Amadeus - Philadelphia Review
This production does justice to Shaffer's accessible and entertaining material. Where Peter Hall's production was stately and grand, Jiri Zizka brings us a more American and, therefore, a le…
This production does justice to Shaffer's accessible and entertaining material. Where Peter Hall's production was stately and grand, Jiri Zizka brings us a more American and, therefore, a le…
It's not everyday that you get to see a British King flounce about fingering his crown and scepter.
The big little musical is back - and it's funnier than ever.
This musical about the Leo Frank murder case has taken nine years to reach the UK where it receives an intimate staging in the Donmar Warehouse.
Rupert Goold can quite simply do Shakespeare on stage. With this visually beguiling Macbeth, he again proves his distinctive ability to transform a well-known play into a sensory and thought-provoking experience.
Director Michael Wilson once again proves his affinity for the nuances of Horton Foote's work. He allows the causes and events that will change the the characters'lives forever to unfold at …
"Music hath charms to soothe a savage breast, to soften rocks, or bend a knotted oak," wrote William Congreve. It sure does when the music comes from three gifted and personable African-Amer…
Jonathan Bank, the artistic director of the Mint theater company has again resurrected a long neglected but eminently worthy play. This one stands unique in classical Russian dramatic litera…
What starts out as a celebratory family dinner for Art "Crazy Train" Sligo (Guy Boyd), the midwestern all-star wrestling legend about to be honored at his last wrestling match, quickly unfur…
This is quite a sexy production which also features director van Hove's trademark penchant for subjecting his leading actors to unappetizing physical situations.
Polly Pen's script, under the sensuous direction of Martin Bedoian, teases out the erotic imagery in Rossetti's poem.
Jonathan Silverstein, who last year proved that there was still plenty to savor in Robert Anderson's Tea and Sympathy, has done the same for The Dining Room.
Thurber draws a disturbing yet compelling picture of contemporary life in the lower depths.
The five excellent actors succeed in making the most of their characters' vulnerabilities and downplaying their essentially standard issue qualities.
There's a good play somewhere here. Hoch just has to go back to the drawing board to find it.
Despite being overlong, overwrought and overly contentious, Stick Fly is almost giddily entertaining.