Tearoom Tango - Reviewed by ERIK HAAGENSEN
Six men cruising a public bathroom in a park in an unnamed American city share with us their reasons for being there and how they feel about being gay.
Six men cruising a public bathroom in a park in an unnamed American city share with us their reasons for being there and how they feel about being gay.
Stanton Wood's updating of Voltaire's novella is trenchant, canny, a series of lacerations directed toward the American right wing.
Bloated at less than 60 minutes, Jack Dyville's book strains hard for easy laughs in his wink-wink pulpy story of a closeted lesbian girl-next-door movie star in 1950s Hollywood.
There are some fine performances in Joanne Akalaitis' production and a new score from Philip Glass, but the play never feels relevant to today.
André De Shields looks for his bliss in every role he tackles.
I'm often asked by people who have seen "The 39 Steps"-in which I'm performing on Broadway, along with Jill Paice, Jeffery Kuhn, and Sean Mahon-how much of the show is improvised.
The delightful, off-the-wall "A Scotsman in Thailand," performed by Baby Wants Candy, a Chicago-originated improv ensemble, was one night only.
Andrew Unterberg has all the ingredients for a diverting suspenser in the mold of Ira Levin or Shirley Jackson; instead, he's opted for a serious psychological drama, something his character…
Séances, table tipping, spirit photography, and the Fox sisters all figure prominently in "Ectospams," a charming movement meditation.
Unfortunately for writer-composer Ben Knox, his largely unclever low-camp musical "For the Love of Christ!" is neither intelligent enough to be satirical nor ballsy enough to be subversive.
Despite its juvenile title, "Finger Paint" is a marvelous work of theatrical brio. Tapping the talents of its four audacious young actors, the play tackles love, sex, and art without sentime…
"Lethally bland" is perhaps too harsh a description for this derivative but harmlessly giddy musical marshmallow.
Playwright Judy Chicurel makes her theatrical debut with "Damon and Debra." What the writer lacks in sophistication, she makes up for with a sympathetic touch for her characters.
Though short-only 55 minutes-"Flight" offers a potent mix of writer-director Tim Aumiller's trenchant script and a pair of terrific performances.
As Noël Coward once wrote, "Ninety minutes is a long, long time," and that sentiment certainly applies to Rag 'N Bone Theatre Company's frenetic, misguided stage adaptation of Dylan Thoma…
This one-man autobiographical solo show has its attractions but needs to plow fresher ground.
This slice-of-cooking-life solo show stars a well-padded grandmother who celebrates butter and offers parodies of right-wing bugaboos. Dig in!
Michael Edison Hayden's new play about the relationship between a professional dominatrix and her client thankfully eschews the sensational and proves surprisingly engrossing and ultimately …
Political infighting is made exceedingly entertaining in this wild, red versus blue state satire.
Williamstown Theatre Festival presents a vibrant production about a nonentity disconnected from life.
This play tracing Lady May Lawford's May-December relationship with the young pianist she hires to write her memoirs lacks focus and variety.
A captivating but cryptic solo adaptation of Dante's journey into perdition.
Clever ideas aren't enough to save this scattered solo show from being half-baked.
An inventive if overlong take on schizophrenia told by a schizophrenic as if experiencing connected schizophrenic episodes.
A wearisome play about fantasy-film originator Georges Méliès.