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8,108 stories from DC Theatre Scene

One in Four (Capital Fringe review) by Alan Katz

If you’ve ever picked up a roommate from an online ad, you know that living with strangers can be, well, strange. In a world premiere from outer space-oriented Nu Puppis collective, th…

SOURCE: DC Theatre Scene at 7:32am on July 12, 2017

In the Company of de Sade (Capital Fringe review) by Brett Steven Abelman

Satire is a noble pursuit, but it can also be used as an excuse. Regardless of what a would-be satirist puts onstage, if you dislike it, he can say that your negative reaction is the point. …

SOURCE: DC Theatre Scene at 7:32am on July 12, 2017

Doing a Fringe show in a wine bar. Enough to drive this comic to drink? by John Morogiello

This year, we are sending roving reporters around Fringe to bring back stories. For this first Fringe Binge column, John Morogiello ventured no further than his spot upstairs at the Pursuit …

SOURCE: DC Theatre Scene at 6:04pm on July 11, 2017

Wild Horses (review) by Tim Treanor

Wild Horses is the story of a thirteen-year-old girl making bad choices, in the company of her close friends, who also make bad choices, and of their bad-choice-making associates. She has ba…

SOURCE: DC Theatre Scene at 4:42pm on July 11, 2017

We Will Not Be Silent (review) by Tim Treanor

At the end of Arthur Miller's The Crucible, the Judge offers the heroic John Proctor a deal. Confess to witchcraft, he says, and we will spare your life. More than that: you will go free. Pr…

SOURCE: DC Theatre Scene at 1:06pm on July 11, 2017

The Niceties (review) by Tim Treanor

Eleanor Burgess’ play could, with justice, be called Oleanna — The Next Generation. Like the Mamet play, this is the story of a student and her professor. Like Oleanna‘s Ca…

SOURCE: DC Theatre Scene at 12:18pm on July 11, 2017

Clara Bow: Becoming 'It' by Jill Kyle-keith

Though her name is no longer on the lips of an adoring public, during the height of silent film and then early talkies, Clara Bow was The It Girl, the very personification of the carefree fl…

SOURCE: DC Theatre Scene at 12:18pm on July 11, 2017

Welcome to Fear City (review) by Debbie Minter Jackson

It's surprising how quickly a time period can be captured with a few props, boom box, land line phone and some huge Afro wigs.  This world premiere by the talented Kara Lee Corthron is fi…

SOURCE: DC Theatre Scene at 11:06am on July 11, 2017

Joe Charnitski's Funeral (Capital Fringe review) by Lucette Moran

Not the first, not the second, but the third Joe Charnitski is here from New York to share his story of three lives, two eulogies, and getting out of a small town. Witty, humble, and invitin…

SOURCE: DC Theatre Scene at 10:04am on July 11, 2017

Show Business 101 (Capital Fringe review) by Guest Writer

Welcome to show business! And welcome to this comedy revue where four talented actors burst on and off the stage offering send-ups of various show biz situations, real and imaginary. Geoffre…

SOURCE: DC Theatre Scene at 5:18pm on July 10, 2017

LIFE: A Comic Opera in Three Short Acts (Capital Fringe review) by Guest Writer

LIFE: A Comic Opera in Three Short Acts is neither quite an opera nor a musical; it is not a really a comedy or a drama. It's a bit of everything, using classical music, Broadway, doo-wop…

SOURCE: DC Theatre Scene at 3:54pm on July 10, 2017

Spy in the House of Men (Capital Fringe review) by Marshall Bradshaw

Autobiographical solo performances are a major food group at Capital Fringe. Spy in the House of Men follows the recipe step-by-step, but stands out from the rest as particularly well-writte…

SOURCE: DC Theatre Scene at 3:54pm on July 10, 2017

Love and Other Lures by Kelly McCorkendale

An hour of music"wonderfully moody ballads, bluesy numbers, and almost twangy folk songs"is always an hour well spent. Even if that music largely focuses on supernatural themes. Monsters to …

