Kiss Me Kate
The original play-within-a-play book by Bella and Sam Spewack that they ingeniously fused with Shakespeare's Taming of the Shrew may have a slightly creaky resonance these days, but director…
The original play-within-a-play book by Bella and Sam Spewack that they ingeniously fused with Shakespeare's Taming of the Shrew may have a slightly creaky resonance these days, but director…
Will the snazzy staging and dancing will keep the Marquis filled now that the show has officially opened and the promotional pricing ($54 for orchestra seats, in keeping with the 1954 time f…
It's not easy to reconcile farcical twists and turns with much more somber events. Thus, Peter Mills and Reichel deserve credit for attempting this difficult combination.
This mesmeric production simply oozes humanity as the characters engagingly contend with striving, delusion, idealism and disillusion.
Liz Flahive has braved the difficult task of investing an essentially tragic story with a strong comic flavor, and looking at the problem of violence in schools through a sympathetic and red…
With the emphasis on character rather than plot development this could be a half-hour shorter without losing any of its punch.
A play within a play, or a farce within a melodrama or a melodrama within a drama. If it defies classification, it also defies comprehension.
The final and title playlet ends up as a huge plug for Century 21 but before the cast can shop until they drop, director Nicholas Martin wisely ends things with a jazzy ensemble dance. Might…
Without a marquee boasting actors and a director associated with Broadway, this quiet little period piece might have been more appropriately mounted in an Off-Broadway theater.
Phoenix Theatre Ensemble has produced a play that portrays human being who are resilient and resourceful, who stumble toward understanding and forgiveness. It is never demoralizing, always m…
This musical has the advantage of not only hitting all the plot points but providing back story on Miss Haversham's lover not revealed in any other production. It also illuminates psychologi…
A rare marriage of material and production which director Kevin Cunningham weaves into an exuberant whole.
Revisiting the stage production of this classic musical is like going to your high school reunion and finding that high school sweetheart really deserved to be your first love and that there…
Harry Caul, the saxophone playing, obsessive loner and technological eavesdropper is a role made to order for David Morgentale who has created a gallery of memorable stage portraits for the …
From the moment the company walks down the stairs at the sides of the house and onto the stage, belting out the overture to Sweet Mama Stringbean, it's obvious everyone in the theater is going to have one hell of a good time.
This work remains a penetrating and painful account of the triumph of the human spirit.
This musical breaks new heights of dreadfulness.
A marvelous lesson on what can be done on stage without a big budget but with lots of fresh talent combined with the awesome ability of veterans. It is a rare treat, every bit as stirring as…
At London's Almeida, the Guirgis play gets a wonderful production so that even the difficult scenes do not become tedious.
Macbeth's continuing journey with its Broadway arrival coinciding with Rupert Gool's re-envisioning The Last Days of Judas Iscariot in London.
I fell in love with South Pacific all over again.
A play based on a notorious forgery case tried right after World War II is certainly the stuff of drama with its combination of history, scandal and police procedural. But while Bruce J. Rob…
A laugh-out-loud comedy streaked with the distresses of three lifetimes.
A dazzling little jewel of a playwritten by veteran character actor Jerry Sroka has just begun its world premiere at the Whitefire Theatre in Sherman Oaks.
Stephen Adly Guirgis, Philip Seymour Hoffman and some of the LABrynth theater's best actors have reunited to once again confront serious issues of love and faith reunite through characters w…