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10,593 stories from A Younger Theatre

Review: Much Ado About Nothing, Rose Theatre Kingston by Simon Fearn

Mel Giedroyc has swapped punning with Sue Perkins on Bake Off and The Generation Game for verbal duelling with John The post Review: Much Ado About Nothing, Rose Theatre Kingston appeared fi…

SOURCE: A Younger Theatre at 8:06am on April 24, 2018

Feature: Education, Education, Education " Now on Tour! by Errol Kerr

Having sold out at Edinburgh's Pleasance Dome in August of last year, The Wardrobe Ensemble are now on tour with The post Feature: Education, Education, Education – Now on Tour! appear…

SOURCE: A Younger Theatre at 12:04pm on April 21, 2018

Review: The Moderate Soprano, Duke of York's Theatre by Jessica Handscomb

First appearing at Hampstead Theatre in 2015, David Hare's The Moderate Soprano has now transferred to the West End, more specifically the Duke Of York's Theatre. 'Glyndebourne's original lo…

SOURCE: A Younger Theatre at 2:06pm on April 17, 2018

Review: Quiz, Noël Coward Theatre by Merel Van 't Hooft

It's hard to find a show out there that doesn't, in some way or other, reflect on or critique our society. After all, holding up a mirror to its audience is a quality often ascribed to theat…

SOURCE: A Younger Theatre at 5:31am on April 15, 2018

Review: The Inheritance, Young Vic by Samuel Sims

A production almost completely dominated by men (the only woman, Vanessa Redgrave makes a brief if emotionally charged appearance near the end), The Inheritance could easily have become a na…

SOURCE: A Younger Theatre at 11:00am on April 14, 2018

Review: Pericles, The Barbican by Rachael Head

Pericles is a problem – unrelatable, distancing and totally at odds with modern logic. As a result of its lack of clear grounding in the modern world, its recent replicas have been few…

SOURCE: A Younger Theatre at 8:00am on April 14, 2018

Review: Reared, Theatre503 by Frey Kwa Hawking

Emotional labour is a necessary term, however misapplied it can sometimes now be, due to its high profile. John Fitzpatrick's Reared is sympathetic to the often unnoticed burden which falls …

SOURCE: A Younger Theatre at 7:30am on April 14, 2018

Review: Used To Be Blonde, Sadler's Wells by Lara Domke

41 bodies move as one. That is Used To Be Blonde: a skilful and professional, emotionally and physically demanding dance performance which unites the young dancers and the audience in a tran…

SOURCE: A Younger Theatre at 7:00am on April 14, 2018

Review: The Way of The World, Donmar Warehouse by Josephine Balfour-oatts

Following his hypnotic revival of Roots in 2013, James MacDonald returns to the Donmar Warehouse to direct William Congreve's The Way of The World. The production premiered in March 1700, ju…

SOURCE: A Younger Theatre at 6:30am on April 14, 2018

Review: 0 Days Without Crying, Landor Space by Hilary Webb

Used tissues, dry shampoo, empty takeaway tubs, sanitary towels, a box of Cheerios, piles of laundry, self-help books and family photos are scattered around the stage at Landor Space this Ap…

SOURCE: A Younger Theatre at 5:15am on April 14, 2018

Review: The Adventure Of Isaac Saddlesore and the Witches Of Glenn, Hen and Chickens Theatre by Jessica Handscomb

The Adventure Of Isaac Saddlesore and the Witches Of Glenn doesn't exactly roll off the tongue, does it? Despite being a bit of a mouthful, this title does accurately portray the goings-on o…

SOURCE: A Younger Theatre at 4:45am on April 14, 2018

Review: Plastic, Old Red Lion Theatre by Phoebe Walker

Teenage nostalgia is a powerful structure for a piece of drama. It's easy for those school-day memories to recede among the cacophony of adult life, but when they do resurge, it's like a tri…

SOURCE: A Younger Theatre at 7:03am on April 12, 2018

Review: The Garden, Tristan Bates Theatre by Gabriel Wilding

Have you ever wondered what it would be like to be stranded in a garden with someone you find vaguely irritating while only surviving on a diet of onions and temptation? Well look no further…

