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3,478 stories from The Arts Desk

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling by Demetrios Matheou

The Almeida's all-women hit transfers to the West End Annie Ernaux's semi-autobiographical book Les Années charts a woman's life across time and space, history and memory, through wha…

SOURCE: The Arts Desk at 2:36pm on February 9, 2025[SHARE]

Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inert by Matt Wolf

Brie Larson makes a brave West End debut that, alas, misfires We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to ac…

SOURCE: The Arts Desk at 11:12am on February 7, 2025[SHARE]

Oedipus, Old Vic review - disappointing leads in a production of two halves by Helen Hawkins

Is it a dance piece with added text, or a stripped down play with excess choreography? The opening scene of the Old Vic's Oedipus is dominated by a giant backdrop of a skull-like face, eyes …

SOURCE: The Arts Desk at 6:36am on February 6, 2025[SHARE]

First Person: writer-producer Lauren Mooney on bringing bodies together in the new Royal Court play, 'More Life' by Lauren Mooney

Kandinsky Theatre co-creator on a new play tethering technology to existence It started with a Guardian long-read. I'm ashamed to admit it since so many shows could say the same, but that w…

SOURCE: The Arts Desk at 6:36am on February 6, 2025[SHARE]

Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone by Gary Naylor

★ MRS PRESIDENT, CHARING CROSS THEATRE A widow, a photographer but no soul Curious play that fails to mobilise theatre's unique ability to tell a story The phenomenal global success o…

SOURCE: The Arts Desk at 8:42am on February 5, 2025[SHARE]

Second Best, Riverside Studios review - Asa Butterfield brings the magic by Gary Naylor

★★★ SECOND BEST, RIVERSIDE STUDIOS First-class performance in a second-class play Martin is not Harry Potter in the movies, then might be in real life, but proves to be the…

SOURCE: The Arts Desk at 3:06pm on February 4, 2025[SHARE]

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch by Aleks.sierz

New play about mental breakdown is a mix of acute distress and poetic writing In a world tainted with racism and homophobia, the Bush theatre is something of a refuge from prejudice. As one …

SOURCE: The Arts Desk at 12:54pm on February 4, 2025[SHARE]

Play On!, Lyric Hammersmith - and give me excess of it! by Gary Naylor

★★★★★ PLAY ON!, LYRIC HAMMERSMITH The Bard and The Duke in perfect harmony! Super performances deliver magnificent entertainment If you saw Upstart Crow on tele…

SOURCE: The Arts Desk at 9:54pm on February 2, 2025[SHARE]

Inside No 9: Stage Fright, Wyndham's review - uneven fright-night from the fêted duo by Helen Hawkins

Still inventive and fun but short on sharp shocks How excited Reece Shearsmith and Steve Pemberton must have been to learn that the venue for their Inside No 9 stage show was haunted, by an …

SOURCE: The Arts Desk at 4:18am on January 31, 2025[SHARE]

An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true by Gary Naylor

★★★ AN INTERROGATION, HAMPSTEAD THEATRE Detective gets her man, but at what cost? Rosie Sheehy and Jamie Ballard shine in Edinburgh Festival import In a dingy room with …

SOURCE: The Arts Desk at 9:42pm on January 24, 2025[SHARE]

Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fight by Gary Naylor

★★★ CYMBELINE, SAM WANAMAKER PLAYHOUSE Patriarchy defeated! A new, if not as radical as once it were, take on Shakespeare's cross-dressing call to arms There's not much…

SOURCE: The Arts Desk at 11:42am on January 24, 2025[SHARE]

The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them by Gary Naylor

★★★★ THE LONELY LONDONERS, KILN THEATRE A beautifully realised stage adaptation Memories, frustrations and hopes in a city emerging from post-war austerity As som…

SOURCE: The Arts Desk at 3:18pm on January 23, 2025[SHARE]

Kyoto, Soho Place Theatre - blistering, darkly witty play raises more questions than it answers by Rachel Halliburton

