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8,108 stories from DC Theatre Scene

Six Degrees of Separation Review: Conning Rich Parents in the '80s by Jonathan Mandell

Near the end of Six Degrees of Separation, Allison Janney, portraying the first rich  white victim of a young black con man, tells her husband that she doesn't want to turn the experience…

SOURCE: DC Theatre Scene at 9:31pm on April 25, 2017

Aladdin and the Wonderful Lamp at Adventure Theatre MTC (review) by Kelly McCorkendale

Scheherazade’s mystical folktale, Aladdin and the Wonderful Lamp, still spins its magic. Taken from James Norris' 1940 adaptation of The Book of One Thousand and One Nights, Adventu…

SOURCE: DC Theatre Scene at 9:31pm on April 25, 2017

Kipling's Jungle Book meets the creative team at Imagination Stage (review) by Susan Galbraith

Starting with Kendra Rai's gorgeously hued Indian-spice costumes, conjuring tamarind, cinnamon and saffron, Imagination Stage's production of The Jungle Book brings to life the rich imaginat…

SOURCE: DC Theatre Scene at 1:12pm on April 25, 2017

In The Heights achieves new heights with its Spanish language debut (review) by Rosalind Lacy

In The Heights in Spanish is a show to shout about. The Broadway smash by Lin-Manuel Miranda and Quiara Alegria Hudes, that swept New York's 2008 theatre awards, including the coveted Ton…

SOURCE: DC Theatre Scene at 12:06pm on April 25, 2017

Next season at the newly renovated Baltimore Center Stage by Tim Treanor

Having remodeled its physical plant, created a small black box playing space, and renamed itself, Baltimore Center Stage has picked a 2017-2018 season designed to shake up its audience’…

SOURCE: DC Theatre Scene at 9:12am on April 25, 2017

The Most Spectacularly Lamentable Trial of Miz Martha Washington (review) by Marshall Bradshaw

In the midst of a fever dream, The Most Spectacularly Lamentable Trial of Miz Martha Washington flips the power dynamic of Mt. Vernon and leaves first First Lady Martha Danbridge Washington …

SOURCE: DC Theatre Scene at 9:12am on April 25, 2017

Review: Broadway's Anastasia turns Russia's Revolution into a Fairytale Monarchist Musical by Jonathan Mandell

Pity Terrence McNally, Tony-winning playwright, charged with fashioning the book of a Broadway musical out of a 1997 cartoon, which turned the Russian Revolution into a fairytale, grinding a…

SOURCE: DC Theatre Scene at 9:02pm on April 24, 2017

Lydia Diamond's back at Arena Stage with Smart People (review) by Debbie Minter Jackson

The long awaited Smart People at Arena Stage tackles issues of race and gender stereotypes from the viewpoint of four distinctly different people, each serving as a kind of archetype of hist…

SOURCE: DC Theatre Scene at 12:02pm on April 24, 2017

That Face opens Third Space at Baltimore Center Stage (review) by Jayne Blanchard

No longer do we need to shudder to think what Blanche DuBois from A Streetcar Named Desire and Martha from Who's Afraid of Virginia Woolf would be like as mothers. The Tennessee Williams and…

SOURCE: DC Theatre Scene at 10:06am on April 24, 2017

Fun Home justifies its Tonys at The National Theatre (review) by Christopher Henley

About halfway through Fun Home, which opened Wednesday night at the National Theatre, ten year-old Alison is in a coffee shoppe with her Dad. It's the second time during the show that father…

SOURCE: DC Theatre Scene at 9:54am on April 21, 2017

Misty Copeland's curated Ballet Across America at The Kennedy Center (review) by Alexander C. Kafka

What's more invigorating than one boundary-pushing ballet company? Three! Wednesday's audience at the Kennedy Center's Ballet Across America series was treated to a varied and impressive, th…

SOURCE: DC Theatre Scene at 8:48am on April 21, 2017

Joel Markowitz interviewed on Fox Channel 5 last night by Lorraine Treanor

Thursday, April 20: Jim Lokay of Fox 5 News interviewed Joel Markowitz on his battle to fight ALS, and the importance of continuing his legacy work at DCMetroTheaterArts.com. John Stoltenber…

SOURCE: DC Theatre Scene at 7:42am on April 21, 2017

Twyford and company delight in Or, a bawdy tale of mistaken identities and royal intrigue (review) by Ben Demers