SOURCE: DC Theatre Scene at 12:04pm on July 10, 2017

Pursuing happiness in The Happiest Place on Earth, review by Jeffrey Walker

Ah, the land of dreams, whimsy, and mouse ears! Main Street, USA, the Matterhorn ride, and Tom Sawyer's Island. All these are part of a mecca for family entertainment nestled in sunny Anahei…

SOURCE: DC Theatre Scene at 12:04pm on July 10, 2017

Contractions (Capital Fringe review) by John Bavoso

At this point, there's an entire genre of books, TV shows, and films about bad bosses and the bizarre vagaries of corporate workplaces. One of the perhaps lesser-known but extremely effectiv…

SOURCE: DC Theatre Scene at 10:48am on July 10, 2017

Comedian Elected to Town Council in New Jersey (Capital Fringe review) by Jill Kyle-keith

Ask yourself: how much do you need to know about the inner workings of local government in Flemington, New Jersey? If the answer is "I'd rather know about Flemington, NJ than what's going on…

SOURCE: DC Theatre Scene at 9:42am on July 10, 2017

The Kind of Thing That Would Happen (Capital Fringe review) by Amy Couchoud

What is truth? It's a big question to explore in 50 minutes, but Agora Dance's The Kind of Thing That Would Happen attempts to do exactly that. The result is a beautifully executed, if overl…

SOURCE: DC Theatre Scene at 9:42am on July 10, 2017

Passing " A Stage Play (Capital Fringe review) by Steven McKnight

Kukui Kikuyu Productions' Passing " A Stage Play is a fascinating psychological character study in which secrets revealed inevitably lead to a shockingly tragic end which deserves a long …

SOURCE: DC Theatre Scene at 9:42am on July 10, 2017

Paper (Capital Fringe review) by Guest Writer

A cluttered desk, a twenty-minute appointment, a student and a teacher, and what ensues are cerebral twists and turns, well beyond the subdued, weightiness of departmental office hours. We i…

SOURCE: DC Theatre Scene at 8:36am on July 10, 2017

The Laramie Project (Capital Fringe review) by Guest Writer

One of the most frequently performed plays in America today, The Laramie Project, is now on view at the Atlas Performing Arts Center, where the bare stage of the Lang Theatre has been transf…

SOURCE: DC Theatre Scene at 8:36am on July 10, 2017

Lost Teeth (Fringe review) by Steven McKnight

How far are we willing to go to seek happiness?  That's the intriguing premise of Jona Tarlin's Lost Teeth, a world premiere production from New York City's Blowout Theatre Company which …

SOURCE: DC Theatre Scene at 8:36am on July 10, 2017

Tiresias' Tits (Capital Fringe review) by Guest Writer

Tiresias' Tits is a self-described satirical, surreal, burlesque (fun fact – the author of the ur-source material, The Breasts of Tiresias, Guillaume Apollinaire, is respon…

SOURCE: DC Theatre Scene at 11:06pm on July 9, 2017

This Too Comes By Hard (Capital Fringe review) by Guest Writer

No way around it, this is a dark, harsh, and gritty domestic drama. For some, it may be too dark, too harsh, too gritty, perhaps a partner violence trigger. A fun, frothy, feel-good frolic t…

SOURCE: DC Theatre Scene at 10:04pm on July 9, 2017

Exit Carolyn (Capital Fringe review) by Guest Writer

I love Fringe. And like many theatergoers, I head off each day with tolerance and hope. The tolerance is for shows that are long on ambition, and the hope is for something more. Imagine my s…

SOURCE: DC Theatre Scene at 10:04pm on July 9, 2017

To Be or Not To Be in Love " That Is the Question? by Guest Writer

Sitting in the audience of To Be or Not To Be In Love " That Is The Question?, a one-woman cabaret starring writer-choreographer Beverly Merella, might be the modern equivalent of attendi…

SOURCE: DC Theatre Scene at 10:04pm on July 9, 2017
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