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10,593 stories from A Younger Theatre

Review: Humble Boy, Orange Tree Theatre by Susie Browning

After its hugely successful production staged at the National Theatre in 2001, Paul Miller brings a new revival of Humble Boy written by Charlotte Jones to the Orange Tree Theatre. The play …

SOURCE: A Younger Theatre at 9:15am on March 17, 2018

Review: Br'er Cotton, Theatre 503 by Simon Fearn

The names are scrawled in white across the walls of the theatre: Eric Garner, Emmet Till, Sandra Bland. Innocent black men and women murdered in racially motivated attacks. Most are young me…

SOURCE: A Younger Theatre at 8:00am on March 17, 2018

Review: Face In / Let's Talk About Dis, Sadler's Wells by Josephine Balfour-oatts

This March, acclaimed contemporary dance company Candoco return to Sadler's Wells with a double bill: Face In and Let's Talk About Dis. Founded in 1991 by Celeste Dandeker-Arnold OBE and Ada…

SOURCE: A Younger Theatre at 7:00am on March 17, 2018

Review: Yvette, Southbank Centre by Sebastian Calver

A powerful coming of age story, Yvette tells the tale of a 13-year-old girl's journey towards womanhood and the struggles experienced throughout the teenage years that we can all sympathise …

SOURCE: A Younger Theatre at 2:54pm on March 16, 2018

Review: The Sound of Music, Manchester Palace Theatre by Iqra Choudhry

After its last hugely successful tour in 2015/2016, The Sound of Music has returned for another tour of the UK. The tour, beginning in December 2017, is nearing the end of its current UK run…

SOURCE: A Younger Theatre at 6:00pm on March 15, 2018

Blog: How to be… an Actor by Misha Duncan-barry

Can I be an actor?…I remember my fourteen year old self asking this very question. Fast forward ten years and I'm now lucky enough to be doing just that – ACTING (or at least try…

SOURCE: A Younger Theatre at 3:13pm on March 14, 2018

Review: If Britney Could Get Through 2007, We Can Get Through This, Camden People's Theatre by Jessica Handscomb

  For anyone who doesn't know, in 2007 Britney Spears, actual living icon, had a very public and well-reported breakdown. This period of her life included lots of tracksuits, attacking…

SOURCE: A Younger Theatre at 12:30pm on March 14, 2018

Review: After The Ball, The Gatehouse by Saskia Coomber

After The Ball, written by Ian Grant, sees William Randall (Stuart Fox) grow from an idealistic young man to a frail whisper of who he used to be, and the relationships he forms along the wa…

SOURCE: A Younger Theatre at 12:25pm on March 14, 2018

Review: Stuffed, Jack Studio Theatre by Simon Fearn

Kim (Faye Maughan) is feeling the pressure to procreate. TV ads and well-meaning friends all stress the virtues of motherhood. Now she's pushing 40 and the IVF costs are stacking up. Is it t…

SOURCE: A Younger Theatre at 12:15pm on March 14, 2018

Review: Unburied, Waterloo East Theatre by Phoebe Walker

I'm not a huge fan of horror theatre " I point-blank refused to see 'The Woman in Black' in the theatre, and could only watch the film version behind the comfort of a cushion. Even a student…

SOURCE: A Younger Theatre at 12:10pm on March 14, 2018

Review: She Bangs the Drums, Manchester Museum of Science & Industry by Iqra Choudhry

The most important thing to be said about She Bangs The Drums, a show created by Contact's Young Company, Sh!t Theatre, and the People's History Museum in Manchester, is that it's not just a…

SOURCE: A Younger Theatre at 9:35am on March 14, 2018

Review: Summer and Smoke, Almeida Theatre by Josephine Balfour-oatts

Directed by Rebecca Frecknall, Tennessee Williams' 1948 play Summer and Smoke arrives at the Almeida Theatre in the week that the meteorological season of spring has taken the United Kingdom…

SOURCE: A Younger Theatre at 6:59am on March 14, 2018

Review: Ok, Bye, The Vaults by Rachael Head

Ok, Bye is the tale of loss: loss of a parent, loss of freedom, and the loss of a homing pigeon. Co-creators Kate Goodfellow and Vicki Baron have combined a family saga narrative with very r…