The true story of Aphra Behn is the epitome of "stranger than fiction." In Round House Theatre's rollicking production of Or, director Aaron Posner, Holly Twyford, and company gleefully r…

SOURCE: DC Theatre Scene at 10:54am on April 20, 2017

Peter and the Starcatcher well worth catching at MET (review) by Jeffrey Walker

Parents, grandparents, aunts and uncles, den mothers, scoutmasters, youth leaders – okay, anyone who oversees children, please follow directions: Go to the website Maryland Ensemble…

SOURCE: DC Theatre Scene at 9:48am on April 20, 2017

Chesapeake Shakespeare's next season punctuates classics with the story of the boldest Shakespeare production ever by Tim Treanor

Chesapeake Shakespeare Theatre’s six-play 2017-2018 season will feature a production of Red Velvet, the story of an extraordinary production of Othello, within a schedule of three well…

SOURCE: DC Theatre Scene at 8:48am on April 20, 2017

Patience pays off in The Late Wedding at Hub Theatre (review) by Marshall Bradshaw

The Late Wedding doesn't have a traditional plot. Instead, the play is more like a lesson plan: Its central theme is introduced and explained methodically, and then the audience is exposed t…

SOURCE: DC Theatre Scene at 7:36am on April 20, 2017

Meet the parents: Robert Petkoff and Susan Moniz on playing Fun Home in the nation's capital by Sarah Scafidi

The first national tour of the Tony-Award winning, Broadway hit Fun Home is on stage at the National Theatre through May 13.  Adapted by Lisa Kron and Jeanine Tesori, the musical…

SOURCE: DC Theatre Scene at 3:06pm on April 19, 2017

Indecent on Broadway Review: A Century-Old Scandalous Jewish/Lesbian Play Comes Home by Lorraine Treanor

There are many reasons to find deep satisfaction in the arrival on Broadway of the play Indecent, a fascinating tale wondrously staged about a century-old Jewish drama that featured a scanda…

SOURCE: DC Theatre Scene at 11:31pm on April 18, 2017

Joseph Ritsch gives us a close look into Dorian's Closet, Rep Stage's new musical by Christopher Henley

Dorian's Closet is a musical about the life of the drag performer Dorian Corey, mainstay of the Harlem ball scene and "Mother" of the House of Corey. She died in 1993, just a few years after…

SOURCE: DC Theatre Scene at 12:42pm on April 18, 2017

The Magic Play has real tricks up its sleeve, and a real point to make about us (review) by Tim Treanor

Is it sacrilegious to suggest that Easter was a good day to see The Magic Play, since the story of Easter, if true, is the greatest magic act in human history? I here use magic in its broade…

SOURCE: DC Theatre Scene at 12:42pm on April 18, 2017

.d0t: a RotoPlastic Ballet, short and very much on point (review) by Marshall Bradshaw

With puppetry, projection, lighting, and video timed perfectly to a live, original, nerdcore rap score, .d0t:: a RotoPlastic Ballet runs like clockwork, even as it tells the stories of machi…

SOURCE: DC Theatre Scene at 10:18am on April 18, 2017

Local stars sign up to perform at MetroStage cabaret honoring Joel Markowitz by Lorraine Treanor

Natasha Diaz, Sam Ludwig, Michael Sharp and Roz White are among the lineup of stars appearing at MetroStage for the cabaret being held to on Monday, May 1, 2017 to honor one of DC area th…

SOURCE: DC Theatre Scene at 12:54pm on April 17, 2017

We Happy Few's Henry V shifts the focus to the rabble (review) by Tim Treanor

You would expect a company which derives its name from a speech in Henry V to do a good job with the play itself, and by and large We Happy Few acquits itself well. But there are shortcoming…

SOURCE: DC Theatre Scene at 9:12am on April 17, 2017

Life after Studio: Joy Zinoman, A free, fierce spirit for 35 years and counting by Christopher Henley

“Since it was my decision and my timing and my will, it was easy, on that level," Joy Zinoman said when I asked her if it had been easy to stop leading The Studio Theatre, the company …

SOURCE: DC Theatre Scene at 3:31pm on April 14, 2017

1st Stage next season ranges from Guirgis to Bartlett and a musical by Lorraine Treanor

1st Stage’s 2017-2018 will feature two plays by acknowledged masters, two other plays by up-and-coming artists (including a world premiere from a local playwright) and an evening of so…

SOURCE: DC Theatre Scene at 9:24am on April 14, 2017
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