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4,024 stories from http://www.theaterscene.net

Waiting for Godot (Druid Theatre) by Darryl Reilly

Ms. Hynes has the cast at full speed emphasizing slapstick and employing stylized poses and gestures.  There's exaggerated choreography-like movement such as extending legs and dipping do…

SOURCE: www.theaterscene.net at 11:40pm on November 7, 2018

The Book of Merman by Victor Gluck, Editor-in-chief

The witty score with music and lyrics by Schwartz is a collection of both pastiche songs based on numbers Merman made famous and new ones that fit her style that suggest other famous songs. …

SOURCE: www.theaterscene.net at 3:49pm on November 7, 2018

The Waverly Gallery by David Kaufman

Even with the indelible impression of Eileen Heckart's magnificent, original Gladys intact, Elaine May overcomes any comparisons as the current Gladys. There is nothing inventive or even art…

SOURCE: www.theaterscene.net at 11:01am on November 7, 2018

The Thanksgiving Play by Joseph Pisano

Many comic artists have noted that great humor often comes from great tragedy, though, inevitably, sometimes the latter overwhelms the former, and all you're left with is a lot of indignatio…

SOURCE: www.theaterscene.net at 1:09am on November 6, 2018

I'm Not A Comedian…I'm Lenny Bruce by Darryl Reilly

Purring sensually with a slight nasal New York accent, dressed in a black suit, white shirt and a black tie and handling a microphone while in front of its stand, actor Ronnie Marmo vocally …

SOURCE: www.theaterscene.net at 9:41pm on November 5, 2018

Sycorax, Cyber Queen of Qamara by Darryl Reilly

Delightfully growling in a quasi-Middle Eastern accent, her head encased in a babushka, plastered with makeup, wearing a flowing robe and hobbling on a cane, Sandra Bargman is terrific as…

SOURCE: www.theaterscene.net at 5:01pm on November 5, 2018

Prinze: The One-Man Show by Joel Benjamin

Sonera opens the show with Prinze doing one of his sets at the Improv Club in New York City, 1976, beginning with one of his famous lines, "Looking good!" and continuing with his sardonic co…

SOURCE: www.theaterscene.net at 3:28pm on November 5, 2018

Inner Voices 2018 by Darryl Reilly

Three original one-act solo-performer musicals comprise "Inner Voices 2018," presented by the Premieres theater company. Since 2008 they've produced several editions of this enterprise. The …

SOURCE: www.theaterscene.net at 11:56pm on November 4, 2018

Not Your Childhood Puppets! A Magical Evening at the 8th Annual La MaMa Puppet Festival by Karen McHenry

Throughout the evening, different marionettes emerged from various objects like small suitcases, inlaid wooden boxes, clear containers of water, and a translucent cradle-like vessel. The po…

SOURCE: www.theaterscene.net at 11:20pm on November 4, 2018

Mother of the Maid by Victor Gluck, Editor-in-chief

Jane Anderson's "Mother of the Maid" would probably not be very compelling without Glenn Close's Isabelle Arc as the play itself is following the dots in filling in the little that is known …

SOURCE: www.theaterscene.net at 5:47pm on November 1, 2018

Good Grief by Darryl Reilly

"Good Grief" opens with a celestial sequence and continues with Nkechi's narration. Sometimes incidents are replayed in order to get them closer to the truth since all are memories and not a…

SOURCE: www.theaterscene.net at 10:19pm on October 31, 2018

The Ferryman by Joel Benjamin

Imported from London, with a number of the original cast members, "The Ferryman" takes place in rural County Armagh, in Northern Ireland in 1981, during a rise of violence of the IRA, right …

SOURCE: www.theaterscene.net at 3:57pm on October 31, 2018

Sakina's Restaurant by David Kaufman

In an apparent effort to demonstrate that he's become one of us, Mandvi arrives in the theater by walking down the central aisle at the Minetta Lane Theatre, wide-eyed, as he peers and takes…

SOURCE: www.theaterscene.net at 2:21pm on October 31, 2018

The Yeomen of the Guard by Mark Dundas Wood

As for cast standouts, Greenwood excelled both musically and dramatically. His ringing, expressive vocals and crisp diction made him an audience favorite. And he created an effective charact…

SOURCE: www.theaterscene.net at 11:36pm on October 30, 2018

When We Went Electronic by Darryl Reilly

Ms. Stephens has a substantial pedigree with her previous works having appeared at prestigious institutions and winning awards. The piffle on display here does exhibit craft, discipline and …

SOURCE: www.theaterscene.net at 3:14pm on October 30, 2018

Renascence by Victor Gluck, Editor-in-chief

In her own time, poet Edna St. Vincent Millay (1892 " 1950) was a rock star and a best-selling author until illness and postwar culture dimmed her luster. Still she fascinates with her bohem…

SOURCE: www.theaterscene.net at 1:06pm on October 30, 2018

Thunderbodies by Joseph Pisano

In Kate Tarker's satiric "Thunderbodies," America is a relentlessly strange place, where people spout nonsense, act without reason, and are led by the narcissistic man-baby they've elected p…

SOURCE: www.theaterscene.net at 8:52pm on October 29, 2018

Love, Linda by Joel Benjamin

Elegantly inhabiting the small Triad stage, Holland's Linda is clearly a class act, with a smooth, rich, dark voice.  Hearing her tale of their days in the twenties cruising the high poin…

SOURCE: www.theaterscene.net at 6:40pm on October 29, 2018

Fireflies by Victor Gluck, Editor-in-chief

Although Donja R. Love describes his new play "Fireflies," his second world premiere in New York in 2018, as a "surrealistic voyage through Queer love during pivotal moments in Black History…

SOURCE: www.theaterscene.net at 11:53pm on October 28, 2018

13th Annual Latin American Cultural Week(s), November 13 through 21, 2018 with Theater, Music, Dance, Film, Literature, & Visual Arts Events throughout New York City, Emphasizing Latina…

SOURCE: www.theaterscene.net at 10:51pm on October 28, 2018

ON THE TOWN… with Chip Deffaa …. October 28nd, 2018 by Chip Deffaa, Editor-at-large

The generous spirit of Jonathan Larson (1960-1996) certainly was felt in New York's great supper club, Feinstein's/54 Below, the night I went to see The Jonathan Larson Project (which filled…

SOURCE: www.theaterscene.net at 10:09pm on October 28, 2018

Sesar by Darryl Reilly

Christopher Plummer's guest appearance on a 1987 episode of "The Cosby Show" giving a Shakespearean mini-recital in the Huxtable living room had a profound effect on writer and performer Orl…

SOURCE: www.theaterscene.net at 12:04pm on October 26, 2018

Goodbody by David Kaufman

From its dramatic opening, there's nowhere for "Goodbody" to go but down, even if Ernst keeps raising the stakes with complicated backstories and developments that leave one breathlessly con…

SOURCE: www.theaterscene.net at 12:51am on October 26, 2018

Song of the Mermaid by Joel Benjamin

The K-Arts Dance Company from Korea presented two performances of "Song of the Mermaid," an entertaining full-length ballet choreographed by its artistic director, Sunhee Kim.  Song of th…

SOURCE: www.theaterscene.net at 5:10pm on October 24, 2018

Ordinary Days by Victor Gluck, Editor-in-chief

Adam Gwon's song cycle, "Ordinary Days," became a cult hit when it opened the Roundabout's Black Box Theatre in 2009 for a run of ten weeks. So successful was the show that it is one of the …

SOURCE: www.theaterscene.net at 3:48pm on October 24, 2018
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