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1,623 stories from exeuntmagazine.com

Review: Sundowning at Tristan Bates Theatre by Josephine Balfour-oatts

Spots of time: Josephine Balfour-Oatts reviews a visually evocative production of Nessa Muthy's new play about caring for a relative with dementia The post Review: Sundowning at Tristan Bate…

SOURCE: exeuntmagazine.com at 5:47am on October 23, 2018

What is 'good' theatre? by Dr Kirsty Sedgman

Audience experience researcher Dr Kirsty Sedgman writes on why ideas of 'quality' and 'value' in theatre are all but impossible to measure. The post What is ‘good’ theatre? appe…

SOURCE: exeuntmagazine.com at 4:18am on October 22, 2018

Review: Wise Children at Old Vic Theatre by Francesca Peschier

Graft, grit and glitter: Francesca Peschier writes on the shifting layers of Emma Rice's retelling of Angela Carter's story. The post Review: Wise Children at Old Vic Theatre appeared first …

SOURCE: exeuntmagazine.com at 8:27pm on October 21, 2018

Review: Stories at the National Theatre by Sally Hales

Same old story: Nina Raine's play ends up reaffirming a depressingly familiar set of stereotypes about childless women. The post Review: Stories at the National Theatre appeared first on Exe…

SOURCE: exeuntmagazine.com at 10:03am on October 19, 2018

Review: Twelfth Night at Bristol Old Vic by Lilith Wozniak

'Shrödinger's gender': Lilith Wozniak on Wils Wilson's lucid, playful production of Twelfth Night. The post Review: Twelfth Night at Bristol Old Vic appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 9:49am on October 19, 2018

Review: Hollering Woman Creek and A Little Death at Bristol Old Vic by Lilith Wozniak

Death and birth: Lilith Wozniak reviews a double bill of new work developed through Bristol Old Vic's Ferment programme. The post Review: Hollering Woman Creek and A Little Death at Bristol …

SOURCE: exeuntmagazine.com at 9:12am on October 19, 2018

Review: Future Bodies at Northern Stage, Newcastle by Tracey Sinclair

Visions of the future: Unlimited Theatre and RashDash collaborate on a whirlwind of speculative scenarios on technology and the body. The post Review: Future Bodies at Northern Stage, Newcas…

SOURCE: exeuntmagazine.com at 8:10am on October 18, 2018

Review: Death of a Salesman at the Royal Exchange, Manchester by Catherine Love

'Dream space': Catherine Love reviews Sarah Frankcom's fresh, insightful take on the 20th Century American staple The post Review: Death of a Salesman at the Royal Exchange, Manchester appea…

SOURCE: exeuntmagazine.com at 7:08am on October 18, 2018

Review: CONCERT at the Tramway, Glasgow by Andrew Edwards

Dancing shadows: Colin Dunne's tribute to Tommie Potts' 'undanceable' 1972 album is a meditation on absence and time. The post Review: CONCERT at the Tramway, Glasgow appeared first on Exeun…

SOURCE: exeuntmagazine.com at 5:33pm on October 15, 2018

Review: The Sweet Science of Bruising at Southwark Playhouse by Alice Saville

Punching up: Joy Wilkinson's play is an exhilarating trip into an imagined world of Victorian women's boxing. The post Review: The Sweet Science of Bruising at Southwark Playhouse appeared f…

SOURCE: exeuntmagazine.com at 1:09pm on October 15, 2018

Is the hype real? by Alice Saville

As social media takes a starring role in 21st century theatre marketing, Alice Saville writes on the power and pitfalls of Twitter-era criticism. The post Is the hype real? appeared first on…

SOURCE: exeuntmagazine.com at 7:27am on October 15, 2018

Review: The Inheritance at Noël Coward Theatre by Frey Kwa Hawking

As Matthew Lopez's gay epic transfers from the Young Vic to the West End, Frey Kwa Kawking writes on its sprawling, compassionate glory. The post Review: The Inheritance at Noël Coward Th…

SOURCE: exeuntmagazine.com at 4:32am on October 15, 2018

Review: All You Need Is LSD at Birmingham REP by Eve Allin

A bad trip: Eve Allin writes on Leo Butler's surreal new play for Told by An Idiot. The post Review: All You Need Is LSD at Birmingham REP appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:24am on October 15, 2018

