Opening with the sight of a gagged white dude teetering on a chair, hands tied, neck in a noose, being terrorized silently by a gun-wielding African-American man, "Unconditional" is terrific…
Not everyone will find all of this easygoing Southern eccentricity quite so adorable, but it's no sin to like "Crimes of the Heart."
Exactly what all of director Rupert Goold's elaborate toil and trouble is meant to signify, however, is anyone's guess.
A black and blue bruise of a rock musical, Next to Normal throbs with painful emotion, but its downbeat story is basically too bleak to bear.
An elegant, engrossing look at modern-day faith, "Grace" packs an unexpectedly emotional wallop.
This awfully patchy backstage musical about aging star Margo Channing (Ebersole) being undermined by an ambitious schemer needs everybody performing at full throttle to put it over.
Son's Orthodox fervor baffles secular parents
2-day WPU symposium to feature interview with noted composer
How fitting that a musical about a wedding should have something old, something new, something borrowed, and something blue.
A famous musical theater song begins, "It's not where you start; it's where you finish." And young people who are interested in getting started in a theatrical career -- and are willing to i…
'Maddening Truth' isn't very penetrating, but it's worth a look
'Flying Crows' is Glossman's latest adaptation of novel by TV newsman
Jerry Springer—The Opera is wicked fun.
Has Theatre of the Absurd ever been such unadulterated fun?