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4,024 stories from http://www.theaterscene.net

Breitwisch Farm by Darryl Reilly

Esperance Theater Company's artistic director Ryan Quinn directed the production. Mr. Quinn's inventive staging is vigorous and aesthetic yielding in visually charged sequences that energize…

SOURCE: www.theaterscene.net at 9:53pm on March 7, 2018

Locked Up Bitches by Joel Benjamin

All the good jokes get lost in the onslaught of cast members vying for their moments and looking for the audience's approval, which admittedly was offered freely.   "Bitches" becomes c…

SOURCE: www.theaterscene.net at 10:56pm on March 6, 2018

Folk Wandering by Darryl Reilly

They're friends in the present. Someone picks up yellowed newspaper articles from the past.  Then we're in New York City's Lower East Side in 1911. We meet the spunky 13-year-old Roselia.…

SOURCE: www.theaterscene.net at 1:09am on March 6, 2018

Voices of Ascension: Claudio Monteverdi's "Vespers of 1610" by Jean Ballard Terepka

Of the twelve soloists, several were outstanding. Tenor Scott Mello's "Nigra Sum" was a virtuosic, romantically charged reveling in sensuality. The soprano duet, "Pulchra Es," with Molly Qui…

SOURCE: www.theaterscene.net at 4:50pm on March 5, 2018

The Amateurs by Victor Gluck, Editor-in-chief

Jordan Harrison's "The Amateurs" is certainly an ambitious new play acted to the hilt by its cast of six. However, at times it bites off more than it can handle, at other times its anachroni…

SOURCE: www.theaterscene.net at 10:43pm on March 3, 2018

Black Light by David Kaufman

Thus begins the unique show, "Black Light," which is a concert cum confessional. In her sequenced gowns--and there are five costume changes during the 90-minute performance--and with her red…

SOURCE: www.theaterscene.net at 12:46pm on March 2, 2018

92Y's Lyrics & Lyricists Series: "Lenny's Lyricists" by Darryl Reilly

"Candide"'s giddy overture was of course the euphoric opening number of the 92nd Street Y's Lyrics & Lyricists Series: "Lenny's Lyricists." This was a splendid concert celebrating…

SOURCE: www.theaterscene.net at 11:32am on March 2, 2018

Subways Are for Sleeping by Victor Gluck, Editor-in-chief

"Subways Are for Sleeping" is a valentine to New York and projection designer Lacey Erb has created atmospheric slides and streaming video of such iconic locations as Grand Central Station, …

SOURCE: www.theaterscene.net at 1:48pm on March 1, 2018

The Loneliest Number by Darryl Reilly

Author Lizzie Vieh's brilliant play "The Loneliest Number" initially appears to be a slight off-beat comedy about a swinging couple's encounters but after its first third evolves into a prof…

SOURCE: www.theaterscene.net at 12:03am on March 1, 2018

Edward Albee's At Home at the Zoo: Homelife & The Zoo Story by Joel Benjamin

Lila Neugebauer has directed these two one-acts to bring out their naturalism. In the past, "The Zoo Story" was usually performed with an odd, surreal quality.  Neugebauer has given the c…

SOURCE: www.theaterscene.net at 8:08pm on February 28, 2018

Time No Line by Darryl Reilly

In the moving and affirmative final sequence, journal entries from 1989 to 1990 are projected as text that details deaths of friends. Kelly is on the floor silently drawing shapes with white…

SOURCE: www.theaterscene.net at 11:57pm on February 27, 2018

Terminus by Joseph Pisano

In the semi-autobiographical "Terminus," part of a seven-play cycle set in the fictional town of Attapulgus, Georgia, playwright Gabriel Jason Dean unleashes this intriguing Southern Gothic …

SOURCE: www.theaterscene.net at 10:32pm on February 27, 2018

Relevance by David Kaufman

But "Reference" is also about issues of gender, race, age, celebrity, politics, economics, and the inescapable impact of the Internet--and more specifically, social media--on the ways busine…

