Acton Says: Into the Darger Zone
The Acton Off-Broadway Theatre Review: Bughouse at Vineyard Theatre By Acton Henry Darger was an artist by animal instinct, hoarding photographs, newspaper clippings, scraps from coloring bo…
The Acton Off-Broadway Theatre Review: Bughouse at Vineyard Theatre By Acton Henry Darger was an artist by animal instinct, hoarding photographs, newspaper clippings, scraps from coloring bo…
Frontmezzjunkies reports: Debbie Allen Revives August Wilson's Masterpiece at the Barrymore Theatre By Ross Some plays don't just stay with you. They sit beside you for years, quietly waitin…
Frontmezzjunkies reports: A highly anticipated opening night arrives with both onstage intensity and unexpected backstage friction By Ross Opening night always comes loaded with its own kind…
The Ontario Theatre Review: A bold, design-driven Earnest that celebrates Wilde while stretching its emotional grounding By Ross After an insightfully hilarious lesson in the "Language of Fa…
The Frontmezzjunkies Film Review: Harry Lighton's Provocative Exploration of Power, Consent, and Queer Intimacy By Ross From that first moment when Colin is seen in that pub, he is packed ne…
Frontmezzjunkies reports: The 2026 Critics' Circle Theatre Awards winners are in, and the night belonged to Brendan Gleeson, Rosamund Pike, and more than a few delightful surprises By Ross E…
Frontmezzjunkies reports: From tear-stained friendship to teen vampires to Coward's champagne wit, Broadway prepares for a wildly varied preview night By Ross Here we go again, that familiar…
Frontmezzjunkies reports: From cult classic chaos to Céline-powered camp, Broadway dives headfirst into spectacle By Ross A thrilling and intoxicating declaration of intent has been laid ou…
The Broadway Theatre Review: Daniel Radcliffe invites us into a deeply personal, quietly communal experience By Ross A handshake shouldn't feel like a high-stakes audition, but that is exact…
Frontmezzjunkies reports: Queering the Canon: We're Out Here at BAM By Ross Not every queer story begins under neon lights in a big city. Some begin in desert towns, quiet Swedish suburbs, o…
The Toronto Theatre Review: A bold and ambitious reworking of a classic that struggles to ground its own desire By Ross A confession. I always look forward to a new production from Icarus Th…
Frontmezzjunkies reports: A 16-show lineup, major Canadian literary adaptations, and a company stepping fully into its next chapter By Ross Something has been building at Crow's Theatre for …
Frontmezzjunkies reports: Venue issues delay the highly anticipated Off-Broadway return of a fan-favourite musical By Ross The excitement around Music City wasn't quiet. It was building, buz…
The Acton Theatre Review: Moonshiner from Adult Film By Acton The last time I listened to music on cassette was in college, as Riv (Annalisa Noel) does after her morning rooftop inspection o…
The Toronto Theatre Review: Expandido Arts Collective's punk-drama pulses with rage and poetry, but struggles to shape its own intensity By Ross "Rewrite the narrative". That is the driving …
Frontmezzjunkies reports: The 2026 New York City Fringe Festival By Ross Theatrical panic of a certain kind is in the air, the type that only New York can produce. It arrives out of abundanc…
Frontmezzjunkies reports: Jocelyn Bioh's hit comedy heads to Broadway while Nick Payne returns with a poignant American premiere By Ross Certain theatre companies earn your trust over time, …
The Off-Broadway Theatre Review: A bruising and intimate story of siblings learning how to stay By Ross A silence settles into a theatre just before you get hit. A shared stillness where we …
The Toronto Theatre Review: ARC's thrilling production pulls the rug out from under its audience with precision and purpose By Ross We have been cordially invited to a wedding, and a soft hu…
Frontmezzjunkies reports: From Paul Gross to Cabaret, a sweeping year of Canadian talent, theatrical ambition, and audience connection By Ross With every new theatrical season announcement t…
Frontmezzjunkies reports: John Proctor is the Villain and The Harder They Come head to the UK By Ross There is a particular frustration that comes with loving theatre in more than one city. …
Frontmezzjunkies reports: A milestone season celebrates Canadian voices past, present, and future By Ross There are a few theatres that feel like part of my soul, less like venues and more l…
Frontmezzjunkies reports: Adrien Brody and Tessa Thompson bring a haunting true story to the stage By Ross With a first preview, the excitement is elevated to high as the lights go down on B…
The Off-Broadway Theatre Review: Ethan Slater and Marshall Pailet's Marcel on the Train Brings Quiet Resistance to Classic Stage Company By Ross An invisible door slides open. And Ethan Slat…
Frontmezzjunkies reports: Richard Kind, a new West End Bialystock, and the Menier's Next Chapter By Ross The news that Richard Kind will take over the role of Max Bialystock for seven weeks …