The script turns dry-as-dust diplomatic detail into nothing less than an adrenaline sport It took a while for journalists to identify the chain-smoking, Machiavellian figure who was a perman…

SOURCE: The Arts Desk at 6:12am on January 20, 2025[SHARE]

A Good House, Royal Court review " provocative, but imperfect by Aleks.sierz

South African satire about racism, sexism, home ownership and community politics Most Brits don't know much about South Africa today, but we do know about house values, so this new comedy b…

SOURCE: The Arts Desk at 2:06pm on January 19, 2025[SHARE]

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 masterpiece is Bourne again by Helen Hawkins

An intimate staging and superb casting make this a superior West End production Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes …

SOURCE: The Arts Desk at 7:36pm on January 14, 2025[SHARE]

The Maids, Jermyn Street Theatre review - new broom sweeps clean in fierce revival by Gary Naylor

★★★★ THE MAIDS, JERMYN STREET THEATRE Master and Servant, poison & procrastination Class, in its 21st century manifestation, colours much performed play There ar…

SOURCE: The Arts Desk at 9:18pm on January 12, 2025[SHARE]

Titanique, Criterion Theatre review - musical parody sinks despite super singing by Gary Naylor

★ TITANIQUE, CRITERION THEATRE Celine! Tina! Jack and Rose! But no wit at all Affectionate piss-take set for cult status at best This Celine Dion jukebox musical has been a big hit in …

SOURCE: The Arts Desk at 9:24pm on January 9, 2025[SHARE]

Best of 2024: Theatre by Matt Wolf

BEST OF 2024: THEATRE The classics reclaimed afresh, the acting often astonished The classics were reclaimed afresh, and the acting more often than not astonished It's the images that linge…

SOURCE: The Arts Desk at 2:42pm on January 8, 2025[SHARE]

Best of 2024: Theatre (London) by Matt Wolf

The classics were reclaimed afresh, and the acting more often than not astonished

SOURCE: The Arts Desk at 6:35am on December 28, 2024[SHARE]

Twelfth Night, Royal Shakespeare Theatre review - comic energy dissipates in too large a space by Gary Naylor

★★★ TWELFTH NIGHT The winter comedy provides more chills than chuckles despite a funny fool Too much thinking; not enough laughing It is not just Twelfth Night, it's Twe…

SOURCE: The Arts Desk at 8:42pm on December 21, 2024[SHARE]

You Me Bum Bum Train, secret location review - a joyful multiverse of anarchic creativity by Rachel Halliburton

This latest incarnation of the show is a wild, spinning ride through different forms of reality This feels like the theatrical equivalent of being in a centrifuge " a wild, spinning ride thr…

SOURCE: The Arts Desk at 7:42am on December 20, 2024[SHARE]

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world by Heather Neill

Magic is minimised in Jamie Lloyd's pared-back version Shakespeare must have relished the opportunities brought by the indoor Blackfriars Theatre in 1611: sound magnified in a way impossible…

SOURCE: The Arts Desk at 7:24pm on December 19, 2024[SHARE]

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End by Gary Naylor

★★★★ NATASHA, PIERRE & THE GREAT COMET OF 1812, DONMAR WAREHOUSE Broadway show takes eight years to traverse the Atlantic, but proves worth the wait War and Pe…

SOURCE: The Arts Desk at 3:02pm on December 17, 2024[SHARE]

The Invention of Love, Hampstead Theatre review " beautiful wit, awkward staging by Aleks.sierz

Tom Stoppard's classic evocation of Victorian golden age Oxford stars Simon Russell Beale Can men really love each other " without sex? Or, to put it another way, how many different forms of…

SOURCE: The Arts Desk at 2:02pm on December 17, 2024[SHARE]

Swan Lake, Sadler's Wells review - 30 years on, as bold and brilliant as ever by Helen Hawkins

Matthew Bourne's masterly reinvention has become a classic itself How do you refresh a masterpiece? Bringing back his first and still greatest hit, Swan Lake, Matthew Bourne seems to have ch…

SOURCE: The Arts Desk at 1:48pm on December 15, 2024[SHARE]
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