'The Drowsy Chaperone' leads Tony nods By Elysa Gardner
A pair of West Coast transfers will duke it out for Broadway's biggest prize this season. But alas, a certain Hollywood princess will not be among them.
A pair of West Coast transfers will duke it out for Broadway's biggest prize this season. But alas, a certain Hollywood princess will not be among them.
Tarzan is no more a major new musical than Chaperone is. But I'll take the former's good-natured exuberance over the latter's preening irony any day of the week.
* * 1/2 out of four
Ingenious as they were, Porter and the Gershwins are worshiped not for the way their words and music impress us but for how they delight and move us.
The creators of Chaperone, in contrast, reveal a snickering self-consciousness that dilutes the sense of joy vital to this kind of tribute. Like that other critically adored escapade Urinetown!, Chaperone offers too much winking and not enough wonder.
* * out of four
The Wedding Singer (* * 1/2 out of four), the new musical adaptation of the film, trades on 1980s nostalgia with a ferocity that would put a VH1 marketing executive to shame.
(* * * 1/2)
(* * 1/2 out of four)
* * * 1/2 out of four
* 1/2 out of four
* * * out of four
* * 1/2 out of four
USA TODAY notes and assesses some key off-Broadway and regional productions:
* * out of four
The Broadway revival of Three Days of Rain, starring Julia Roberts in her Broadway debut, is pretty much sold-out for its three-month run.
The most recognizable young actor is probably Gilmore Girls exile Milo Ventimiglia as a "drunken rich brat," while the most talented and underemployed is Tony winner Audra McDonald. Four Tonys and the best Hollywood can do for her is Bedford Diaries?