SOURCE: A Younger Theatre at 12:19pm on March 13, 2018

Review: From The House Of The Dead, Royal Opera House by Franciska Éry

LeoÅ¡ Janáček's final opera never promised to be easy listening; based on Dostoevsky's novel set in a Siberian gulag, the piece might be difficult to digest at first hearing. It is a…

SOURCE: A Younger Theatre at 12:04pm on March 13, 2018

Review: A Hundred Words for Snow, The Vaults by Alice Devoy

Did you know there are actually five north poles? " FIVE! Rory's Dad was a geography teacher. Rory's Dad loved explorers. Rory's Dad always wanted to go to the North Pole. Rory's Dad has jus…

SOURCE: A Younger Theatre at 9:00am on March 13, 2018

Review: Fanny And Alexander, The Old Vic by Calum McIntosh

Stephen Beresford’s adaptation of Ingmar Bergman's Fanny And Alexander follows the lives of an upper class family, and the dysfunction within it. It is a tale of decadence, desire, …

SOURCE: A Younger Theatre at 8:30am on March 13, 2018

Review: Good Girl, Trafalgar Studios by Alice Devoy

Naomi Sheldon's explosive one-woman show is an inspiring union of feminism and the best kind of comedy- refreshing honesty. Spanning the years 1995 to 2018, we see the development of the 90s…

SOURCE: A Younger Theatre at 8:00am on March 13, 2018

Review: Ballet British Columbia, Sadler's Wells Theatre by Olivia Lunn

Interrogating the nature of ballet itself, this boldly experimental performance goes far beyond the bounds of expectation. Made up of three distinctive pieces which explore new dimensions of…

SOURCE: A Younger Theatre at 7:30am on March 13, 2018

Review: Foreign Body, Vault Theatre by Frey Kwa Hawking

"Sit and bear witness". It's difficult; of course it is. In Foreign Body, the product of some four years of development, Imogen Butler-Cole trains everything she has at the subject of sexual…

SOURCE: A Younger Theatre at 7:00am on March 13, 2018

Feature: They who laugh last laugh longest: the dimensions of durational theatre by Frey Kwa Hawking

The artists aren't just present, they're relentless. Action Hero's Slap Talk is more than a dialogue, and more even than a six-hour long dialogue, though its length goes straight to some eye…

SOURCE: A Younger Theatre at 9:03am on March 12, 2018

Blog: On the Importance of Human Stories and Alzheimer's by Julie Binysh

Luke Adamson's Black Coffee Theatre aims to tell stories that are accessible to all.  His characters speak like normal people and are easy to identify with.  The story of One Last Walt…

SOURCE: A Younger Theatre at 6:27am on March 12, 2018

Review: Macbeth, Olivier Theatre by Charlotte Irwin

This Macbeth lives in a world of bin bag chic. Raves, duct-taped armour, heads thrown into plastic bags; this is an apocalyptic underworld where dad dancing mingles with murder, in a visuall…

SOURCE: A Younger Theatre at 7:30am on March 10, 2018

Review: Corpus Christi, Arcola Theatre by Frey Kwa Hawking

I should have loved this play. I'm into Christ, I'm into being gay. Terrence McNally's script, in the right hands and possibly another context, can probably reach beautiful and painful level…

SOURCE: A Younger Theatre at 4:30am on March 10, 2018

Review: Electra, Bunker Theatre by Frey Kwa Hawking

DumbWise does not quite live up to their big claim that they have "reinvented" the gory myth of the house of Atreus with their Electra; unfortunately, there isn't too much here to distinguis…

SOURCE: A Younger Theatre at 7:20am on March 8, 2018

Review: Bismillah! An ISIS Tragicomedy, The Vaults by Sebastian Calver

Compelling, sympathetic and intelligent. Advertised as a tragicomedy, Bismillah! An ISIS Tragicomedy is exactly that, but perhaps more a tragedy with some cultural puns thrown in for good me…

SOURCE: A Younger Theatre at 6:45am on March 8, 2018
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