3,986 stories from CurtainUp
Probably the single most persuasive reason not to miss this production is John Cullum. Looking nothing like Lyndon Johnson, he nevertheless is uncannily like Johnson.
The intelligent starkness of the production complements the personal tragedy of the theme. This is one not to miss!
It's a pretty nifty trick that few playwrights could pull it off.
A vibrant new reggae musical, based on the 1972 film that launched Jimmy Cliff and this Jamaican based music genre, takes the Barbican by storm.
Given the Russian director Viacheslav Dolgachev's background as the Artistic Director of the Moscow New Drama Theatre and a former associate at The Moscow Art Theatre (Chekhov's own theatric…
The show is an excellent showcase for the five golden-voiced performers but the real stars are Miller and Tysen who have created a tuneful, genuinely evocative score.
At its best, most of which does not arrive until the second act, Tusculum informs the forward drive of Caesar's foes, which eventually manages to develop some action and even dramatic heft.
One of Pinter's most fascinating and provocative plays is given an intuitive production by director John Pleshette at The Lost Studio, as part of its ongoing Pinter project.
Add this small charmer to this season's cornucopia of off-beat new musicals.
The real leading character is the changing neighborhood which serves as a springboard for Lin-Manuel Miranda's zesty musical gumbo of rap, hip-hop, salsa, merengue, pop and traditional showt…
Despite its undeniable power,in some ways Ibsen's work hasn't aged.
What really gives this revival its buzz is not the color of the actors' skins, but the color and freshness of the performances.
Even women whose children have never played soccer will be able to identify with the anxieties, frustrations and glorious fortitude and sense of humor each of these women possesses.
A sense of Pinteresque menace kicks Jez Butterworth's new play out of the standard domestic drama category.
Dead Man's Cell Phone will be most likely to please theater goers and critics who have elevated Ms. Ruhl to the playwriting equivalent of the best new thing since sliced bread. Others may wi…
Felicity Kendal is justifiably one of the main attractions of this production.
Diane Samuels and Tracy-Ann Oberman have co-written this new version of Chekhov's Three Sisters featuring a Jewish family who are living in Liverpool in 1946.
