2,046 stories from Bitter Lemons
Hi. Hey. Hello! Colin owns my soul and is stalking me. Â I agreed to write for Colin after he read my other clown Car Chronicles Articles. Since then, Colin has really been after me to fin…
Pinkberry keeps closing stores. Its frozen product has no food value and tastes like cold paper, yet even in decline it’s the most desired dessert among Los Angeles twelve-year-old…
BITTER The trouble comes first in John Walch’s script, which tries too hard to pack itself full of symbols and themes. So much of the play's actual dialogue seems mechanical in its com…
Alhambra High School Theatre is producing a wicked haunted house, and they need your help! If you have any of the following items, please contact Emily Coalson: [email protected] syring…
The Award-winning and critically acclaimed Towne Street Theatre, now in its 18th year, is looking to expand their core family of artists… Their mission is creating and affecting so…
SWEET The Black Death meets Belle Barth and Monty Python in “Red Noses,” which opens the 30th anniversary season at the Actors’ Gang with grave lunacy. Peter Barnes’ …
BITTER Playwright-director Bill Sterritt’s “The Missile Man of Peenemunde” seems to be offering the kind of polemics mastered by Tom Stoppard, but serves up only tedious an…
Theatre of NOTE (1517 N. Cahuenga Blvd, Hollywood) has a large metal teacher’s desk. 3 feet high X 6 feet wide X 3.5 feet deep available. Free with pickup. Truck and movers necessary f…
Congrats to Stephen Sachs, Simon Levy, my personal friends and actors Jenny O’Hara and Nick Ullett and the entire organization over at the Fountain Theatre for this rare achievement in…
The late great thespian Ralph Richardson being interviewed by Russell Harty from September 6th, 1975, reading Keats’ beautiful poem. He was 72 at the time, he would die eight years lat…
BITTERSWEET That said, under the sharp direction of Darin Anthony, the cast gives a uniformly professional, entertaining performance, bringing to life a play that does not have a single orig…
SWEET An uneven production of an uneven text, the audacious vest-pocket spectacle is nevertheless one of the most captivating attractions around right now. Bob Verini – Variety SWEET O…
SWEET Mayorga's outrage can become oppressive, and sometimes director Ron Sossi treats his subject matter with too much reverence. (Both are understandable responses, but they turn drama int…
From 12:00 noon to 1:30 PM on Saturday, October 15, young playwrights and a few of their more “seasoned” colleagues will talk about where playwriting has been, and where it may b…
The world premiere of a comedic true story about a single, gay man's struggle to adopt against all odds. No one expected Johnny O’Callaghan to ever become a father. But a documentary s…
SWEET But in an age when musicals are patched together from Hollywood trifles and jukebox castoffs, it seems pointless to criticize "I've Never Been So Happy" for lacking substance. It's no …
For Immediate Release October 6, 2011 Press Contact: Jerry Charlson (323) 733-7073 Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â JerryCharls…
We’ve been getting some nice traffic on this one, Lemon Heads, so we’ve decided to keep it open for another week. Here it is below. Remember you can’t see the results until…
Bobby McFerrin does The Wizard of Oz. All of it. Have always loved this guy. Beautiful how the audience participates.
SWEET CarnEvil is slow to start in order to set up for what will be an entertaining payoff. The production hits full gear about ten minutes before intermission, making it almost vexing to ha…
SWEET Director Randee Trabitz does an admirable job with the fast-paced, physically challenging staging, although the focus in some of the more complicated scenes gets scattered. The cast is…
HOW THE WORLD BEGAN Joel Beers – OC Weekly It’s unfortunate Catherine Trieschmann’s new play, How the World Began, can easily be described as a conflict between an evolutio…
WHAT THE MOON SAW OR “I ONLY APPEAR TO BE DEAD” Anthony Byrnes – Opening the Curtain The Responsibility of Image In the opening moments of What the Moon Saw or I Only Appea…
SWEET So get ready to have an evening in the theater full of good, old-fashioned " really old-fashioned " and boisterous laughter and music. (But leave your copy of The Feminine Mystique at …
SWEET The otherwise well-done play lacks a certain cohesion, so the final climactic scenes leave something to be desired in terms of passion and heightened emotion. But that aside, Metcalfe …
