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8,108 stories from DC Theatre Scene

Relese: A Rock Opera (Capital Fringe review) by Guest Writer

An exciting aspect of CapFringe is getting a sneak peek at a new show in the first stage of development. Such is the case with DC Dogs' Release: A Rock Opera, now playing at the Gallaudet…

SOURCE: DC Theatre Scene at 10:04pm on July 9, 2017

Mr. Taken (Capital Fringe review) by Ashley Derr

Watching a great sex comedy provides some of the most fun you can have with your clothes on. Watching a bad sex comedy is painfully awkward and embarrassing. The creative team behind Mr. …

SOURCE: DC Theatre Scene at 7:32am on July 9, 2017

The Dream Dancer (Capital Fringe review) by Lucette Moran

Magical realism meets morality play with a dash of sideshow in The Dream Dancer, an entrancing journey through time at this year’s Fringe. If magic, hypnosis, and feminism tickle your …

SOURCE: DC Theatre Scene at 7:32am on July 9, 2017

Return to the Scene of the Crime (Capital Fringe review) by Amy Couchoud

An autobiographical one-man show about performing a different autobiographical one-man show? It sounds like the ultimate Fringe Festival cliché. But despite its conceit, David Kleinberg's R…

SOURCE: DC Theatre Scene at 7:32am on July 9, 2017

MacBheatha (Capital Fringe review) by Alan Katz

Alana Wiljanen made a good choice in calling her group's co-created Shakespeare adaptation MacBheatha, instead of the more famous Macbeth, Shakespeare's sordid tale of a Scotsman murdering h…

SOURCE: DC Theatre Scene at 7:32am on July 9, 2017

Not Quite: Asian American by Law, Asian Woman by Desire (Capital Fringe review) by Guest Writer

See this show. Stop reading this review, click this hyperlink, buy a ticket, and see it. Don't want to go alone? I'll see it with you. We've never met before? Who cares. I'm your new best fr…

SOURCE: DC Theatre Scene at 6:33am on July 9, 2017

Ghouls (Capital Fringe review) by Guest Writer

There is a moment in Sean Surla's one-woman piece, Ghouls, (playing at the Atlas Performing Arts Center through July 16) where Emel Haddad " Surla's stand-in for herself, and an extraordinar…

SOURCE: DC Theatre Scene at 6:33am on July 9, 2017

J-Swizzle's (& D-Man's) Epic Awesome Swaggy Broventure for Sweet Rhymes (Capital Fringe Review by Jill Kyle-keith

Ah, to be thirteen again- the age full of equal parts hubris and insecurity. Such are the epic struggles of two teenage would-be rappers in this funny new piece by Emma Choi, herself a senio…

SOURCE: DC Theatre Scene at 6:33am on July 9, 2017

8 Bit Circus Sh*t (Capital Fringe review) by Marshall Bradshaw

8 Bit Circus Sh*t's two acts are almost as different as fire and ice. Both are video game-inspired displays of fire circus tricks, but vary greatly in excitement and accessibility. Act I tak…

SOURCE: DC Theatre Scene at 6:33am on July 9, 2017

Just Like A Woman (Capital Fringe review) by Lorraine Treanor

The tagline for Larry E. Blossom's latest Capital Fringe offering, Just Like A Woman, is "Will Trans Trump Fear in These Troubled Times?" Unfortunately, neither the issues of transphobia nor…

SOURCE: DC Theatre Scene at 6:33am on July 9, 2017

Everything Is Wonderful (CATF review) by Tim Treanor

So tell me what's better: living in the love, support, and strength of a community at the cost of your independence, or living a life that's free and lonely? "Living with other people and le…

SOURCE: DC Theatre Scene at 2:24pm on July 8, 2017

The Words She Gave Me (Capital Fringe review) by Guest Writer

The Words She Gave Me, Solia Bickersteth's ambitious multimedia project, is a bighearted and moving exploration of how African-American women have shaped one another's concept of womanhood. …

SOURCE: DC Theatre Scene at 2:24pm on July 8, 2017

Hevagon 2017: Let Freedom Zing! (Capital Fringe review) by Guest Writer

Described as "D.C.'s only all-original political satirical musical comedy troupe," Hexagon gives a musical zing to the political madness of the past year. Now in its 62nd year, Hexagon bring…

