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3,498 stories from The Arts Desk

Edinburgh Festival 2016: Alan Cumming/The Glass Menagerie/Mark Thomas by David Kettle

Alan Cumming Sings Sappy Songsread more

SOURCE: The Arts Desk at 3:32am on August 22, 2016

Groundhog Day, Old Vic by Matt Wolf

The New York theatre is so consistently awash in "star is born" moments when one or another British actor crosses the Atlantic to copious praise that it's lovely for a change to be able to r…

SOURCE: The Arts Desk at 3:54am on August 17, 2016

Allegro, Southwark Playhouse by David Nice

Southwark's golden triangle " the Menier, the Playhouse and the Union " has given us so many "lost" musicals which only a decade or so ago would have been lucky to get in-concert airings.rea…

SOURCE: The Arts Desk at 5:15am on August 16, 2016

Edinburgh Fringe 2016: Alix in Wundergarten/4D Cinema/Bucket List by David Kettle

Alix in Wundergarten ★★★★Think Alan Ayckbourn on acid: a commonplace (well, almost) set-up, exaggerated further and further beyond what we'd ever anticipate. In Fran�…

SOURCE: The Arts Desk at 4:09am on August 13, 2016

Our Ladies of Perpetual Succour, National Theatre by Aleks Sierz

If you like the feeling of leaving a show, surrounded by the gently glowing faces of happy fellow audience members, then this is one for you. It's a musical evening full of joyful singing " …

SOURCE: The Arts Desk at 6:34pm on August 10, 2016

theartsdesk in Venice: Shylock comes home by Heather Neill

"In such a night as this..." begins Lorenzo's beautiful speech in Act V of The Merchant of Venice. Watching Shakespeare's play in the Campo del Ghetto Nuovo on a balmy evening under a darken…

SOURCE: The Arts Desk at 5:27am on August 10, 2016

Yerma, Young Vic by Matt Wolf

Billie Piper vaults to the top rank of British theatre actresses with Yerma, Australian writer-director Simon Stone's rabidly free rewrite of Lorca's 1934 play that posits its young star as …

SOURCE: The Arts Desk at 10:32pm on August 5, 2016

Young Chekhov, National Theatre by Matt Wolf

"Yes, from life," Nikolai Ivanov (Geoffrey Streatfeild) says in passing of a painting midway through the early Chekhov play that bears his name. But the phrase could serve as the abiding ach…

SOURCE: The Arts Desk at 8:11am on August 4, 2016

What are the arts doing here? by John Martin

The raising of a temporary structure theatre in the middle of the "Jungle" refugee camp in Calais (pictured below) has brought the issue of arts in situations of crisis into sharp focus. Thi…

SOURCE: The Arts Desk at 8:31pm on July 30, 2016

Breakfast at Tiffany's, Theatre Royal Haymarket by Sam Marlowe

Think of Holly Golightly, and it's more than likely that the face you're picturing is Audrey Hepburn's. And, while this adaptation by Richard Greenberg of Breakfast at Tiffany's is much clos…

SOURCE: The Arts Desk at 10:34pm on July 28, 2016

Rotterdam, Trafalgar Studios by Aleks Sierz

How many genders are there? The simplistic answer is two, but if you really think that then it's time to go to the back of the class. In recent years, the rapid growth in perception of the f…

SOURCE: The Arts Desk at 6:16pm on July 28, 2016

The Plough and the Stars, National Theatre by Aleks Sierz

Anniversaries are lotteries. Sometimes they allow us to see the past with fresh eyes; at other times, they simply accentuate the growing distance between then and now. Because this year mark…

SOURCE: The Arts Desk at 7:06pm on July 27, 2016

Half A Sixpence, Chichester Festival Theatre by Bella Todd

Watching Cameron Mackintosh's joyful revision of this Sixties musical, it's possible to believe for a moment that all the world needs now is love sweet love and a shit-ton of banjos. With a …