SOURCE: A Younger Theatre at 6:48am on April 12, 2018

Review: Relentless Unstoppable Human Machine, Roundhouse (Circus Fest) by Merel Van 't Hooft

Contemporary circus group Pirates of the Carabina opened the Roundhouse's Circus Fest with a show tongue-twistingly titled Relentless Unstoppable Human Machine. It is a show that, according …

SOURCE: A Younger Theatre at 6:44am on April 12, 2018

Review: Rush, Pentire Street Productions by Elinor Potts

Burrowed under the arches of the Barons Court Theatre, Rush is a heady excursion through the trials of modern millennial life, exploring the intersections of technology and mental health. Wr…

SOURCE: A Younger Theatre at 11:43am on April 10, 2018

Review: The Country Wife, Southwark Playhouse by Charlotte Irwin

The Country Wife was written by William Wycherley in 1675, but Morphic Graffiti's adaptation brings us to the Roaring Twenties where a group of Bright Young Things " and a few not so young "…

SOURCE: A Younger Theatre at 6:27am on April 10, 2018

Review: The Service, King's Head Theatre by Frey Kwa Hawking

Horror theatre, and horror comedies in particular, often leave you feeling grimy. FacePlant Theatre's The Service, now in a revamped form at the King's Head Theatre, has the advantage of ens…

SOURCE: A Younger Theatre at 6:15am on April 10, 2018

Review: Devil with the Blue Dress, Bunker Theatre by Hilary Webb

Five women take to the stage to discuss the ins and outs of the Monica Lewinsky scandal that rocked American politics and 90s culture. It just so happens that the five women in question are …

SOURCE: A Younger Theatre at 7:29am on April 7, 2018

Review: Coraline, Barbican by Charlotte Irwin

Coraline fast became a cult classic when Neil Gaiman's children's novella was first published in 2002. There has since been the award-winning stop-motion film adaptation, a musical, and even…

SOURCE: A Younger Theatre at 7:16am on April 7, 2018

Review: Love Me Now, Tristan Bates Theatre by Saskia Coomber

It is rare, at least in the new writing that I have seen, that the entire production works together seamlessly, however the team of Michelle Barnette’s Love Me Now have achieved just t…

SOURCE: A Younger Theatre at 6:01am on April 6, 2018

Review: Mirrors, Leicester Square Theatre by Rachael Head

As soon as we enter The Lounge room at The Leicester Square Theatre, we feel as though we are intruding into someone's personal space. Coloured cushions and shiny trinkets adorn the room and…

SOURCE: A Younger Theatre at 6:44am on April 4, 2018

Review: Beginners, Unicorn Theatre by Josephine Balfour-oatts

Written and directed by renowned theatre-maker Tim Crouch, Beginners treads the threshold between childhood and adulthood from the stage of the Unicorn Theatre. Famed for his experimental ap…

SOURCE: A Younger Theatre at 10:04am on April 2, 2018

Review: The Mikado, King's Head Theatre by Jessica Handscomb

The Mikado, a comic opera written by legendary duo Gilbert and Sullivan, was first performed at the Savoy Theatre in 1885. Set in the fictional Japanese town of Titipu (yes, Titipu), we foll…

SOURCE: A Younger Theatre at 6:30am on April 1, 2018

Review: Under The Skin, The Old Red Lion Theatre by Lara Domke

How can one of the darkest hours of history be faced? How can it be told if remembering is unbearable, yet essential? The past and the present merge in Yonatan Calderon's play Under the Skin…

SOURCE: A Younger Theatre at 4:30am on April 1, 2018

£10 Tickets to Gauhar Jaan " The Datia Incident at Omnibus Theatre by Shaun Evelyn

The remarkable story of India's first recording artist, a tale interwoven with scandal, intrigue and invention. This is a multilingual play fused with music and dance that celebrates the ear…

SOURCE: A Younger Theatre at 6:30am on March 30, 2018
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