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353 stories from Broadway Journal

BURNING DOWN THE HOUSE: 'MOULIN ROUGE' REVIEW by Philip Boroff

Three decades after The Phantom first dropped his chandelier in New York and Jean Valjean took up pursuit here, along comes another Paris-based musical spectacle and prospective blockbuster.…

SOURCE: Broadway Journal at 11:13am on July 26, 2019

MERCEDES RUEHL IN SAG HARBOR CAMPUS POWER PLAY: REVIEW by Philip Boroff

Alan Fox's Safe Space  at Bay Street Theater is a provocative exploration of academic freedom in our call-out culture " and a three-character cage match to control the narrative during a …

SOURCE: Broadway Journal at 4:23pm on July 8, 2019

'THE PROM' TO CLOSE ON AUGUST 11 by Philip Boroff

The Prom,  the $13.5 musical comedy that developed a cult following but not a mass audience since opening in November, will close on Aug. 11. It's the first musical to announce its closur…

SOURCE: Broadway Journal at 8:06pm on June 19, 2019

'A STRANGE LOOP' EXPANDS BOUNDARIES: REVIEW by Philip Boroff

Did he really just say that? And sing that? Scott Rudin, Tyler Perry, Disney, critics, and the composer-lyricist-librettist Michael R. Jackson himself are among those skewered and s…

SOURCE: Broadway Journal at 2:08pm on June 18, 2019

THE DEVIL MADE THEM DO IT: 'HADESTOWN' RAISES PRICES by Philip Boroff

EXCLUSIVE: With investors to repay and resellers on the prowl, the producers of Hadestown  increased ticket prices by as much as 47 percent, coinciding with the show's best musical win…

SOURCE: Broadway Journal at 12:19pm on June 14, 2019

DANIELLE BROOKS IN JOYOUS 'MUCH ADO:' REVIEW by James Feinberg

Halfway through the first act of Shakespeare in the Park's Much Ado About Nothing, I found myself on Danielle Brooks' lap. The exemplary performer, of Netflix's Orange is the New Black…

SOURCE: Broadway Journal at 10:32pm on June 11, 2019

INCLUSIVENESS AS BIG BOX OFFICE & OTHER TONY TAKEAWAYS by Philip Boroff

Hadestown's strong sales and its Tony Award for Best Musical may advance the cause of female theater artists more effectively than any speech advocating for industry inclusiveness. The in…

SOURCE: Broadway Journal at 4:17am on June 10, 2019

TOOTSIE'S INSIDER ADVANTAGE AT THE TONY AWARDS by Philip Boroff

EXCLUSIVE: In a competitive Tony Awards contest, can producers who vote for their own show make a difference? I obtained a list of voters in the 2017-18 season " which I'm told is largely cu…

SOURCE: Broadway Journal at 3:41pm on June 7, 2019

ESCAPE FROM MANDERLEY: 'REBECCA' PRODUCER SETTLES WITH PRESS AGENT by Philip Boroff

EXCLUSIVE: Broadway's oddest and most enduring financing-scandal-turned-courtroom-drama has closed. After six years, 471 legal filings, one trial and another that had been on tap, Rebecca…

SOURCE: Broadway Journal at 4:54pm on May 30, 2019

BROADWAY POSTS RECORD SALES, RISING ATTENDANCE by Philip Boroff

Thanks to Hamilton,  The Lion King,  Harry Potter and other blockbusters that draw fans from around the world, Broadway reported a record $1.8 billion in sales " up 7.8 percent " for t…

SOURCE: Broadway Journal at 8:40pm on May 28, 2019

A SAFE SPACE IN THE DARK: NEW YORK THEATRE WORKSHOP'S JAMES NICOLA by Philip Boroff

What the Constitution Means to Me and Hadestown,  two of the most of the acclaimed Broadway shows of the season, were both developed at New York Theatre Workshop. Last night, Artistic …

SOURCE: Broadway Journal at 4:20pm on May 21, 2019

THE FIRE BEHIND THEATRE FOR A NEW AUDIENCE: JEFFREY HOROWITZ AT THE OBIES by Philip Boroff

While accepting a lifetime achievement award at the Obies last night, Founding Artistic Director Jeffrey Horowitz described how an apartment fire helped him create the nonprofit Theatre for …

SOURCE: Broadway Journal at 9:17am on May 21, 2019

SUSAN SARANDON, R&H MIX AWKWARDLY IN JESSE EISENBERG'S 'HAPPY TALK': REVIEW by James Feinberg

"I always thought that my lot in life was to help people en masse," pontificates Susan Sarandon as an unbearable community theater diva in Jesse Eisenberg's half-baked new play, Happy Talk. …

