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10,593 stories from A Younger Theatre

Review: Last Man Standing, Theatre N16 by Venetia Byles

Last Man Standing began with a symphony of sadness as the cast, some dressed as soldiers, some as serving maids stood completely still spread around the corners of the room. They sung the au…

SOURCE: A Younger Theatre at 11:36am on November 20, 2017

Review: Contractions, New Diorama Theatre by Natalie Russett

Your first and lasting impression of this production has to be the space. The play takes place so aptly inside a huge office block, in a corporate quarter of London. We are seated on the fir…

SOURCE: A Younger Theatre at 9:36am on November 20, 2017

Review: Coriolanus, The Barbican Theatre by Jessica Handscomb

Rome season is upon us. Directed by Angus Jackson, the Royal Shakespeare company present three of Shakespeare's plays centring on Roman history: Titus Andronicus, Julius Caesar, and Corio…

SOURCE: A Younger Theatre at 9:36am on November 20, 2017

Review: Great Odds, Little Angel Theatre by Josephine Balfour-oatts

Using a combination of visual storytelling, British Sign Language, live music, sound and puppetry, Mac's Arcadian introduce their first play Great Odds at the Little Angel Theatre. Co-produc…

SOURCE: A Younger Theatre at 9:36am on November 20, 2017

Review: Flycatcher, The Hope Theatre by Helen Long

Staged in the intimate confines of the Hope Theatre, Gregg Masuak's dark tumble through shifting identities is unsettling before it even begins. To reach their seats, the audience must navig…

SOURCE: A Younger Theatre at 9:36am on November 20, 2017

Feature: Wearing Our Hair As Our Crowning Glory by Isaac Ouro

Hair is an important part of our identities and our collective histories. It, alongside head wraps, can bare connotations of wealth, status, and cultural identity in many indigenous or other…

SOURCE: A Younger Theatre at 8:33am on November 20, 2017

Review: Picasso, The Playground Theatre by Olivia Lunn

The inaugural performance at The Playground Theatre transformed the space from what was previously a bus depot into a bull pit-come-court room, exhibiting Picasso's sometimes playful and som…

SOURCE: A Younger Theatre at 8:33am on November 20, 2017

Review: All In, The New Diorama Theatre by Helen Long

If you like feeling confused, lost and like you've just landed in a drug-infused dream sequence, you may enjoy All In. It professes to be an 'exploration of the millennial condition', an abs…

SOURCE: A Younger Theatre at 8:33am on November 20, 2017

Review: The Retreat, Park Theatre by Natalie Russett

The Retreat is ninety minutes with two ordinary brothers and a woman that raises many life-affirming questions, ultimately pointing to the futility of the way we lead our lives. The comedy o…

SOURCE: A Younger Theatre at 8:33am on November 20, 2017

Review: Motion, The Drayton Arms Theatre by Alice Devoy

"Take the 'e' out of emotion and what do you get?" "You get where you want to be." And that's all there is to it. Well, that's all there is to the single-minded, professional cyclist's mind.…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: All the Little Lights, Arcola Theatre by Alice Devoy

In her introduction for the programme, writer Jane Upton wrote of her new play, All the Little Lights, 'I hope it does some good, somehow.' This sense of expectation- one of realist dejectio…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: The Secret Keeper, Ovalhouse by Franciska Éry

The Secret Keeper has every trope a fairy tale needs: the archetypes of a young prodigy and greedy parents, a miracle, and human flaws, which lead to an inevitable downfall and a moral lesso…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: The Red Lion, Trafalgar Studios 2 by A Younger Theatre

After a sell-out run at Newcastle's Live Theatre, Patrick Marber's The Red Lion makes it West End debut at Trafalgar studios. A tale of ambition, idealism, and football The Red Lion illus…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: Poison, Orange Tree Theatre by Saskia Coomber

Poison, written by Lot Vekemans and translated by Rina Vergano, has just two characters, who are waiting in a cemetery reception for a meeting regarding a deceased loved one. It appears that…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: Tristram Shandy: Live at London!, OSO Arts Centre by Alice Devoy

To celebrate his 240th year of having a book in print, the illustrious Tristram Shandy is touring the country to promote and celebrate his hilarious, obscure and unique autobiography. Of cou…

SOURCE: A Younger Theatre at 11:12am on November 18, 2017

Review: Mother Courage and Her Children, Southwark Playhouse by Lara Domke

How does war sound? How does it feel to breath the life-threatening air? Dim light, a grey shaded set design (Barney Georg), aircraft noises and soldiers welcome the audience on their way to…

SOURCE: A Younger Theatre at 4:33am on November 18, 2017

Review: Suzy Storck, Gate Theatre by Lara Domke

The audiences find their seats around the stage in a square setting: A playground set in a forest. It suggests freedom and relaxation, but something feels limiting and oppressive. The lighti…

SOURCE: A Younger Theatre at 2:18am on November 18, 2017

Review: Busking It, Soho Theatre by Natalie Russett

Busking It is a thoroughly personal, theatrical dive into the experiences of Danusia Samal as a busker in the Underground, telling her story through impersonations, songs and storytelling. S…

SOURCE: A Younger Theatre at 2:18am on November 18, 2017

Review: Heather and Harry, Stumble Trip Theatre by Natalie Russett

Heather and Harry is a three-women, mini-musical parodic extravaganza " an all singing, all dancing duo and equally entertaining musicians. The short show had me laughing and giggling for th…

SOURCE: A Younger Theatre at 12:48pm on November 17, 2017

Review: Kinkens, Camden People's Theatre by Charlotte Irwin

Kinkens may sound like the product of make-believe, but in fact the Old Scottish word for "evasive answers to questions from curious children", is more than fitting for Pip Hambly's Socratic…

SOURCE: A Younger Theatre at 11:42am on November 17, 2017

Review: Glengarry Glen Ross, Playhouse Theatre by Tricia Wey

Firstly, let me warn you, if you have an aversion to swearing, take some time to prepare yourself before seeing Glengarry Glen Ross: there are F-bombs abundant. Published in 1984, David Mame…

SOURCE: A Younger Theatre at 11:42am on November 17, 2017

Review: Princess Charming, Ovalhouse by Alice Devoy

Sparkles, sweets, and singing; dancing, toys and music – sounds like a standard children's show. Princess Charming, however, is an urgently needed cabaret. Not because of the joy it br…

SOURCE: A Younger Theatre at 9:33am on November 17, 2017

Feature: Telling stories of migration and displacement through children's stories by Iqra Choudhry

Sabrina Mahfouz's new children's play Zeraffa Giraffa, (based on the picture book written by Dianne Hofmeyr and illustrated by Jane Ray), is inspired by the remarkable true story of a real g…

SOURCE: A Younger Theatre at 7:18am on November 17, 2017

Review: Demons, St Leonard's Church by Charlotte Irwin

Crime and Punishment, The Brothers Karamazov, Demons: Dostoevsky is synonymous with lengthy tomes, and this reworking of the aforementioned Demons doesn't let its author down in terms …

SOURCE: A Younger Theatre at 2:42pm on November 16, 2017

Review: Old Joe's Fish 'n' Chill, Bloomsbury Theatre by Helen Long

Welcome to Old Joe's Fish 'n' Chill, a withering bar set in the dusty bowels of a train station. Kick off your shoes, cock your pistol and be prepared for a bizarre turn of fantastical event…

SOURCE: A Younger Theatre at 1:36pm on November 16, 2017
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