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10,593 stories from A Younger Theatre

Review: East, Kings Head Theatre by Alice Devoy

East, the lyrical play written in 1975 by Steven Berkoff, has been revived at the King's Head in a performance that is raucous, energetic and enthralling. Fittingly, the play is set in East …

SOURCE: A Younger Theatre at 4:33am on January 15, 2018

Review: The Narcissist, Hen & Chicken's Theatrec by Charlotte Irwin

The Narcissist, as you might expect from such a title, is a one-man show. In the space of an hour, writer and performer Will Adolphy, uses monologue, dance, and an unexpected foray into acou…

SOURCE: A Younger Theatre at 4:00am on January 15, 2018

Review: Heretic Voices, Arcola Theatre by Josephine Balfour-oatts

Created by Max Gill and Ellie Keel, Heretic Productions presents Heretic Voices, a nationwide competition in search of new writing in monologue form. Announced during the summer of 2017, 113…

SOURCE: A Younger Theatre at 3:45am on January 15, 2018

Review: Dark Suit and Lavender Shirt, Standing, Chelsea Theatre by Frey Kwa Hawking

Clearwater Collective's Dark Suit and Lavender Shirt, Standing bills itself as a "multi-disciplinary" production on the life of Egon Schiele, mainly focusing on his relationships with Gustav…

SOURCE: A Younger Theatre at 5:44pm on January 10, 2018

Review: The Overcoat, Clapham Omnibus by Rachael Head

The Overcoat by Nikolai Gogol is getting a revamp at the Clapham Omnibus right now. In George Johnston's version, Akakiy Akakievitchna is female, and we only have two supporting cast members…

SOURCE: A Younger Theatre at 3:35pm on January 10, 2018

Review: Bananaman, The Musical, Southwark Playhouse by Steph J. Watkins

I've said it before and I'll say it again, I absolutely adore the Southwark Playhouse. I find that the large spaces and interchangeable set-ups allow the staging to mould to the pieces being…

SOURCE: A Younger Theatre at 3:15pm on January 10, 2018

Review: The Crystal Egg, The Vaults by Tricia Wey

How does one immerse a 21st century audience in a Victorian science fiction story about Martians? That is the question…and The Crystal Egg is the answer. The original short story was writt…

SOURCE: A Younger Theatre at 5:15am on January 9, 2018

Review: Into The Numbers by Frey Kwa Hawking

Anniversaries: 150 for the Finborough Theatre, 80 for Nanking. Into The Numbers isn't a perfect production, but once again the Finborough shows its excellent feel for European premieres, rev…

SOURCE: A Younger Theatre at 6:10am on January 8, 2018

Review: Hanna, Arcola Theatre by Lara Domke

The stage is nearly empty, except for a chair and desk on a red carpet with a spiral pattern. A red-coloured spotlight shines light on the setting. A jug of water and a glass are placed on t…

SOURCE: A Younger Theatre at 4:00am on January 8, 2018

All wrapped up: what theatre brought to 2017 by Afshan D'souza-lodhi

This year has been eventful for British theatre. In recent months, people have been coming forward with allegations of sexual assault against directors and actors. National theatres and arts…

SOURCE: A Younger Theatre at 8:33am on December 28, 2017

Review: Hamilton, Victoria Palace Theatre by Errol Kerr

It's useful to go into a show like Hamilton with a fresh mind and a 'hey, I've lived under a rock for the last three years' mentality. Somehow I managed to avoid the hype. I'd heard of the m…

SOURCE: A Younger Theatre at 9:48am on December 23, 2017

Review: Christmas with the Rat Pack, Theatre Royal Haymarket by Jessica Handscomb

The Rat Pack, as they were collectively known, was comprised of Dean Martin, Sammy Davis Jr., Frank Sinatra, Peter Lawford and Joey Bishop. Wildly popular by the 1960s, they frequented the L…

SOURCE: A Younger Theatre at 7:33am on December 22, 2017

Review: Antony and Cleopatra, Barbican by A Younger Theatre

The Royal Shakespeare Company's Rome season takes a much welcome detour through the Nile in Iqbal Khan's sizzling production of Antony and Cleopatra.  Shakespeare's tragedy takes place ri…