SOURCE: Broadway Journal at 9:48pm on May 16, 2019

WOMEN COMPOSERS SHINE LIGHT ON B'WAY BOYS CLUB by Philip Boroff

For female musical theater composers, this season has been a mixed bag. Of eight original Broadway scores, just one, Anaïs Mitchell's Hadestown, was written by a woman. Yet with its st…

SOURCE: Broadway Journal at 5:21pm on May 16, 2019

LONDON 'MAN OF A LA MANCHA' SCORES: REVIEW by James Feinberg

LONDON " Man of La Mancha  is being revived at the London Coliseum, starring Kelsey Grammer as a blustery Don Quixote. Directed by Lonny Price, with the English National Opera's 30-piece …

SOURCE: Broadway Journal at 2:54pm on May 7, 2019

A NERD'S GUIDE TO THE 2019 TONY NOMINATIONS by Philip Boroff

It's been a few years since an old-fashioned mainstream comedy won best musical at the Tony Awards. Tootsie  could change that. Its primary challenger appears to be the acclaimed New O…

SOURCE: Broadway Journal at 6:37pm on April 30, 2019

HEEDLESS BARON AT TOPLESS TABLOID: 'INK' REVIEW by Philip Boroff

Students of Rupert Murdoch may wonder why an 88-year-old multi-billionaire would devote his last years to destabilizing democracy, promoting division and thwarting efforts to slow climate ch…

SOURCE: Broadway Journal at 9:58pm on April 24, 2019

WHAT THE CONSTITUTION MEANS TO BROADWAY: REVIEW by Philip Boroff

Disturbing, timely and leavened by dry wit, What the Constitution Means to Me  is an impassioned play about American governance that may renew your faith in Broadway. Heidi Schreck, wh…

SOURCE: Broadway Journal at 12:08pm on April 1, 2019

DAZZLING PERFORMANCES, FAMILIAR STORY: 'AIN'T TOO PROUD' REVIEW by Philip Boroff

Ain't Too Proud  isn't too original, but it should appeal to fans of the Temptations, the most successful African-American recording group in history. The musical's five leads gorgeously …

SOURCE: Broadway Journal at 8:50pm on March 21, 2019

HUGH JACKMAN TO STAR IN RUDIN-PRODUCED 'MUSIC MAN' by Philip Boroff

Cementing his position as Broadway's most prolific and arguably most powerful producer,  Scott Rudin said today that he's reviving The Music Man, starring Hugh Jackman, in October 2020…

SOURCE: Broadway Journal at 10:58am on March 13, 2019

HIGH SCHOOL MUSICAL ON HYPERDRIVE: 'BE MORE CHILL' REVIEW by Philip Boroff

Set in suburban Jersey and based on Ned Vizzini's out-there 2004 novel, Be More Chill  is about a frustrated high school junior named Jeremy (Will Roland, best-known for Dear Evan Hans…

SOURCE: Broadway Journal at 9:44pm on March 10, 2019

MORRISSEY SELLS BRISKLY WITH TOP TICKET AT $425 by Philip Boroff

Morrissey's seven-night engagement at the Lunt-Fontanne Theatre sold well in the first hour of general public availability, suggesting a bright future for rock stars on Broadway. As of 11 am…

SOURCE: Broadway Journal at 11:16am on March 8, 2019

GILLIAN ANDERSON ELEVATES FEROCIOUS 'ALL ABOUT EVE': REVIEW by James Feinberg

LONDON " Following Network,  Ivo van Hove's disappointing star vehicle now packing them in on Broadway, the writer/director is back in peak form with his adaptation of All About Eve …

SOURCE: Broadway Journal at 7:39am on March 8, 2019

'REBECCA' PRODUCER SEEKS NEW TRIAL AGAINST PRESS AGENT by Philip Boroff

EXCLUSIVE: Ben Sprecher's six-year campaign to hold his former press agent accountable for the collapse of his musical and reputation has been cleared for another courtroom showdown. Earl…

SOURCE: Broadway Journal at 2:22pm on February 28, 2019

ACTORS' EQUITY ENDS STRIKE AGAINST BROADWAY LEAGUE by Philip Boroff

After 33 days, Actors’ Equity has ended its strike against the Broadway League over how its members are compensated for developing new work. Actors sought revenue or profit share when …

SOURCE: Broadway Journal at 5:30pm on February 8, 2019
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