Children at Play - Reviewed by NICOLE VILLENEUVE
This play delivers too much too fast in its creepy and campy portrayal of adolescence.
This play delivers too much too fast in its creepy and campy portrayal of adolescence.
Despite some structural problems and a few gaps in credibility, Theresa Rebeck's new play on the backstabbing backstage world of the contemporary theatre is a fast, funny 90 minutes.
Instead of the translator-director-composer-actor serving the four short plays of Alexander Pushkin, it seems that Pushkin is serving the work of the translator-director-composer-actor in th…
Though short on trenchant humor, Robert Wilson's take on Heiner Müller is nevertheless a stimulating and bruising dance of sex and death, highlighted by Isabelle Huppert's electric performa…
You can't quite explain why a good match on paper may inspire little passion in real life; even if you locate the crucial elements, the calculus of combining them is impossibly reductive.
This musical version of "Ninotchka" was a disappointing Broadway swansong for Cole Porter, and Musicals Tonight!'s inelegant concert presentation fails to mitigate history's verdict.
Richard Foreman is at it again. His latest work is just as obscure and bizarre as his 50-odd others, and despite a vital performance from Willem Dafoe, it fails to do more than confuse.
This earnest production of an interesting early work by Albert Camus is more debate than drama, with complex intellectual arguments triumphing over emotional involvement.
Sometimes it's better to let sleeping flops lie.
By the time this beguiling one-woman show about battling cancer is over, you feel as if writer-performer Jenny Allen is one of your best friends, and you want to call her up and make plans f…
Thanks to the tremendous specificity and detail of Lynn Redgrave's writing and acting, "Nightingale" is a haunting elegy and a moving act of love.
This mega-meta-mashup of styles capably pits progressive flowers against the nostalgic status quo.
Enda Walsh's new play arrives on these shores riding a wave of critical notices that suggests he is the second coming of Samuel Beckett. I feel obliged to point out, though, that the emperor…
The attention-grabbing premise promises more than the show can deliver, despite the cast's commitment and one actor's magnificent physique.
Edna St. Vincent Millay fans will find this production sketchy (pun intended) and lacking any insight into her later life. Those who don't know her will still say, "Who?"
Billed as a one-woman musical, this is really a 50-minute cabaret act with a central gimmick allowing songstress Stevie Holland to raid the Cole Porter songbook. As theater, it fails on all …
Lightning has struck twice at the St. James Theatre.
Temporary Distortion brings live theatre closer to the horror movie, leaving a trail of quivering vertebrae, if you're into that sort of thing.
Before the first song of Adam Gwon's Ordinary Days has ended, you're aware you're in the hands of a talented composer-lyricist with an unusually fine command of craft.
Director David Cromer gives us a sparkling account of Neil Simon's autobiographical tale of growing up Jewish in Brooklyn in the 1930s.
After Roundabout's recent "Bye Bye Birdie" debacle, it's heartening to be able to report that the company has bounced back with a gripping production of Patrick Marber's "After Miss Julie," …
Musicals Tonight! is pulling off a small coup with its sensitive concert staging of Alan Jay Lerner and Frederick Loewe's gold-rush musical.
In an Off-Broadway transfer, this satiric musical is still one of the hippest theatrical destinations in New York.
The Irish Repertory Theatre stages Eugene O'Neill's rarely seen one-act with chilling intensity, featuring a titanic performance by John Douglas Thompson.
This ghost story is neither scary nor campy as it travels its overplotted course.