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3,498 stories from The Arts Desk

Herons, Lyric Hammersmith by Aleks Sierz

Be careful what you wish for. I've always moaned about the fact that British theatre is too naturalistic, and that its stagings are too banal, full of quotidian detail and a specific sense o…

SOURCE: The Arts Desk at 5:36pm on January 21, 2016

The Rolling Stone, Orange Tree Theatre by Tom Birchenough

I'm still pondering the title of Chris Urch's new play. On the surface it's clear enough: The Rolling Stone is a weekly newspaper in Uganda that has been notorious for pursuing that country'…

SOURCE: The Arts Desk at 10:21am on January 21, 2016

The Weir, Royal Lyceum Theatre, Edinburgh by David Kettle

Since its unveiling at London's Royal Court in 1997, Conor McPherson's The Weir has become something of a modern classic, notching up dozens of productions worldwide and even inclusion in th…

SOURCE: The Arts Desk at 3:37am on January 21, 2016

4000 Days, Park Theatre by Aleks Sierz

It is a nightmare scenario: you have an accident that leaves you comatose. You are out of action in hospital for three weeks and then, when you wake up, you gradually realise that you don't …

SOURCE: The Arts Desk at 6:45pm on January 19, 2016

P'yongyang, Finborough Theatre by Tom Birchenough

Every incarnation of totalitarianism has its own specific mythology, which exists in different forms as it is believed at home and "translated" abroad (or not, in both cases). North Korea su…

SOURCE: The Arts Desk at 8:20pm on January 15, 2016

This Will End Badly, Southwark Playhouse by Aleks Sierz

You have to admire Rob Hayes's choice of titles. Although his latest doesn't quite have the shock value of Awkward Conversations With Animals I've Fucked, his 2014 Edinburgh Festival hit, Th…

SOURCE: The Arts Desk at 7:14pm on January 15, 2016

Seven sides of Alan Rickman by The Arts Desk

When sorrows come they come not in single spies. It is a bad week to be 69. Hard on the heels of David Bowie's death from cancer comes Alan Rickman's. He was an actor who radiated a sinful a…

SOURCE: The Arts Desk at 2:21pm on January 14, 2016

Grey Gardens, Southwark Playhouse by Matt Wolf

One of the more unusual Broadway offerings of recent times crosses the Atlantic with considerable style in an Off West End premiere of 2006 New York entry Grey Gardens that punches well abov…

SOURCE: The Arts Desk at 6:31am on January 10, 2016

Guys and Dolls, Savoy Theatre by Matt Wolf

The seemingly eternal British love affair with Guys and Dolls continues apace with the (somewhat recast) transfer to London of the Chichester production from two summers ago, and a more buoy…

SOURCE: The Arts Desk at 8:16am on January 7, 2016

Best of 2015: Theatre by Matt Wolf

Say what you will about London theatre during 2015, and by my reckoning it was a pretty fine year, there certainly was a lot of it. I can't recall a year that brought with it a comparable vo…

SOURCE: The Arts Desk at 3:30am on December 29, 2015

Dr Seuss's The Lorax, Old Vic by Matt Wolf

You'll feel guilty for having bothered with a programme after seeing The Lorax, the Dr Seuss adaptation that puts saving the environment centre-stage at the Old Vic just as the recent climat…

SOURCE: The Arts Desk at 5:12am on December 21, 2015

The Insatiable, Inflatable Candylion, National Theatre Wales by Dylan Moore

While Christmas is the season when traditional theatres trot out the tired clichés of panto, the ever-innovative National Theatre Wales have decided, in their wisdom, to stage a surreal, ps…

SOURCE: The Arts Desk at 7:43pm on December 19, 2015

Les Liaisons Dangereuses, Donmar Warehouse by David Nice

The last time I saw Janet McTeer, she was doing her best with the slightly underwritten role of sister to Glenn Close's lethal Patty Hewes in Damages, the ultimate TV series about the discre…

SOURCE: The Arts Desk at 6:55am on December 18, 2015

The Dazzle, FOUND111, Charing Cross Rd. by Matt Wolf

The proverbial pond that separates the New York and London theatres has had a seismic effect on The Dazzle, Richard Greenberg's ironically titled play from 2002 that in every way seems darke…

SOURCE: The Arts Desk at 8:15am on December 16, 2015

Sleeping Beauty, Bristol Old Vic by Mark Kidel

Christmas pantomime is all about letting go, and being carried away on a wave of communal jollity. The genre also delights in carnivalesque gender-bending, the anarchic undermining of author…

SOURCE: The Arts Desk at 7:51pm on December 14, 2015

Forget Me Not, Bush Theatre by Aleks Sierz

Past wrongs cast long shadows. Following the passing of the 1901 Immigration Restriction Act, successive Australian governments favoured migrants from English-speaking countries in what was …

SOURCE: The Arts Desk at 6:52pm on December 14, 2015

Peter Pan Goes Wrong, Apollo Theatre by Matt Wolf

The pleasures to be found in the pitfalls that are part of live performance rear their accident-prone head yet again in Peter Pan Goes Wrong, the latest exercise in controlled (or is it?) ch…

SOURCE: The Arts Desk at 9:30pm on December 13, 2015

Tracks of the Winter Bear, Traverse Theatre, Edinburgh by David Kettle

The first surprise in the Traverse Theatre's seasonal production comes on entering the theatre " being led backstage, then onto what's normally the performing area, and finally to two ranks …

SOURCE: The Arts Desk at 3:08am on December 12, 2015

wonder.land, National Theatre by Aleks Sierz

Widely hyped as "an Alice for the online generation", and "a coming-of-age adventure that explores the blurred boundaries between our online and offline lives", this version of Lewis Carroll…

SOURCE: The Arts Desk at 6:51pm on December 10, 2015

A Christmas Carol, Noël Coward Theatre by Tom Birchenough

Is Jim Broadbent Britain's best-loved actor? The slate of screen roles he's accumulated over the years " this Christmas Carol is his return to theatre after a decade away " has surely given …

SOURCE: The Arts Desk at 9:46am on December 10, 2015

Hapgood, Hampstead Theatre by Matt Wolf

A supposed Stoppardian footnote gets a first-class reclamation in Howard Davies's sizzling revival of Hapgood, the espionage-themed drama from 1988 that resonates intellectually and emo…

SOURCE: The Arts Desk at 5:56am on December 10, 2015

Cymbeline, Sam Wanamaker Playhouse by Alexandra Coghlan

There's a happy, cyclical logic to this first production of Cymbeline " Shakespeare's late tragicomedy of love and jealousy " in the Globe's Sam Wanamaker Playhouse. The first play Shakespea…

SOURCE: The Arts Desk at 2:28am on December 9, 2015

You for Me for You, Royal Court Theatre by Aleks Sierz

North Korea is the kind of place that haunts the imagination of the West " and not in a good way. One of the last hardline Communist dictatorships, it is also a country of immense sadness, a…

SOURCE: The Arts Desk at 6:27pm on December 8, 2015

Hangmen, Wyndham's Theatre by Marianka Swain

Just what constitutes reasonable behaviour in an enlightened society? Not long ago, the death penalty fell under that umbrella in Britain, and state-sanctioned killing as punishment for the …

SOURCE: The Arts Desk at 7:27pm on December 7, 2015

Around the World in 80 Days, St James Theatre by Tom Birchenough

One of the joys about this stage adaptation of Jules Verne's Around the World in 80 Days is the contrast between its phlegmatic hero Phileas Fogg, who deals with everything in terms of preci…

SOURCE: The Arts Desk at 8:31am on December 4, 2015
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