SOURCE: The Arts Desk at 4:50am on July 27, 2016

Harry Potter and the Cursed Child, Palace Theatre by Matt Wolf

Harry Potter lives to see another day. The Hogwarts wizard has made his stage debut in Harry Potter and the Cursed Child, a two-part play that pushes JK Rowling's world-beating franchise bey…

SOURCE: The Arts Desk at 7:25pm on July 25, 2016

Jesus Christ Superstar, Regent's Park Open Air Theatre by Alexandra Coghlan

London's West End may be the envy of the world, but when it comes to musicals the big-hitting theatres might have to up their game a bit if they're to keep up with the city's rival offerings…

SOURCE: The Arts Desk at 9:15pm on July 21, 2016

Some Girl(s), Park Theatre by Marianka Swain

Neil LaBute's exercise in self-flagellation, first seen in 2005 and adapted for film in 2013, offers his familiar misanthropic take on the battle of the sexes. This one concerns Guy (Charles…

SOURCE: The Arts Desk at 7:42pm on July 19, 2016

Into the Woods, Menier Chocolate Factory by Matt Wolf

"Children will listen," or so goes a lyric to one of the most heart-rending numbers in Into the Woods, the Stephen Sondheim/James Lapine musical that seems rarely to be long-absent from the …

SOURCE: The Arts Desk at 5:27am on July 14, 2016

Unreachable, Royal Court by Jenny Gilbert

There are obvious reasons why films about the theatre outnumber plays about the movie industry, but here's a play that bucks that trend. Anthony Neilson's latest drama is located on a film s…

SOURCE: The Arts Desk at 7:49pm on July 12, 2016

The Stripper, St James Theatre by Marianka Swain

Womanising detectives, shapely dames, gangsters and convoluted criminal conspiracies: Richard O'Brien and Richard Hartley's 1982 musical take on Carter Brown's California-set whodunit fictio…

SOURCE: The Arts Desk at 9:03am on July 12, 2016

Bugsy Malone, Lyric Hammersmith by Marianka Swain

For those in sore need of a theatrical pick-me-up, jazz square your way over to Bugsy Malone. Last year's smash-hit opener of the redeveloped Lyric has been given a well-deserved encore, wit…

SOURCE: The Arts Desk at 8:02pm on June 29, 2016

Faith Healer, Donmar Warehouse by Aleks Sierz

Oh dear. I could have sworn I had a book about Irish playwright Brian Friel somewhere. But I can't find it. Or maybe I never bought it. Maybe I just thought I might have bought it. Maybe it'…

SOURCE: The Arts Desk at 6:34pm on June 28, 2016

As You Like It, The Savill Garden, Windsor by Ismene Brown

How often are you charmed by one of Shakespeare's sylvan romances while literally under a greenwood tree? Even if this summer is proving rather generous with the rough weather, it is an unus…

SOURCE: The Arts Desk at 1:04pm on June 26, 2016

Opinion: Post-Brexit, we need theatre more than ever by Marianka Swain

In seeking to understand the historic, divisive and to some bewildering Brexit vote, I will turn to theatre. Through my regular exposure to it, I can number among my ever-widening acquaintan…

SOURCE: The Arts Desk at 7:43am on June 26, 2016

First Person: Boys Will Be Boys by Melissa Bubnic

In the opening scene of Boys Will Be Boys, the lead character, Astrid, talks about how there's a boys' world and a girls' world. Boys' world is where you want to be. That's where power is, t…

SOURCE: The Arts Desk at 4:18am on June 26, 2016

Macbeth, Shakespeare's Globe by Marianka Swain

It begins promisingly, a dark Gothic fairy tale " both Grimm and grim. The writhing witches (four, oddly) are summoned from a pile of dead bodies, Stefan Fichert's eerie puppetry all chopped…

SOURCE: The Arts Desk at 4:04pm on June 24, 2016
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