Broadway's new motto: Break a bootleg by KEVIN COUGHLIN and MICHAEL SOMMERS
Some of the brightest lights on Broadway these days are in the audience -- on cameras recording the action illegally.
Some of the brightest lights on Broadway these days are in the audience -- on cameras recording the action illegally.
Director Joe Mantello's surprisingly fitful revival sometimes registers as rather low on energy. Still, there's enough funny business going on here to tickle the fancy of everybody but the w…
"Fuerzabruta," "Jump" and "Wintuk" are contrasting attractions that share one thing in common: They are virtually nonverbal events.
Despite past bow-out, actor gets the 'Henry VI' role
Is this a dagger which you see before you? Is that the robe with which Richard III clothed his naked villainy? You could run into both at the Shakespeare Theatre of New Jersey's second Bienn…
The sign inside Two River Theater Company in Red Bank offers an apt warning.
"Enter at your own risk."
The playwright does not presume to solve the controversial immigration problem in "Nowhere on the Border," but he certainly puts a human face on this troubling issue.
Abraham, Cannavale among quintet delivering terrific performances
Once again, Zach Grenier finds himself playing a controversial character.
New musical about Celia Cruz fails to live up to promise
Rumbling along for nearly three hours, the stodgy "Night Over Taos" merely gets duller with every passing minute.
The title of Melba Moore's one-woman show -- "Sweet Songs of the Soul" -- indicates only half the story.