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3,497 stories from The Arts Desk

Travesties, Menier Chocolate Factory by Aleks Sierz

Is this the most dazzling play of a dazzling playwright? First staged in 1974, Travesties is the one which manages to squeeze avant-garde novelist James Joyce, DaDa godfather Tristan Tzara a…

SOURCE: The Arts Desk at 7:02pm on October 4, 2016

No's Knife, The Old Vic by David Nice

Nobody said that a 70-minute audience with the undead was going to be easy. You can read Samuel Beckett's Texts for Nothing in your own time, pausing for thought, leaving off, coming back. W…

SOURCE: The Arts Desk at 4:14am on October 4, 2016

theartsdesk Q&A: Playwright Katori Hall by Jasper Rees

Is Katori Hall (b. 1981) the embodiment of Martin Luther King's dream? She was born in Memphis, the city where King died. The Mountaintop, her play about his last night alive, had its world …

SOURCE: The Arts Desk at 6:04am on October 2, 2016

Floyd Collins, Wilton's Music Hall by Edward Seckerson

It's one of those true stories you couldn't make up: in 1920s Kentucky, Floyd Collins, visionary cave explorer, happens across the spectacular sand cave of his dreams only to become trapped …

SOURCE: The Arts Desk at 8:27pm on September 29, 2016

The Libertine, Haymarket Theatre by Aleks Sierz

Restoration theatre has the reputation of being a rake's paradise " all those randy young aristos in hot pursuit of buxom wenches. But even in the depths of 17th-century playwriting, there w…

SOURCE: The Arts Desk at 6:55pm on September 27, 2016

Imogen, Shakespeare's Globe by David Nice

What's in a name? Imogen has a softer music to it than Cymbeline, the only one of Shakespeare's plays in which the title character is marginal - even if Hal and Falstaff just outshine Henry …

SOURCE: The Arts Desk at 4:57am on September 24, 2016

Pilgrims, The Yard Theatre by Aleks Sierz

At its best, theatre is great at putting resonant metaphors on stage. And, as Elinor Cook's new play abundantly proves, the activity of mountain climbing seems very promising as a metaphor f…

SOURCE: The Arts Desk at 7:15pm on September 23, 2016

Good Canary, Rose Theatre, Kingston by Jenny Gilbert

Very occasionally the playing of a play leaves a deeper impression than does the play itself. This is the case with Good Canary, a lippy, sweary tragicomedy by Zach Helm about secrets and ad…

SOURCE: The Arts Desk at 5:13am on September 23, 2016

The Greater Game, Southwark Playhouse by Veronica Lee

Michael Head's new play is based on the book They Took the Lead by Stephen Jenkins, which tells the true story of events at Clapton Orient (now Leyton Orient) Football Club during the First …

SOURCE: The Arts Desk at 7:15pm on September 21, 2016

No Man's Land, Wyndham's Theatre by Marianka Swain

We are lost in the wood. In the limbo state between dream and reality, memory and present, youth and age, companionship and seclusion, life and death, struggle and success, fame and obscurit…

SOURCE: The Arts Desk at 7:49pm on September 20, 2016

First Person: 'Leaving the house can feel like walking into battle' by Veronika Szabo

On a sunny afternoon in April four young women pile themselves into a toilet at the Royal Central School of Speech and Drama. They lock the door. They have come here to make some intimate re…

SOURCE: The Arts Desk at 7:27am on September 19, 2016

Things I Know To Be True, Lyric Hammersmith by Marianka Swain

Growing up is a kind of grief: losing the person you once were to embrace the person you will become. That loss can fracture familial relationships, forced to adjust and reform as offspring …

SOURCE: The Arts Desk at 8:27am on September 17, 2016

Who's afraid of Edward Albee? by Jasper Rees

"I've always thought there's nothing worse than coming to the end of your life and realising that you haven't participated in it, and so I write about people who've done that to a certain ex…

SOURCE: The Arts Desk at 5:25am on September 17, 2016

The Alchemist, RSC, Barbican Theatre by Alexandra Coghlan

The confidence trick to end all tricks, Ben Jonson's The Alchemist is so utterly recognisable, so clearly contemporary, that to update the setting feels a bit like underlining the point in r…

SOURCE: The Arts Desk at 8:14pm on September 14, 2016

Torn, Royal Court Theatre by Aleks Sierz

The family is a war zone. Bam, bam, bam. For some people, it can be the most dangerous place on earth. Its weapons include domination and betrayal, blackmail and abuse, and its frontline is …

SOURCE: The Arts Desk at 6:00pm on September 14, 2016

Doctor Faustus, RSC, Barbican Theatre by Alexandra Coghlan

What price a human soul? That's the question Marlowe's Doctor Faustus asks " a question whose answers are rooted in faith and theology. But in a society with little use for faith and still l…

SOURCE: The Arts Desk at 7:40pm on September 13, 2016

Jess and Joe Forever, Orange Tree Theatre by Aleks Sierz

We're living in the age of the small play. Although there are plenty of baggy epics around on our stages, they are outnumbered by the small and short two-hander, whether it is John O'Donovan…

SOURCE: The Arts Desk at 5:58pm on September 12, 2016

The Emperor, Young Vic by David Nice

She gave us the most moving of King Lears years before the news broke that Glenda Jackson would be playing the role. Only Mark Rylance has recently matched the malicious wit of her Globe Ric…

SOURCE: The Arts Desk at 3:36am on September 9, 2016

The Inn At Lydda, Sam Wanamaker Playhouse by Alexandra Coghlan

Part Biblical melodrama, part Carry On Up The Colosseum, with a bit of Horrible Histories thrown in for good measure, it's hard to see how John Wolfson's wildly uneven The Inn at Lydda gradu…

SOURCE: The Arts Desk at 8:25pm on September 8, 2016

Labyrinth, Hampstead Theatre by Aleks Sierz

Ever since Lucy Prebble's hit masterpiece, Enron, opened our eyes to the possibilities of staging plays about global finance in a thrillingly theatrical way, the hunt has been on for another…

SOURCE: The Arts Desk at 7:16pm on September 7, 2016

Revolt. She Said. Revolt Again., Shoreditch Town Hall by Aleks Sierz

Alice Birch is one of the most exciting playwrights to have arrived in the past five years. This restaging of the brilliantly titled Revolt. She Said. Revolt Again. " which was first put on …

SOURCE: The Arts Desk at 6:19pm on September 2, 2016

The Entertainer, Garrick Theatre by Aleks Sierz

For the final show in his year-long stay at this West End address, Kenneth Branagh has chosen to revive and star in John Osborne's 1957 play. By doing so, he finds himself once again treadin…

SOURCE: The Arts Desk at 6:31pm on August 30, 2016

They Drink It in the Congo, Almeida Theatre by Aleks Sierz

Do you carry a small part of the Congo every day on your person? Probably. Your mobile phone will contain coltan, aka columbite tantalum, which is used to make your electronics work better. …

SOURCE: The Arts Desk at 7:25pm on August 23, 2016

Edinburgh 2016: Angel by Henry Naylor/ Horse in Careful/ Lucy McCormick: Triple Threat by Veronica Lee

Angel by Henry Naylor, Gilded Balloon ****Rehana tells us what her hometown Kobane in Syria, is like - "A small border town where nothing happens … like Berwick-on-Tweed," she says " a typ…

SOURCE: The Arts Desk at 10:02pm on August 22, 2016

Edinburgh Festival 2016: Alan Cumming/The Glass Menagerie/Mark Thomas by David Kettle

Alan Cumming Sings Sappy Songsread more

SOURCE: The Arts Desk at 3:32am on August 22, 2016
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