Mars: Population 1 - Reviewed by MITCH MONTGOMERY
Clever and well-maneuvered, this solo adventure to Mars says more about life on Earth than its straightforward premise would suggest.
Clever and well-maneuvered, this solo adventure to Mars says more about life on Earth than its straightforward premise would suggest.
The cartoons and superficiality of the 1950s are cleverly fused with the depth and inner turmoil of a forgotten genius.
This lively farce mixes battiness with feeling in a story about the travails of a quirky summer theater operation.
A fascinating if slightly uneven history lesson.
A bracing look at Tennessee Williams at the end of his life.
This is a fascinating glimpse behind the scenes of darkness.
The famous murder of Kitty Genovese in view of 38 apathetic witnesses makes for sincere but less-than-thrilling theater in this solo drama.
Promisingly brisk initially, this comedy is ultimately a leaden queer version of "Crimes of the Heart," with pretensions of exploring the nature of the 21st-century family.
A fearless and very funny black comedy about life, death, and the people who watch both from the sidelines.
A sparkling one-woman show about dance therapist Elizabeth Polk makes for absorbing drama.
A tedious, pretentious look at how celebrities are unable to speak their minds without being crucified by the public and the press.
More of an extended cabaret sketch than Fringe theater, at least these game performers know the drill-very, very well.
This naive musical nevertheless gives it the old college try.
This effective sitcom could be so much more.
A talented writer goes amiss in Hollywood.
The songs are fun; the show is silly.
A potentially fascinating examination of race, class, sexuality, and gender is given the soap-opera treatment.
The title neatly sums up the euphoric charge generated by this feel-good musical.
This sharp and sophisticated new play examines the blurry line between truth and fiction in our pop culture-driven world.
This labored attempt at a docudrama about the deadly high school shootings is earnest but inert.
This slight, unsurprising comedy accomplishes little.
This one-hour play opens with an old joke and goes nowhere fast.
This collection of one-acts is a mixed bag but features some on-target acting and staging.
A pair of Irish plays examines father-son relationships with a minimum of blarney.
Charles Mee conveys struggle without regret in his ennobling and lively re-creation of Brooklyn's multicolored streets.