SOURCE: www.theaterscene.net at 12:44pm on February 27, 2018

High Noon by Darryl Reilly

Conceived by the Axis Company, this treatment oddly renames the characters which is just one of its many baffling qualities that perhaps seeks to comment on the present. It's really "High No…

SOURCE: www.theaterscene.net at 12:51am on February 25, 2018

A Walk With Mr. Heifetz by Victor Gluck, Editor-in-chief

Although an interesting idea, James Inverne's "A Walk With Mr. Heifetz" has lofty ambitions which it is unable to fulfill. While the advertisement proclaims that these two encounters "change…

SOURCE: www.theaterscene.net at 3:13pm on February 22, 2018

Katie Goodman's Broad Comedy by Joel Benjamin

Songs jostle with playlets, usually with topical references.   This is a good lineage to be part of and "Broad Comedy," the bumpy new show at the SoHo Playhouse, succeeds mostly due to…

SOURCE: www.theaterscene.net at 11:59pm on February 21, 2018

X: Or, Betty Shabazz V. the Nation by Victor Gluck, Editor-in-chief

Marcus Gardley's "X: Or, Betty Shabazz V. The Nation" is a powerful indictment of forces within a movement which help to destroy it. Performed by The Acting Company under the direction of Ia…

SOURCE: www.theaterscene.net at 11:27pm on February 20, 2018

Platonov, or A Play with No Name by Darryl Reilly

Director Jessica Burr's fast-paced yet thoughtful staging includes over-lapping dialogue, rapid entrances and exits all over the space and striking visual flourishes. Ms. Burr's tremendous g…

SOURCE: www.theaterscene.net at 3:43pm on February 20, 2018

In the Body of the World by Joel Benjamin

"Body" dovetails Ensler's personal agonizing battle with cancer and her involvement with a feminist group in the Democratic Republic of Congo where women have faced violence, rape and almost…

SOURCE: www.theaterscene.net at 2:40pm on February 20, 2018

Lorelei Ensemble: Five Boroughs Music Festival 2017-2018 Season by Jean Ballard Terepka

Equally exciting is Lorelei's celebration of each of the ensemble's individual voices. Peter Gilbert's "Tsukimi (Moon Viewing)," commissioned by Lorelei and premiered in 2013, offers each of…

SOURCE: www.theaterscene.net at 12:30pm on February 19, 2018

The Boys from Syracuse by Victor Gluck, Editor-in-chief

The cast seems to have been mostly chosen for their comic skills rather than their singing skills. Nevertheless, Josh Waldren and Matthew Fairless as the visiting travelers turn "Dear Old Sy…

SOURCE: www.theaterscene.net at 11:53pm on February 18, 2018

Hangmen by David Kaufman

The sense of good, old-fashioned suspense is heightened by director Matthew Dunster, who also helps delineate the spot-on performances by the four remaining cast members--and regulars at Har…

SOURCE: www.theaterscene.net at 1:33pm on February 18, 2018

[Porto] by Victor Gluck, Editor-in-chief

Stop me if you've heard this one before: three people walk into a bar where they are known by the drinks they order. Only in Kate Benson's new play "[Porto]," the unnamed bar is in a gentrif…

SOURCE: www.theaterscene.net at 7:29pm on February 16, 2018

Pete Rex by Darryl Reilly

The homeowner Pete is wearing gym shorts and a T-Shirt and is a biology teacher with an Associate's Degree who wanted to be a paleontologist. Bo is his childhood best friend. Pete has broken…

SOURCE: www.theaterscene.net at 1:02am on February 16, 2018

Bar Mitzvah Boy by Victor Gluck, Editor-in-chief

"Bar Mitzvah Boy" may not be a top-drawer Jule Styne musical, but Jack Rosenthal's original story and David Thompson's new book are excellently observed to have the ring of truth. The family…

SOURCE: www.theaterscene.net at 3:43pm on February 15, 2018
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