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8,108 stories from DC Theatre Scene

Help Me, Wanda! by Guest Writer

Toni Rae Salmi is an actor seen frequently on DC stages, most recently “enjoyably grand” in Perfect Arrangement at Source Festival. In Help Me, Wanda!, she belts out a r…

SOURCE: DC Theatre Scene at 8:36am on July 16, 2017

The Changeling Child (Capital Fringe review) by Steven McKnight

A marketing company might have taken The Coil Project's The Changeling Child and instead titled it A Midsummer Night's Dream " The Next Generation.  That title better conveys the substanc…

SOURCE: DC Theatre Scene at 8:36am on July 16, 2017

Proper Care of the Peace Lily (Capital Fringe review) by Guest Writer

There are no absolutes in Proper Care of the Peace Lily. In this 100 minute performance, everything exists in relation: analogies, power differentials, and those actual familial relations…

SOURCE: DC Theatre Scene at 5:04pm on July 15, 2017

Exit, Pursued by a Bear (Capital Fringe review) by Guest Writer

Exit, Pursued by a Bear, produced by Barabbas Theatre for their 2017 CapFringe entry and directed by Kevin O'Connell, is a welcome DC introduction to Lauren Gunderson's …

SOURCE: DC Theatre Scene at 12:12pm on July 15, 2017

Dancing Through Life…By the Way (Capital Fringe review) by Guest Writer

Dancing Through Life…By the Way is a one-man show starring Christopher Bennett. No director is credited in the Playbill, but it appears that Mr. Bennett did the majority of the heavy li…

SOURCE: DC Theatre Scene at 12:12pm on July 15, 2017

The Regulars (Capital Fringe review) by Guest Writer

By far the best show I have seen at Fringe so far this year, The Regulars will have you laughing in your seat, squealing at insider "DC" jokes and dancing in the aisles, (Really, be pr…

SOURCE: DC Theatre Scene at 12:12pm on July 15, 2017

Roseburg (Capital Fringe review) by Lucette Moran

A play about gun control, mental health, Robert Kennedy, and the Umpqua Community College shooting that forms a cohesive message without hitting the audience over the head with an anvil? It'…

SOURCE: DC Theatre Scene at 10:48am on July 15, 2017

Orson the Magnificent " The Magic of Orson Welles (Capital Fringe review) by Ben Demers

You probably know Orson Welles for Citizen Kane and War of the Worlds, but did you know he was also an accomplished magician? In Orson the Magnificent, consummate showman Lars Klores take…

SOURCE: DC Theatre Scene at 10:48am on July 15, 2017

SHINKA (Capital Fringe review) by Guest Writer

The post World War II Japanese dance theatre form, Butoh, is traditionally performed in white body make-up. Slow controlled movement, body tension and muscular involvement may rely on elabor…

SOURCE: DC Theatre Scene at 9:36am on July 15, 2017

5 Epiphanies (Capital Fringe review) by Amy Couchoud

Full disclosure: I have spent most of the last decade as a teacher, immersed in the world of autobiographical storytellin . I work with my students to become less "literary" and more "con…

SOURCE: DC Theatre Scene at 9:36am on July 15, 2017

Repentance (Capital Fringe review) by Guest Writer

A light night of theater Repentance is not. In one uninterrupted dialogue that unfolds over the course of 90 minutes, Repentance tells a story of mental anguish, power games and …

SOURCE: DC Theatre Scene at 5:18pm on July 14, 2017

A Capital Fringe pub crawl of H Street bars by Marshall Bradshaw

We sent Marshall Bradshaw out to check on what the bars near Fringe headquarter have to offer all you Fringe-goers. Here’s his report. Star & Shamrock Tavern & Deli 1341 H St N…

SOURCE: DC Theatre Scene at 5:18pm on July 14, 2017

"It's What We Do": A Play about the Occupation (Capital Fringe review) by Kelly Whealan George

Nazi Germany, South African apartheid, any city USA circa Black Lives Matter, pre-civil rights era America, Batista regime in Cuba, Cochabamba in Bolivia, Syrian uprising, 1984, even Jews in…