SOURCE: A Younger Theatre at 5:18am on December 21, 2017

Review: The Little Prince, Playground Theatre by Helen Long

In the entertainment industry, if you can create something that will be loved by both children and adults, you may be onto a winner. If you can create something that will effortlessly lull c…

SOURCE: A Younger Theatre at 9:48am on December 19, 2017

Review: Alice in Winterland, Rose Theatre Kingston by Rachael Head

This winter the Rose Kingston theatre is putting a festive twist on a much loved, oft-revived, classic fairy tale. Before you groan "not another one", gather your Christmas cheer and stick w…

SOURCE: A Younger Theatre at 6:33am on December 19, 2017

Review: Julius Caesar, Barbican by Josephine Balfour-oatts

Directed by Angus Jackson, Julius Caesar is the first of four productions presented by the Royal Shakespeare Company as part of their Rome Season. Written by William Shakespeare, the tragedy…

SOURCE: A Younger Theatre at 6:36am on December 18, 2017

Review: The Jungle, Young Vic by Venetia Byles

It is near impossible to describe the agonizing array of emotions evoked by Joe Murphey and Joe Robertson's, The Jungle. Directed by Stephen Daldry and Justin Martin, hosted by the Young Vic…

SOURCE: A Younger Theatre at 4:33am on December 18, 2017

Review: Belleville, Donmar Warehouse by Frey Kwa Hawking

Amy Herzog's Belleville, at the Donmar Warehouse this winter, grasps at a few things: the experiences of 'expats' vs. 'immigrants' in foreign countries, the romanticisation of the city of Pa…

SOURCE: A Younger Theatre at 11:04am on December 16, 2017

Review: The Wolves of Willoughby Chase, Jack Studio Theatre by Lara Domke

Stepping into the theatre space the atmosphere is already settled for a wintery mystery and adventure. The audience is placed outside a mansion on a late evening invited to imagine a cosy fi…

SOURCE: A Younger Theatre at 11:04am on December 16, 2017

Review: Thark, Drayton Arms Theatre by Saskia Coomber

As 1920s big band jazz music plays while the audience takes their seats, the energy is that of frivolity and high-energy jollity, which matches the image on the poster for Thark. The entranc…

SOURCE: A Younger Theatre at 6:36am on December 16, 2017

Review: FCUK'D, Bunker Theatre by Charlotte Irwin

FCUK'D – the debut play from writer Niall Ransome – is a lament to Britain's working class men. The unnamed protagonist who addresses the audience in poetic monologue is a Boy, w…

SOURCE: A Younger Theatre at 8:36am on December 15, 2017

Review: The Twilight Zone, Almeida Theatre by Josephine Balfour-oatts

For the first time in history, the Almeida Theatre play host to the world premiere of The Twilight Zone. Originally created by Rod Serling, the American television series ran for five season…

SOURCE: A Younger Theatre at 5:18am on December 15, 2017

Review: Great Expectations, The Old Red Lion Theatre by Calum McIntosh

Tom Crowley's adaptation of Great Expectations transports Charles Dickens' classic tale to the 21st Century. It follows the story of Pip (Joshua Asare), a young man living in a council estat…

SOURCE: A Younger Theatre at 5:18pm on December 14, 2017

Review: Macbeeth, Hen and Chickens Theatre by Frey Kwa Hawking

I'd probably have appreciated Macbeeth better had I not the night before watched some Garth Marenghi's Darkplace with friends, which remains one of the most perfect examples of genre parody …

SOURCE: A Younger Theatre at 5:18pm on December 14, 2017

Review: Pinocchio, National Theatre by Alice Devoy

The National's new production of the timeless Italian classic, Pinocchio, is nothing short of magical. Written by Denis Kelly (Matilda the Musical) and incorporating the Walt Disney Soundtra…

SOURCE: A Younger Theatre at 5:18pm on December 14, 2017
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