SOURCE: DC Theatre Scene at 2:24pm on July 8, 2017

Life, Death, & Everything In-Between (Capital Fringe review) by Guest Writer

Large swatches of fabric move time forward or weave through space. The bold colors catch the eye. Confrontational dialogue sets characters in opposition while bodies remain static or surge f…

SOURCE: DC Theatre Scene at 2:24pm on July 8, 2017

Ladies in Waiting: The Judgement of Henry VIII (Capital Fringe review) by Kelly McCorkendale

Divorced. Beheaded. Died. Divorced. Beheaded. Survived. What a clever mnemonic device to track the tragic lives of Henry VIII's many wives. And this play will not let you forget it. It has a…

SOURCE: DC Theatre Scene at 1:06pm on July 8, 2017

Abortion Road Trip (Capital Fringe review) by Jon Jon Johnson

Abortion Road Trip tells the story of three women in a cab headed to New Mexico from Texas for an abortion. In this reviewer's experience, shows covering the oh-so-taboo topic tend to be hea…

SOURCE: DC Theatre Scene at 11:54am on July 8, 2017

Lazarus (Capital Fringe review) by Guest Writer

The notion that medical technology will one day enable human beings to live indefinitely is not just science fiction. Preventing the aging process (or “ending aging”) is an actua…

SOURCE: DC Theatre Scene at 11:54am on July 8, 2017

Last Ditch Playlist (Capital Fringe review) by John Bavoso

The unofficial rules for crafting a successful play also tend to apply to compiling the perfect mixtape: tell a compelling story, know your audience but keep them guessing, set a tone, stick…

SOURCE: DC Theatre Scene at 11:54am on July 8, 2017

Four Broke Guys: LIVE! (Capital Fringe review) by Guest Writer

Four Broke Guys: LIVE! is classified as a comedy, but don't expect mere fluff or pratfalls from this one-man show. Actor and playwright J. Shawn Durham's sequence of four monologues from fou…

SOURCE: DC Theatre Scene at 8:06am on July 8, 2017

Blue Over You (Capital Fringe review) by Jon Boughtin

It's winter in Evanston, Illinois, and a woman has gone missing. Her name is Mitzi, and beyond that we know just a scant few details: she works as an Administrator, is unafraid of bumble bee…

SOURCE: DC Theatre Scene at 8:06am on July 8, 2017

The Blind (Capital Fringe review) by Marshall Bradshaw

Against a backdrop of trendy dramedies and raunchy musicals, the Wheel Theatre Company's The Blind leads its audience to a cold, dark forest a century old. Your experience depends on how far…

SOURCE: DC Theatre Scene at 8:06am on July 8, 2017

Caveat (Capital Fringe review) by Guest Writer

Caveat (written and directed by Ben Lockshin and playing at Gallaudet University's Eastman Studio Theater) is a "One's-a" show, where each character is an idea of a person more than an actua…

SOURCE: DC Theatre Scene at 7:04am on July 8, 2017

Constructive Fictions (Capital Fringe review) by Guest Writer

Was ever a jailed sex offender more self-righteous and self-pitying than Rabbi Barry Freundel in this brilliantly disturbing new play by A. J. Campbell? Were ever such a predator's' victims"…

SOURCE: DC Theatre Scene at 7:33pm on July 7, 2017

Quantum Suicide: A Talk by Professor Sophie Miller (Capital Fringe review) by Guest Writer

You don't have to understand quantum mechanics " or even elementary physics " to follow Quantum Suicide: A Talk by Professor Sophie Miller, the one woman show now enjoying its first Fring…

SOURCE: DC Theatre Scene at 7:33pm on July 7, 2017

I'm Margaret Thatcher, I Is! (Capital Fringe review) by Ashley Derr

This show is Art with a capital "A". It is awe-inspiring. It is life-changing. As the actors inform us in the prologue, it may, in fact, be "the most important piece of theatre you will ever…

SOURCE: DC Theatre Scene at 7:33pm on July 7, 2017
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