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4,024 stories from http://www.theaterscene.net

Apologia by David Kaufman

Channing is by turns aggressive, assertive, jittery, neurotic, imperious, and even petulant in the first act, only to become bewildered and subdued in the second. To rewrite Dorothy Parker's…

SOURCE: www.theaterscene.net at 4:12pm on October 23, 2018

Danny and the Deep Blue Sea by Darryl Reilly

Brian Patrick Murphy as Danny and Lisa Fernandez as Roberta have a thrilling intensity, playfulness and chemistry together. With their accurate Bronx accents, youthful weariness and emotiona…

SOURCE: www.theaterscene.net at 11:59am on October 23, 2018

Travisville by Darryl Reilly

Mr. Harper's taut construction, solid plotting and detailed characters all yield to a suspenseful, emotionally shattering and entertaining experience. As in the works of Henrik Ibsen, Arthur…

SOURCE: www.theaterscene.net at 11:25am on October 21, 2018

Emma and Max by Victor Gluck, Editor-in-chief

Solondz's mordant wit makes this the darkness of tragicomedies. Brooke and Jay's delusions so typical of white entitlement are entire their own. When we finally hear from Brittany, she turns…

SOURCE: www.theaterscene.net at 4:57pm on October 19, 2018

On Beckett by Joseph Pisano

Along with excerpts from Godot and a couple of Beckett's novels, Irwin relies heavily on several "arcane" prose pieces from a collection Beckett dubbed "Texts for Nothing." Irwin was first i…

SOURCE: www.theaterscene.net at 1:30pm on October 18, 2018

Rags Parkland Sings the Songs of the Future  by Darryl Reilly

For the first 25 minutes, the bushy red-bearded, receding with flowing hair Mr. Butler appears solo performing a series of his delightful songs. Butler superbly plays the banjo, guitar and h…

SOURCE: www.theaterscene.net at 11:52pm on October 17, 2018

Popcorn Falls by Victor Gluck, Editor-in-chief

However, the play's humor is very mild. The jokes are on the level of "My steeple is drooping! I swear this never happened to me before," from Pastor Peters, and "George Washington dined on …

SOURCE: www.theaterscene.net at 10:47pm on October 17, 2018

Hitler's Tasters by David Kaufman

Though its title couldn't be clearer or more transparent, "Hitler's Tasters" proves anything but that, as it merges the past, when Hitler was still alive, with the present, when fresh autocr…

SOURCE: www.theaterscene.net at 12:19pm on October 17, 2018

Salome by Joel Benjamin

This M-34 production, under Rutherford's direction, doesn't rise to stratospheric heights.  Quite the opposite:  Rutherford's direction and writing turns Salome into a fascinating dome…

SOURCE: www.theaterscene.net at 1:23pm on October 15, 2018

Aynur, with special guest Kinan Azmeh (September 30, 2018) by Jean Ballard Terepka

Each song " some traditional folk ballads and some national calls to history and identity " became, in Aynur's hands, an individual work of art, intricately structured and elegantly paced. A…

SOURCE: www.theaterscene.net at 10:45pm on October 14, 2018

The Crossing: Of Arms and the Man by Jean Ballard Terepka

Nally's extensive program notes provided insights on the program, whose title comes from the opening line of Virgil's "Aeneid," "Arma virumque cano" … "I sing of arms and the man." Nally j…

SOURCE: www.theaterscene.net at 9:55pm on October 14, 2018

Midnight at The Never Get by Darryl Reilly

Mark Sonnenblick's exceptional book is an accomplished mixture of prodigious research, well-drawn characters and adept if misguided construction. It skillfully dramatizes the gay experience …

SOURCE: www.theaterscene.net at 11:26am on October 12, 2018

Girl From the North Country by Victor Gluck, Editor-in-chief

Set in a dark time, "Girl From the North Country" creates a community on stage as do the best plays and musicals. Its tale of lost souls attempting to keep their heads above water is univers…

SOURCE: www.theaterscene.net at 12:45am on October 12, 2018

The Winning Side by Victor Gluck, Editor-in-chief

In dramatizing the story of Wernher von Braun, James Wallert's "The Winning Side" makes compelling the concept of ethics in science: should we admire a mathematical genius who has had antith…

SOURCE: www.theaterscene.net at 1:02pm on October 11, 2018

Kurt Vonnegut's Mother Night by Darryl Reilly

Presented by the San Francisco-based The Custom Made Theatre Company, this production is masterminded by its artistic director Brian Katz who adapted and directed it. Mr. Katz's accomplished…

SOURCE: www.theaterscene.net at 12:29pm on October 11, 2018

Final Follies by Victor Gluck, Editor-in-chief

It would be a pleasure to report that A.R. Gurney's last play entitled "Final Follies" performed with two early works, is one of his best, but that is not the case. As directed by David Sain…

SOURCE: www.theaterscene.net at 4:19pm on October 10, 2018

The Evolution of Mann by Joel Benjamin

Henry's roommate and confidante, Gwen (a solid, appealing Leslie Hiatt) has her own heartache to deal with:  Her wife, Diana, has left her, accusing Gwen of infidelity.  Gwen and Henry…

SOURCE: www.theaterscene.net at 1:00am on October 10, 2018

Suddenly by Darryl Reilly

Mercer's direction coordinates the outstanding design components into an aesthetically successful presentation with some neat stage pictures and tableaux. However, the deliberate quest for s…

SOURCE: www.theaterscene.net at 1:55pm on October 9, 2018

Wild Abandon by Joseph Pisano

What our mothers owe us - and what we owe them - is at the heart of Leenya Rideout's one-woman autobiographical show, "Wild Abandon." In it, the prodigiously accomplished singer, songwriter,…

SOURCE: www.theaterscene.net at 11:22pm on October 8, 2018

What the Constitution Means to Me by Darryl Reilly

Though going off on tangents, the captivating performer Heidi Schreck's self-written fascinating theatrical memoir "What the Constitution Means to Me" is a feminist-centric personal odyssey …

SOURCE: www.theaterscene.net at 10:54pm on October 7, 2018

The Nap by David Kaufman

It isn't revealing too much to say that the play culminates with a real Snooker match between two men vying ultimately for the world championship and ostensibly being watched by 23 millions …

SOURCE: www.theaterscene.net at 10:11pm on October 7, 2018

Bernhardt/Hamlet by Victor Gluck, Editor-in-chief

"Bernhardt/Hamlet" is structured as a backstage comedy. Sarah rehearses with French stage star Constant Coquelin playing both The Ghost and Polonius, worries that she is losing 29-year-old l…

SOURCE: www.theaterscene.net at 11:54pm on October 3, 2018

Experimenting with Katz by Joel Benjamin

Gill expertly writes each character as three dimensional, giving each complex backgrounds, making it clear that each benefits from knowing the others.  A mundane Scrabble game is as revea…

SOURCE: www.theaterscene.net at 6:01pm on October 3, 2018

"Don't Call Me Shirley!: John Burns sings Shirley Bassey" by Darryl Reilly

Darryl Reilly, Critic John Burns and William Demaniow at The Puplex. "At first glance, we don't look like we have much in common," quipped vocalist John Burns during his uproarious cabaret a…

SOURCE: www.theaterscene.net at 8:46am on October 2, 2018

A Lovely Sunday for Creve Coeur by Victor Gluck, Editor-in-chief

What gives "A Lovely Sunday for Creve Coeur" its special cachet in the Williams canon is that its storyline and heroine called Dorothea very much suggest a prequel to A Streetcar Named Desir…

SOURCE: www.theaterscene.net at 4:34pm on October 1, 2018
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