and masochism, what do they really mean and what do we mean when we use these words to talk about someone? Pablo Pakula's Masculine Expressions of my Creative Prowess …

SOURCE: A Younger Theatre at 9:54am on October 29, 2017

Review: Frankenstein, Brockley Jack Studio Theatre by Amelia Curran

It’s difficult to tackle a classic of Frankenstein’s proportions. But director Ross McGregor and the Brockley Jack Studio Theatre really know how to put on a show. Arresting, emo…

SOURCE: A Younger Theatre at 8:04am on October 29, 2017
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