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4,024 stories from http://www.theaterscene.net

Marlowe's Fate by Victor Gluck, Editor-in-chief

Hodges' play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the unsu…

SOURCE: www.theaterscene.net at 5:59pm on May 21, 2018

Hercules Didn't Wade in the Water by Darryl Reilly

"Hercules Didn't Wade in the Water" is the winner of the Negro Ensemble Company, Inc.'s 2017 Emerging Playwrights Competition and this is its premiere. Michael A. Jones' passionate eloquence…

SOURCE: www.theaterscene.net at 11:59pm on May 20, 2018

The Gentleman Caller by Victor Gluck, Editor-in-chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20pm on May 20, 2018

Operation Crucible by David Kaufman

While it's meant to be helpful, a glossary of local jargon ("Operation Crucible" is set in Sheffield, England) in the program is usually a surefire sign that you're going to have difficulty …

SOURCE: www.theaterscene.net at 7:06pm on May 18, 2018

Bump by Darryl Reilly

Ms. Atik complements her engaging contemporary scenario with creative theatricality. Interspersed are vignettes with six performers depicting the members of a nationwide pregnancy Internet m…

SOURCE: www.theaterscene.net at 1:11pm on May 18, 2018

A Brief History of Women by Victor Gluck, Editor-in-chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 " 1985 in four short sequences, showing the changes that take place in one hous…

SOURCE: www.theaterscene.net at 5:08pm on May 17, 2018

Repast Baroque Ensemble: Bohemian Fantasy by Jean Ballard Terepka

The program opened and closed with pieces for all five musicians together. Heinrich Ignaz Franz Biber (1644-1704) and Johann Heinrich Schmelzer (1620/23-1680) both made the quartet of string…

SOURCE: www.theaterscene.net at 2:38pm on May 16, 2018

Alternating Currents by Joel Benjamin

Despite the complexity of the interactions of the people of Electchester and the poor folk at Pomonok, Kraar manages to end on a promising note.  "Alternating Currents," produced under th…

SOURCE: www.theaterscene.net at 12:27pm on May 15, 2018

The Jewish King Lear by Victor Gluck, Editor-in-chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare's tragedy. Gordin's Lear has a wife who is sorely put upon and under her husband'…

SOURCE: www.theaterscene.net at 11:35pm on May 14, 2018

Me and My Girl by Darryl Reilly

Mr. Carlyle's giddy opening is a thrilling mise-en-scène of a chorus line of servants, floating props and a grand back drop of a miniature representation of the country estate where the act…

SOURCE: www.theaterscene.net at 6:57pm on May 14, 2018

My Fair Lady (Lincoln Center Theater) by David Kaufman

With an enormous painted backdrop depicting London and featuring St. Paul's Cathedral and a lamppost (the glorious sets have been designed by Michael Yeargan), the musical begins as Covent G…

SOURCE: www.theaterscene.net at 5:03pm on May 14, 2018

Light Shining in Buckinghamshire by Joseph Pisano

There's a brilliant play buried somewhere in Caryl Churchill's "Light Shining in Buckinghamshire," a bottom-up historical epic about the English Civil War that the acclaimed British writer d…

SOURCE: www.theaterscene.net at 10:42am on May 14, 2018

Summer and Smoke by David Kaufman

When Tennessee Williams started writing "Summer and Smoke," his working title for the play was "Chart of Anatomy," taken from a poem by Hart Crane. An anatomical chart becomes one of the ver…

SOURCE: www.theaterscene.net at 7:00pm on May 10, 2018

Unexpected Joy by Darryl Reilly

With a Judy Collins-style mane of blonde hair and wearing jeans and suede, the sleek Luba Mason as Joy certainly looks the part. That mien is reinforced by Ms. Mason's smoothly conversationa…

SOURCE: www.theaterscene.net at 6:05pm on May 10, 2018

Transparent Falsehood: An American Travesty by Darryl Reilly

The one bright spot is the 15-minute segment "Without Precedent." It's the title of Trump's imaginary HBO comedy special and is the highlight of Ezra Barnes' terrific performance as Trump. K…

SOURCE: www.theaterscene.net at 4:13pm on May 10, 2018

Replay by Joseph Pisano

To be sure, there are examples of talented playwrights who have also been able to tread the boards without tripping over their feet, or tongues. Harold Pinter, Noël Coward, Tracy Letts: t…

SOURCE: www.theaterscene.net at 1:12am on May 10, 2018

Dance Nation by Darryl Reilly

Ms. Barron's conception is more of an agenda driven fantastical tract rather than a well-crafted play with a cohesive plot. Her tone is of exaggeration and artifice with mannered dialogue th…

SOURCE: www.theaterscene.net at 12:39am on May 9, 2018

Travesties by Victor Gluck, Editor-in-chief

The play is narrated by Carr through his memories as an doddering 80-year-old man, returning him (and us) to his days as a 30-year-old resident of Zurich. As such he both unreliable, alterin…

SOURCE: www.theaterscene.net at 11:32pm on May 8, 2018

Saint Joan by David Kaufman

After "Ruined" and then last year's "A Doll's House, Part 2," Condola Rashad is fast establishing herself as one of our finest young actresses. She is presently back on Broadway, offering…

SOURCE: www.theaterscene.net at 4:01pm on May 8, 2018

Master-Pieces, A Chamber Opera by Jean Ballard Terepka

However, it's not what we normally think of as an opera. And the performance, characterized by both moving strengths and disconcerting weaknesses, unfolded, awkwardly and interestingly … a…

SOURCE: www.theaterscene.net at 4:18pm on May 7, 2018

The Iceman Cometh by Joel Benjamin

Denzel Washington, the raison d'être of this production (coming way too soon after several recent stagings), gives a boisterous, almost pleasant performance as Theodore Hickman, aka Hicke…

SOURCE: www.theaterscene.net at 1:23pm on May 7, 2018

The Rainmaker by Darryl Reilly

"Never judge a heifer by the flick of her tail" is just one of the many kernels of down home wisdom in playwright N. Richard Nash's lovely piece of Americana, The Rainmaker. It's been tender…

SOURCE: www.theaterscene.net at 11:52pm on May 6, 2018

If Not Now …? Chamber Music of Timothy Brown by Jean Ballard Terepka

Brown called his concert, "If Not Now …?" implying, for himself and us, then, when? Removed by more than a decade from the kinds of composing in which he's now typically engaged, the piece…

SOURCE: www.theaterscene.net at 11:02pm on May 6, 2018

The Alice-in-Wonderland Follies by Joel Benjamin

Inspired by Lewis Carroll's two Alice books and cleverly choreographed by Keith Michael, the "Follies" was preceded by Byer's usual pre-show, uplifting audience-participation talk on the won…

SOURCE: www.theaterscene.net at 12:33pm on May 3, 2018

The New York Pops' 35th Birthday Gala, "Part of His World: The Songs of Alan Menken" by Darryl Reilly

Angela Lansbury's electrifying surprise appearance was the grandest of the many highlights of the New York Pops' sensational 35th Birthday Gala, "Part of His World: The Songs of Alan Menken.…

SOURCE: www.theaterscene.net at 2:25pm on May 2, 2018
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