SOURCE: DC Theatre Scene at 2:24pm on July 14, 2017

The Heroes' Tale (Capital Fringe review) by Guest Writer

Four black men in their forties sit around a chess game in Dupont Circle park in 1980. They open the show singing barbershop-quartet style, an upbeat song about themselves: They are the 1342…

SOURCE: DC Theatre Scene at 12:12pm on July 14, 2017

Kara Sevda (Capital Fringe review) by Guest Writer

Let's get this part out of the way quickly: Lisa VillaMil's Kara Sevda (at Shopkeepers through July 22) is an exhilarating piece of theater, masterfully and assuredly directed by Kat H…

SOURCE: DC Theatre Scene at 6:54am on July 14, 2017

Arden Now (Capital Fringe review) by Lorraine Treanor

"My employer is an asshole." Shakespeare said that. Ok, not exactly. But the Rude Mechanicals somehow fit the line seamlessly into Arden Now, their abbreviated and modified " yet still sp…

SOURCE: DC Theatre Scene at 9:12pm on July 13, 2017

'round Fringe: two sleuths crack the case of cheesy pizza by Guest Writer

KOENIGSBERG – It started off a day just like any other. My colleague and I had just finished a performance of our play I'm Margaret Thatcher, I Is! at Atlas's Lab II venue (plug plug p…

SOURCE: DC Theatre Scene at 12:32pm on July 13, 2017

Daggers MacKenzie (Capital Fringe review) by Tim Treanor

There are surprisingly few one-actor musicals. Even rarer: solo musicals where the protagonist juggles razor-sharp daggers. Make your one-actor, dagger-juggling musical about a lesbian circu…

SOURCE: DC Theatre Scene at 10:18am on July 13, 2017

Aflight (Capital Fringe review) by Guest Writer

There is no doubt in my mind that Jane Franklin Dance's Aflight brings something special to Fringe. Usually based in Arlington, this group blends music, dance, and visual art in a way …

SOURCE: DC Theatre Scene at 9:06am on July 13, 2017

ClickB@it (Capital Fringe review) by Guest Writer

Internet addiction is no laughing matter. However, for the talented team now lighting up the stage at the Sprenger Theatre at Atlas, the Internet"and all the craziness it has produced"is the…

SOURCE: DC Theatre Scene at 9:06am on July 13, 2017

Garbage Person Karaoke (Capital Fringe review) by Guest Writer

Over the 65-minute run time of Caroline Bennett's Garbage Person Karaoke, there are moments of painful comedy and bitter emotional connections with that specific kind of heartbreak that k…

SOURCE: DC Theatre Scene at 4:06pm on July 12, 2017

Ten Principles )'( " Senior Year (Capital Fringe review) by Brett Steven Abelman

A choose-your-own-adventure review – pick one of the following: a) I have little or no idea what the Burning Man festival is; b) I know about Burning Man, but have never been; c) I am …

SOURCE: DC Theatre Scene at 12:32pm on July 12, 2017

Byhalia, Mississippi (review) by Tim Treanor

This year the Contemporary American Theater Festival, like the nation itself, has given itself over to political conflict. Whether we are in the classroom, or a Nazi interrogation chamber, o…

SOURCE: DC Theatre Scene at 12:32pm on July 12, 2017

Echoes (Capital Fringe review) by Jon Jon Johnson

Mia Amado, producer and director of Echoes, brings this piece about love and mental illness to the Eastman Theatre at Gallaudet. Echoes is by no means an easy play, in terms of execution …

SOURCE: DC Theatre Scene at 11:12am on July 12, 2017

Nasty Women of the Ecstatic Rainbow Mystical Retreat (Capital Fringe review) by Ashley Derr

"Beware them, as they have pussy power!" Or do they? This show is a comedy inspired by a tragedy, Greek playwright Euripides' The Bacchae. In case it has been a while since you last refreshe…

SOURCE: DC Theatre Scene at 8:54am on July 12, 2017
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