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8,108 stories from DC Theatre Scene

Infinity brings back Patsy with A Closer Walk with Patsy Cline (review) by Kelly McCorkendale

Patsy Cline is easily the queen mother of country music"her importance to the genre on par with the Carter Family, Johnny Cash, Hank Williams, and Loretta Lynn. She was a pioneer, paving the…

SOURCE: DC Theatre Scene at 10:54am on June 12, 2017

Flying V Fights: The Secret History of the Unknown World (review) by Kelly McCorkendale

Genius. Fearless. Absolutely fun. Flying V Fights: The Secret History of the Unknown World is a pop culture junkie's wet dream. And, given the violence, skin, and sexual innuendos, there's n…

SOURCE: DC Theatre Scene at 10:54am on June 12, 2017

What they cut from tonight's Tony Awards by Lorraine Treanor

Two of the most important awards of the evening received short shrift on the broadcast. The great Broadway actor James Earl Jones received the Lifetime Achievement in Theatre Award at the To…

SOURCE: DC Theatre Scene at 12:12am on June 12, 2017

DC Theatre Scene and DC Metro Theater Arts to share Fringe coverage by Lorraine Treanor

We are very pleased to share this announcement with you. Washington, DC, June 9, 2017"The editors and publishers of DC's two major theater websites"DC Theatre Scene and DC Metro Theater Arts…

SOURCE: DC Theatre Scene at 7:18am on June 9, 2017

DCTS Guide to Capital Fringe 2017 by Lorraine Treanor

July 6 – 30, 2017 More details Coming soon:     The post DCTS Guide to Capital Fringe 2017 appeared first on DC Theatre Scene.

SOURCE: DC Theatre Scene at 5:54pm on June 8, 2017

New chamber opera Independence Eve from UrbanArias (review) by Gillian Drake

UrbanArias pulls off a seemingly impossible task with Independence Eve by Sidney Marquez Boquiren and Daniel Neer, a chamber opera of three scenes with two singers, which deals with ra…

SOURCE: DC Theatre Scene at 9:36am on June 8, 2017

The 2017 Tony Awards " here's who SHOULD win on Sunday night by Jonathan Mandell

Here are my preferences " not predictions " for the 2017 Tony Awards, in keeping with a tradition I've been maintaining for a decade. I am a critic, not a seer or a bookie. We'll learn the c…

SOURCE: DC Theatre Scene at 7:06pm on June 7, 2017

New York City Ballet: Balanchine, Peck & Ratmansky (review) by Alexander C. Kafka

In a formidable and diverse program Tuesday night, the New York City Ballet juxtaposed affable athleticism with social and romantic tensions. The former was represented by two Balanchine cla…

SOURCE: DC Theatre Scene at 2:24pm on June 7, 2017

David Ives's The School for Lies (review) by Marshall Bradshaw

Playwright David Ives's mastery of rhymed verse builds on Molière's 17th-century comedy of manners. Together, they will leave your sides aching. The School for Lies is the fourth French col…

SOURCE: DC Theatre Scene at 11:54am on June 7, 2017

Broadway newcomers from the Theatre World Awards sum up the season (video) by Jonathan Mandell

Current and past winners of the Theatre World Awards, given to exceptional performers making their Broadway or New York stage debuts, offer their take on the season just past, sometimes in a…

SOURCE: DC Theatre Scene at 10:48am on June 7, 2017

In the midst of European tensions, Prague Fringe is undaunted by Susan Galbraith

DCTS writer Susan Galbraith returns to the Prague Fringe festival with Protest by Vaclav Havel, produced by her company Alliance for New Music-Theatre. ————R…

SOURCE: DC Theatre Scene at 9:42am on June 7, 2017

Scene change: Howard Shalwitz stepping down as Artistic Director of Woolly Mammoth by Lorraine Treanor

Just announced – Howard Shalwitz will be leaving his position as the artistic head of Woolly Mammoth Theatre Company, a position he has held for nearly forty years, at the end of the 2…

SOURCE: DC Theatre Scene at 2:36pm on June 6, 2017

Ma Rainey's Black Bottom by August Wilson at 1st Stage (review) by Roy Maurer

Black rage"internalized, until it's not. Stories that carry like the blues. Language that ricochets like jazz. Penetration into the trauma of the black experience in America. This is the tra…