Review: Burlesque Noir at the Tower Ballroom, Blackpool by Freddie Machin

Pleasure seekers: Freddie Machin writes on a warm, welcoming, and thoroughly enjoyable night of Blackpool burlesque. The post Review: Burlesque Noir at the Tower Ballroom, Blackpool appeared…

SOURCE: exeuntmagazine.com at 7:25pm on October 14, 2018

Review: Rathmines Road at Abbey Theatre by Chris McCormack

Agonising testimonies: Deirdre Kinahan's new play is a densely plotted exploration of assault and speaking out. The post Review: Rathmines Road at Abbey Theatre appeared first on Exeunt Maga…

SOURCE: exeuntmagazine.com at 7:05pm on October 12, 2018

Review: I'm Not Running at the National Theatre by Simon Gwynn

Uncanny valley: David Hare's satire of Labour politics might be set in the present day, but it belongs in another era. The post Review: I’m Not Running at the National Theatre appeared…

SOURCE: exeuntmagazine.com at 6:12am on October 12, 2018

Review: othellomacbeth at Lyric Hammersmith by Amy Borsuk

'a jumble - not necessarily in a constructive, interesting or interrogative way': Amy Borsuk reviews Jude Christian's mashup of Shakespearean tragedies The post Review: othellomacbeth at Lyr…

SOURCE: exeuntmagazine.com at 6:18pm on October 11, 2018

Review: The Mountaintop at Northern Stage by Tracey Sinclair

A mountain of a man? Tracey Sinclair writes on the nuanced performances in the touring production of Katori Hall's play. The post Review: The Mountaintop at Northern Stage appeared first on …

SOURCE: exeuntmagazine.com at 11:03am on October 11, 2018

Review: Twelfth Night at the Young Vic by Lauren Mooney

Shakespeare as party: Lauren Mooney writes on a fantastically warm, welcoming opener to Kwame Kwei-Armah's reign at the Young Vic. The post Review: Twelfth Night at the Young Vic appeared fi…

SOURCE: exeuntmagazine.com at 7:40am on October 11, 2018

Review: I'm a Phoenix, Bitch at Battersea Arts Centre by Brendan Macdonald

'A stunning show that looks inward to thrust outwards': Brendan MacDonald reviews Bryony Kimmings' new solo performance The post Review: I’m a Phoenix, Bitch at Battersea Arts Centre a…

SOURCE: exeuntmagazine.com at 10:11am on October 10, 2018

Review: The Lovely Bones at Northern Stage by Tracey Sinclair

Loss of innocence: Tracey Sinclair reviews the first stage adaptation of Alice Sebold's novel. The post Review: The Lovely Bones at Northern Stage appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 7:22am on October 10, 2018

"To 'be in context' is a luxury" by Dipika Guha

Director Ailin Conant and playwright Dipika Guha are working on new play 'The Art of Gaman'. Here, they discuss ideas of belonging, immigrant experience and Japanese-American history. The po…

SOURCE: exeuntmagazine.com at 7:04am on October 10, 2018

Review: Kindertransport at Nottingham Playhouse by Peter Kirwan

'Demons in the attic': Peter Kirwan writes on Kindertransport's portrayal of the immigrant experience The post Review: Kindertransport at Nottingham Playhouse appeared first on Exeunt Magazi…

SOURCE: exeuntmagazine.com at 7:00am on October 10, 2018

Milo Rau's Theatre of Cooperation and Openness by Verity Healey

Swiss theatre director Milo Rau's working methods let members of the public into the rehearsal room. Here, he tells Verity Healey why "community theatre IS theatre". The post Milo Rau’…

SOURCE: exeuntmagazine.com at 6:20am on October 10, 2018

Review: The Malady of Death (La Maladie de la Mort) at the Barbican by Rosemary Waugh

The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch's latest collaboration. The post Review: The Malady of Death (La Maladie de la Mort) at the Bar…

SOURCE: exeuntmagazine.com at 12:05pm on October 8, 2018
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