SOURCE: DC Theatre Scene at 11:12am on June 6, 2017

Doubt: A Parable review by Dante Atkins

We may be some years removed from the height of the sexual abuse scandal that rocked the Catholic Church and gave Spotlight its turn on the Academy stage. But even if those events are no lon…

SOURCE: DC Theatre Scene at 8:33am on June 6, 2017

New musical Crazy Mary Lincoln from Pallas Theatre Collective (review) by Kelly McCorkendale

A gunshot. Chaos. Followed by shock. And a nation, almost on cue and in sync, let's out a collective wail of grief. But the cries of a lone, new widow displease the gentry surrounding her in…

SOURCE: DC Theatre Scene at 7:06am on June 6, 2017

Toni Morrison's Jazz at Baltimore Center Stage (review) by Jayne Blanchard

The big question in Jazz is"where's the music? This world premiere adaptation by Nambi E. Kelley of Toni Morrison's 1992 book isn't meant to be a song-and-dance show, but still it lacks the …

SOURCE: DC Theatre Scene at 12:05pm on May 31, 2017

Urinetown The Musical at NextStop Theatre Company (review) by Jeffrey Walker

Putting together a satirical musical with nods at classic musicals (Annie, Les Miserables), the works of Brecht and Weill (The Threepenny Opera), and even Fringe theatre and launching it in …

SOURCE: DC Theatre Scene at 12:05pm on May 31, 2017

Avant Bard's King Lear is revelatory, thanks to Rick Foucheux and director Tom Pruitt by Tim Treanor

Is it possible to learn something new from a 400-year-old play? Yes, if the play is rich in insight and wisdom; if the production is attentive to detail and willing to take risks; and if the…

SOURCE: DC Theatre Scene at 1:06pm on May 30, 2017

Taylor Mac's HIR, unsettling and unforgettable (review) by John Bavoso

One barometer by which you can gauge the impact of a play is by whether it can be interpreted in wildly different ways by different audience members. Woolly Mammoth's production of Taylor…

SOURCE: DC Theatre Scene at 12:06pm on May 30, 2017

Fine cast equals 5 star Proof at Olney Theatre (review) by Jayne Blanchard

Nevertheless, she persisted. Persisted, pushed back depression and doubt and the burden of care to accept her legacy of genius. The "she" in this case is not Senator Elizabeth Warren but Cat…

SOURCE: DC Theatre Scene at 12:18pm on May 25, 2017

Ulysses on Bottles from Mosaic Theater Company (review) by Alan Katz

You might be tempted to dismiss Ulysses on Bottles as a niche-appeal "issue play," but this first opening for Mosaic Theater since receiving the Outstanding Emerging Theater Company Aw…

SOURCE: DC Theatre Scene at 11:12am on May 24, 2017

$900 Ticket Giveaway to see Broadway's Florence Lacey in Kaleidoscope this weekend by Lorraine Treanor

Thanks to the generosity of Creative Cauldron, we can award 15 pairs of tickets to the closing weekend of the new musical Kaleidoscope.    From Matt Conner and Stephen Gregory …

SOURCE: DC Theatre Scene at 1:24pm on May 23, 2017

Noises Off at Everyman, "… delirious depiction of backstage dramatics" (review) by Jayne Blanchard

An enterprising Everyman Theatre board member calculated there are 152 laughs in Noises Off.  Surely, he jests. There is easily three times that number in Everyman's gonzo production unde…

SOURCE: DC Theatre Scene at 1:24pm on May 23, 2017

Polarbear performs Mouth Open, Story Jump Out (review) by Amy Couchoud

How do you know the difference between a story and a lie? According to British spoken word artist Polarbear (aka Steven Camden), a lie is selfish, but a story is a gift. If that is the case,…

SOURCE: DC Theatre Scene at 11:06am on May 23, 2017

Mercy Killers shows the human toll of a broken healthcare system (review) by John Bavoso

"If you want to change something by Tuesday, theater is no good. Journalism is what does that," playwright Tom Stoppard once said. "But, if you want to just alter the chemistry of the moral …

SOURCE: DC Theatre Scene at 10:54am on May 22, 2017
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